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Young Playwrights Inc.

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Young Playwrights Inc.
NameYoung Playwrights Inc.
Founded1981
Founders[See text]
LocationNew York City
FocusPlaywriting and youth arts

Young Playwrights Inc. is an American nonprofit arts organization dedicated to discovering and developing young playwrights through mentorship, workshops, and staged readings. Founded in the early 1980s in New York City, the organization has connected aspiring writers with theater professionals from institutions such as Lincoln Center, The Public Theater, Roundabout Theatre Company, Manhattan Theatre Club, and New York Theatre Workshop. Its programs have intersected with education and cultural organizations including The New School, Columbia University, Juilliard School, Harvard University, and municipal arts agencies.

History

Young Playwrights Inc. was established amid the 1980s revival of youth arts initiatives influenced by figures associated with Kennedy Center, National Endowment for the Arts, Arts Council England, and community theater movements tied to Arena Stage and La MaMa Experimental Theatre Club. Early leadership included educators and dramatists with ties to Eugene O'Neill Theater Center, Sundance Institute, Williamstown Theatre Festival, and mentors who had worked with playwrights from Tennessee Williams to Arthur Miller. The organization developed partnerships with public schools in boroughs across Manhattan, Brooklyn, Queens, The Bronx, and Staten Island, as well as summer programs connected to Yale School of Drama and outreach modeled after programs at Steppenwolf Theatre Company and Second Stage Theatre.

Throughout the 1990s and 2000s Young Playwrights Inc. expanded its network to include collaborations with television and film entities such as PBS, HBO, ABC, NBC, and studios that had incubated writers for DreamWorks and Paramount Pictures. The organization weathered funding shifts linked to policy decisions in the 1990s United States federal policy era and philanthropic trends represented by foundations like Carnegie Corporation, Ford Foundation, John D. and Catherine T. MacArthur Foundation, Rockefeller Foundation, and arts patrons from the Guggenheim and Metropolitan Museum of Art communities.

Programs and Activities

Programs include in-school curricula modeled on residency templates used by Teach For America alumni, after-school workshops referencing curriculum design from Bank Street College of Education, weekend labs inspired by New Dramatists and staged reading series in the manner of Rolling World Premieres and Playwrights Horizons. Core activities feature mentor pairings with playwrights affiliated with Tony Awards, Pulitzer Prize for Drama recipients, and members of Actors' Equity Association, Dramatists Guild of America, and Stage Directors and Choreographers Society.

Young Playwrights Inc. runs annual playwriting contests with panels including critics from The New York Times, The Village Voice, Variety (magazine), and The Hollywood Reporter, and organizes showcases at venues like Joe's Pub, The Flea Theater, 52nd Street Project, and venues within Lincoln Center Theater. Workshops have been led by dramatists connected to August Wilson, August Strindberg scholarship programs, and contemporary writers who have worked with companies such as National Theatre and Royal Shakespeare Company.

Educational outreach has included residencies that engage students with methodologies from Bank Street College, collaborations with arts-policy groups like Americans for the Arts, and program evaluation using frameworks familiar to Annie E. Casey Foundation and cultural metrics used by UNESCO heritage initiatives.

Notable Alumni and Contributors

Alumni and guest artists associated with the organization have gone on to work at or with Broadway, Off-Broadway, West End, Lincoln Center Theater, The Public Theater, Almeida Theatre, Donmar Warehouse, Schaubühne, and film/TV outlets such as Netflix, Hulu, Disney, Sony Pictures, Warner Bros., and Paramount Pictures. Contributors have included playwrights and directors with links to Tony Kushner, Lynn Nottage, Suzan-Lori Parks, David Hare, Annie Baker, Tracy Letts, Martyna Majok, Dominique Morisseau, Stephen Adly Guirgis, Bruce Norris, Sarah Ruhl, Edward Albee, Neil LaBute, and producers from Lincoln Center Theater. Actors who have participated in readings trace pedigrees to Meryl Streep, Denzel Washington, Philip Seymour Hoffman, Viola Davis, Benedict Cumberbatch, Ethan Hawke, Helen Mirren, Idina Menzel, and Hugh Jackman.

Emerging playwrights who began in the program have later been recognized by awards such as the Pulitzer Prize for Drama, Tony Award, MacArthur Fellows Program, Obie Awards, Drama Desk Awards, and grants from New York Foundation for the Arts and the Guggenheim Fellowship. Mentors have included educators from NYU Tisch School of the Arts, The Juilliard School, Princeton University, Stanford University, and conservatory programs tied to Carnegie Mellon University.

Organizational Structure and Funding

The organization is structured with a board of directors drawn from leaders in theatre institutions (senior staff from Lincoln Center, Roundabout Theatre Company, The Public Theater, Playwrights Horizons), an artistic director with ties to Off-Broadway producers, an education director experienced with New York City Department of Education partnerships, and program managers who previously worked at New Dramatists and Ensemble Studio Theatre. Staffing models reflect nonprofit practices similar to those at A.R.T. (American Repertory Theater), Huntington Theatre Company, and regional theaters like Actors Theatre of Louisville.

Funding sources combine philanthropic grants from foundations such as Ford Foundation and Carnegie Corporation, corporate sponsorships from media companies like Disney and HBO, individual donors within circles that include patrons of Metropolitan Museum of Art and Whitney Museum of American Art, and earned income from ticketed readings and workshops sold to partners at Lincoln Center Education and festival appearances at Edinburgh Festival Fringe and Humana Festival of New American Plays.

Impact and Recognition

The organization's impact is measured by alumni success in institutions such as Broadway, West End, Lincoln Center, and by recognition in outlets including The New York Times, The Guardian, Los Angeles Times, The Washington Post, Variety (magazine), and The New Yorker. Program evaluation has cited outcomes comparable to arts-education research from National Endowment for the Arts reports and case studies published by Wallace Foundation and RAND Corporation. Honors include joint initiatives with Kennedy Center programs and invitations to present work at festivals like National Arts Festival and conferences organized by Americans for the Arts and Theatre Communications Group.

Category:Non-profit organizations based in New York City