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Record Plant (New York City)

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Record Plant (New York City)
NameRecord Plant (New York City)
TypeRecording studio
Location321 West 44th Street, Manhattan, New York City
Opened1978 (original incarnation 1968 in New York moved to 44th Street 1978)
FounderGary Kellgren; Chris Stone (co-founders associated with Los Angeles and New York operations)
Notable artistsJohn Lennon, David Bowie, Bruce Springsteen, Stevie Wonder, Madonna, Talking Heads, Queen

Record Plant (New York City) was a landmark commercial recording studio complex in Manhattan, influential in popular music, audio engineering, and production from the late 1960s through the 1980s and beyond. It served as a creative hub for rock, pop, soul, and hip hop, attracting major artists, producers, and session musicians from The Beatles era artists to later MTV-era stars. The facility's reputation grew through high-profile sessions, innovative studio design, and a roster of engineers and producers who shaped contemporary sound.

History

The New York operation emerged from the entrepreneurial activities of Gary Kellgren and Chris Stone, who previously established the original Record Plant in New York City and expanded to Los Angeles and Saipan-era ventures. Early associations linked the studio to sessions by artists connected to Apple Corps, Capitol Records, and Motown Records. During the 1970s, the studio became central to recording by artists affiliated with Atlantic Records, Columbia Records, and Warner Bros. Records. The facility weathered music industry shifts including the advent of compact disc production, the rise of punk rock, and the growth of hip hop in New York City neighborhoods such as Harlem and the Bronx. Ownership and management evolved through partnerships and later sales amid changing real estate pressures in Manhattan.

Facilities and Studio Layout

The complex occupied multiple floors near Times Square with specialized rooms tailored to overdub, mixing, and live tracking. Major studio spaces were outfitted with high-end consoles from manufacturers associated with Neve and SSL, and with outboard gear popularized by engineers working with Motown Records, Island Records, and RCA Records. Acoustic design drew on techniques used in studios like Abbey Road Studios and Sun Studio, combining live rooms for bands and isolation booths for vocalists influenced by practices at Criteria Studios. The facility housed tape machines akin to those from Ampex and synchronization equipment used in television scoring for programs on NBC and ABC.

Notable Recordings and Artists

Sessions at the Record Plant included recordings by figures from diverse labels and movements: members of The Beatles' solo careers such as John Lennon and Yoko Ono; glam and art rock artists like David Bowie; punk and new wave acts including Talking Heads and Blondie; soul and R&B stars linked to Motown Records and Philadelphia International Records such as Stevie Wonder and Aretha Franklin; and rock icons like Bruce Springsteen and Queen. The studio also hosted producers and performers associated with Island Records, Sire Records, Elektra Records, and independent labels driving the DIY scenes in New York City. Film score composers who worked with studios such as 20th Century Studios and Warner Bros. Pictures used the Record Plant for soundtrack elements tied to directors and producers from Hollywood and Broadway collaborators on Broadway musicals.

Production Staff and Engineers

A cadre of engineers, producers, and tech staff who had worked with artists on Capitol Records, Columbia Records, and independent labels staffed the Record Plant. Notable engineers included professionals who collaborated previously with George Martin-era approaches, session producers linked to Tom Dowd and Phil Spector techniques, and contemporary mixers familiar with equipment from Neve and API. Staff members often moved between major facilities such as Electric Lady Studios, Criteria Studios, and Trident Studios and contributed to landmark albums and singles that charted on Billboard and were promoted through outlets like Rolling Stone and MTV.

Cultural Impact and Legacy

The Record Plant influenced recording aesthetics adopted across studios in Los Angeles, London, and Nashville. Its role in sessions by artists associated with Warner Bros. Records, Atlantic Records, and Columbia Records placed it at the center of shifts in production values during the 1970s and 1980s, intersecting with movements such as punk rock, new wave, disco, and the emergence of hip hop. The studio features in biographies and documentaries about figures like John Lennon, David Bowie, and Bruce Springsteen and is cited in coverage by publications including Rolling Stone and The New York Times. Alumni and engineers from the Record Plant went on to executive roles at labels and studios, influencing practices at institutions like Sony Music Entertainment and independent production houses across United States and international markets.

Ownership Changes and Renovations

Over time the Record Plant underwent ownership transitions involving investors and music-industry entrepreneurs with ties to major labels and studio networks. Renovations updated control rooms, consoles, and acoustic treatments to adapt to digital recording trends pioneered by companies such as Avid Technology and to serve clients from the MTV era and beyond. Changing Manhattan real estate values and shifts in the recording-business model prompted relocations, remodels, and eventual closures and revivals under different management groups linked to larger media conglomerates and independent producers.

Category:Recording studios in Manhattan Category:Music industry