Generated by GPT-5-mini| hip hop | |
|---|---|
| Name | Hip hop |
| Stylistic origins | Disco, Funk, Soul, Reggae, Latin music |
| Cultural origins | 1970s Bronx, New York City |
| Instruments | Turntables, Sampler, Drum machine, Synthesizer, Microphone |
| Subgenres | Gangsta rap, Trap, Conscious hip hop, Boom bap, Alternative hip hop, Drill |
| Derivatives | R&B, Pop, EDM |
hip hop Hip hop is a cultural movement and musical genre that emerged in the 1970s in the Bronx and expanded into a global commercial and artistic phenomenon influenced by DJs, MCs, dancers, and visual artists. Early practitioners drew on traditions from Jamaicaan sound system culture, Puerto Ricoan percussion practices, and contemporary scenes in Harlem and Queens, leading to cross-pollination with Disco, Funk, and Soul. Over decades the form diversified through artists, labels, festivals, and media institutions across cities such as Los Angeles, Chicago, Atlanta, and international centers including London, Paris, and Johannesburg.
Origins trace to block parties and community centers in the Bronx where pioneers like DJ Kool Herc and DJ Afrika Bambaataa used two-turntable techniques and breaks drawn from records by James Brown, Sly and the Family Stone, and Bob Marley to galvanize crowds. Influential crews and venues such as the Zulu Nation, 1520 Sedgwick Avenue, and Club Negril fostered MCs and B-boys influenced by Grandmaster Flash, The Sugarhill Gang, and DJ Hollywood. Socioeconomic conditions in New York City neighborhoods intersected with migration patterns from Caribbean islands and Puerto Rico, while community organizers and radio stations like WBLS amplified early recordings by artists on labels such as Sugar Hill Records and Tommy Boy Records.
Core elements include DJing/turntablism, rapping/MCing, breakdancing, and graffiti, practices exemplified by figures like Grandmaster Flash, KRS-One, Run-DMC, and crews such as the Rock Steady Crew. Production relies on sampling records from artists such as James Brown, Stevie Wonder, and Curtis Mayfield using equipment like the Akai MPC and Roland TR-808, techniques popularized by producers including Dr. Dre, The Bomb Squad, and J Dilla. Lyrical styles range from party-oriented flows of LL Cool J and Beastie Boys to politically charged verses by Public Enemy, Talib Kweli, and Common, often structured over looped beats, syncopated rhythms, and spoken-word delivery.
The genre evolved through waves: 1980s golden age innovators like Eric B. & Rakim, N.W.A, and Salt-N-Pepa; 1990s diversification with Tupac Shakur, The Notorious B.I.G., Nas, and Jay-Z; 2000s mainstream expansion via Eminem, Kanye West, and 50 Cent; and 2010s innovations from Drake, Kendrick Lamar, and Nicki Minaj. Subgenres include Gangsta rap (Ice-T, Snoop Dogg), Trap (T.I., Gucci Mane, Migos), Drill (Chicago Chief Keef, UK Skepta), Conscious hip hop (Mos Def, The Roots), and experimental strains by OutKast, A Tribe Called Quest, and Madvillain.
Regional scenes in New York City, Los Angeles, Atlanta, Chicago, Houston, and Detroit developed distinct production and lyrical norms tied to local institutions like Universal Music Group, Def Jam Recordings, and Cash Money Records. International growth saw adaptations in London with grime artists such as Skepta and Stormzy, French rap via IAM and MC Solaar, South African styles in Kwaito and Amapiano intersections with artists like Die Antwoord and Nasty C, and Latin urban fusions involving Reggaeton stars like Daddy Yankee and Bad Bunny.
Artists and producers such as Grandmaster Flash, Run-DMC, Public Enemy, N.W.A, Tupac Shakur, The Notorious B.I.G., Jay-Z, Dr. Dre, Eminem, Kanye West, Nicki Minaj, Kendrick Lamar, and Drake shifted popular music, influencing record labels (Def Jam Recordings, Roc-A-Fella Records), award institutions like the Grammy Awards, and corporate partnerships with media outlets such as MTV, BET, and streaming platforms including Spotify and Apple Music. Independent labels and collectives like Top Dawg Entertainment, Soulquarians, and Odd Future reshaped A&R practices, merchandising, and touring models exemplified by festivals like Rolling Loud and Coachella lineups.
Hip hop artists and movements have engaged with civil rights struggles, policing debates, and electoral politics through protest songs, benefit concerts, and public statements by figures such as Public Enemy, Tupac Shakur, Kendrick Lamar, and activist collectives like the Zulu Nation. Visual art and fashion trends intersected with designers and brands including FUBU, Sean John, Adidas, and Nike, while film and television productions such as 8 Mile, Straight Outta Compton, and Empire codified narratives and biographies. Academic programs at institutions like Columbia University, Harvard University, and New York University study hip hop through archives, symposia, and endowed chairs, and UNESCO and cultural ministries have recognized local scenes in national cultural policies.
Category:Music genres