Generated by GPT-5-mini| TheWrap | |
|---|---|
| Name | TheWrap |
| Type | Private |
| Industry | Entertainment news |
| Founded | 2009 |
| Founder | Timothy O. Ryan |
| Headquarters | Los Angeles, California |
| Area served | Worldwide |
| Key people | Timothy O. Ryan (CEO), Dawn Chmielewski |
| Products | News website, newsletters, events |
TheWrap TheWrap is an American entertainment news site covering film, television, media, and Hollywood business affairs. Launched in 2009, it reports on industry developments, awards seasons, mergers and acquisitions, distribution, and talent, frequently cited by outlets covering Academy Awards, Sundance Film Festival, Cannes Film Festival, and Emmy Awards. The site serves industry professionals, including executives at Warner Bros., Disney, Netflix, Amazon Studios, and independent producers.
TheWrap provides journalism focused on motion picture production, television series development, and corporate deals among companies such as Paramount Global, Comcast, Sony Pictures Entertainment, Apple Inc., and Lionsgate. Coverage spans talent negotiations involving figures like Brad Pitt, Nicole Kidman, Meryl Streep, Steven Spielberg, and Martin Scorsese, and business reporting on mergers comparable to the AT&T–WarnerMedia deal and the Disney acquisition of 21st Century Fox. The outlet publishes breaking news, analysis, interviews, and listicles tied to events including the Golden Globe Awards, BAFTA, SXSW, and the Toronto International Film Festival.
Founded in 2009 by Timothy O. Ryan, the site emerged amid shifts in media following the decline of legacy outlets like The Hollywood Reporter and Variety's print dominance. Early reporting intersected with stories about studios such as MGM and corporate restructurings at CBS Corporation and Viacom. TheWrap expanded through editorial hires from publications including Los Angeles Times, The New York Times, and Chicago Tribune and developed newsletters and event programming addressing topics like streaming wars involving HBO Max and Peacock. The company navigated industry transformations tied to the rise of Netflix and the globalization of film markets like China and India.
Content includes film reviews, television criticism, festival dispatches, deal reportage, and investigative pieces involving talent agencies such as Creative Artists Agency, United Talent Agency, and William Morris Endeavor. TheWrap reports on studio slate decisions at entities like Universal Pictures, distribution strategies by A24, and box office results compared with blockbusters like Avatar and Avengers: Endgame. Interviews have featured directors and actors including Quentin Tarantino, Greta Gerwig, Denzel Washington, and Cate Blanchett, while coverage has examined streaming models from Hulu and business tactics of executives such as Ted Sarandos and Bob Iger. The outlet also produces awards-season analysis tied to campaigns by studios and PR firms, often referencing guilds like the Screen Actors Guild-American Federation of Television and Radio Artists and organizations such as the Academy of Motion Picture Arts and Sciences.
Operating as a private company, TheWrap's revenue streams include advertising, sponsored content, subscription newsletters, and ticketed events that attract industry attendees from companies like Paramount Pictures and Warner Bros. Discovery. The business model parallels other trade publications such as Deadline Hollywood and Variety, balancing commercial partnerships with editorial independence amid pressures from corporate advertisers including Amazon and Netflix. The ownership structure has included investor rounds and partnerships with media entrepreneurs and executives with backgrounds at outlets like BuzzFeed and Politico.
Editorial leadership has featured journalists with prior positions at Los Angeles Times, The New York Times, The Washington Post, and trade outlets. Regular contributors and columnists include critics, industry analysts, and former studio executives who have worked alongside talent from Sony Pictures Classics and production companies like Plan B Entertainment. Freelance writers and reporters often cover festivals and markets, liaising with publicists from agencies including ICM Partners and newsrooms that follow agent-driven deals at firms such as CAA.
TheWrap has been recognized by journalism and entertainment communities for scoops and investigative pieces, receiving nominations and citations alongside awards given by organizations like the Los Angeles Press Club and mentions in coverage by CNN, BBC News, and The New York Times. Its coverage during award seasons, including the Oscars and Emmys, has positioned it as a source for nominees lists, campaign analyses, and red carpet reporting that industry professionals and publicists consult.
As with other entertainment trades, the outlet has faced scrutiny over sponsored content, potential conflicts involving advertisers from Disney or WarnerMedia, and debates about access journalism versus critical independence commonly raised in discussions involving Variety and The Hollywood Reporter. Critics have questioned the influence of studio advertising on editorial decisions and the balance between promotional pieces for festivals like Cannes and investigative reporting into topics such as sexual misconduct cases connected to figures discussed in broader media like Harvey Weinstein coverage. Discussions about newsroom labor and hiring practices have echoed wider debates in outlets such as Vox and BuzzFeed News.
Category:Entertainment news websites