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LA Art Show

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LA Art Show
LA Art Show
Wee2022 · CC BY-SA 4.0 · source
NameLA Art Show
GenreContemporary art fair
FrequencyAnnual
VenueLos Angeles Convention Center
LocationLos Angeles, California
First1995
ParticipantsInternational galleries, artists, curators
AttendanceOver 50,000 (varies by year)

LA Art Show The LA Art Show is an annual commercial art fair held at the Los Angeles Convention Center that brings together galleries, artists, collectors, curators, critics and institutions from across North America, Europe, Asia, Latin America and Oceania. Founded in 1995, the fair functions at the intersection of the Los Angeles art scene, international art markets such as Art Basel, institutional programs like the Museum of Contemporary Art, Los Angeles and commercial galleries including Gagosian Gallery, Hauser & Wirth, and regional dealers from Beverly Hills to Downtown Los Angeles. The event often overlaps with exhibitions at venues such as the J. Paul Getty Museum, Los Angeles County Museum of Art, and programming by organizations like the Getty Foundation and the California Community Foundation.

History

The fair was established in 1995 amid the expansion of the Los Angeles cultural infrastructure that included projects by the Walt Disney Concert Hall, the Broad Foundation initiatives, and the growth of neighborhoods such as Mid-Wilshire and Culver City. Over successive editions the event engaged artists and dealers associated with movements represented in institutions like the Museum of Modern Art and the Tate Modern, attracting galleries from markets such as New York City, London, Paris, Berlin, Hong Kong, Seoul and Mexico City. Leadership shifts connected the fair to exhibition strategies used at Frieze Los Angeles, TEFAF, and Art Basel Miami Beach; notable moments included collaborations with curators from the Hammer Museum and touring projects loaned by the Finger Museum and private collections like the Broad Collection. Economic cycles influenced participation patterns, aligning fair activity with global hubs including the Shanghai Art Fair and collectors from Dubai and São Paulo.

Organization and Management

The fair is organized by a corporate team that has included executives with backgrounds at galleries such as Gagosian Gallery and auction houses like Sotheby's and Christie's. Management coordinates with public institutions including the Los Angeles County Department of Arts and Culture and private sponsors such as the Annenberg Foundation, Getty Foundation, and regional chambers like the Greater Los Angeles Chamber of Commerce. Operational logistics involve partnerships with the Los Angeles Convention Center administration, event services firms used by Venice Biennale participants, transportation providers linked to LAX, and hospitality partners drawn from the Ritz-Carlton and Walt Disney Concert Hall networks. Governance has featured advisory boards with curators from the Hammer Museum, directors from the Museum of Contemporary Art, Los Angeles, and collectors connected to the Broad Foundation and Hammer Galleries.

Exhibitions and Programming

Programming has included curated sections, solo presentations, historical surveys, and performance programs curated by figures associated with the Getty Research Institute, the Hammer Museum, UCLA School of the Arts and Architecture, and international curatorial teams who have worked on projects with the Tate Modern, Guggenheim Museum, and Centre Pompidou. Special projects have showcased work by artists represented by David Zwirner, Pace Gallery, Marian Goodman Gallery, and independent curators formerly at Whitney Museum of American Art and New Museum. Educational programming has featured talks and panels with critics and historians from publications like Artforum, ArtReview, ARTnews, and writers attached to institutions such as Columbia University and Yale University. Performance and film programs have collaborated with the CalArts community, the Los Angeles Philharmonic, and media partners who have worked on festivals such as the Sundance Film Festival.

Participating Galleries and Artists

Exhibitors range from major international galleries including Gagosian Gallery, David Zwirner, Hauser & Wirth, Pace Gallery, and Marian Goodman Gallery to regional dealers from Pasadena, Santa Monica, Culver City, and Boyle Heights. Past presentations have featured artists linked to museums and collections such as Mark Rothko holdings, work by contemporary figures represented by Jeff Koons, Yayoi Kusama, Yoshitomo Nara, Cecily Brown, Kehinde Wiley, Kara Walker, and mid-career artists exhibited alongside estates like those of Jean-Michel Basquiat and Philip Guston. Specialized sections have highlighted Latin American galleries from Mexico City and São Paulo, Asian galleries from Seoul and Beijing, and European galleries from London and Berlin, with invited curators from institutions such as the Museum of Contemporary Art, Chicago and the Walker Art Center.

Attendance and Reception

Attendance figures have ranged from tens of thousands to over 50,000 visitors, including collectors, museum curators, critics, and public audiences drawn from Los Angeles, San Francisco, New York City, Chicago, Miami, London, and Mexico City. Critical reception in outlets like The New York Times, Los Angeles Times, The Guardian, and Artforum has noted the fair's role in connecting commercial galleries with institutional initiatives at the Getty Center and the Huntington Library while critics from Hyperallergic and Frieze have offered varied appraisals of curatorial quality and market emphasis. Market analysts from Christie's, Sotheby's, and independent advisors have tracked sales trends at the fair relative to events like Art Basel and Armory Show.

Awards and Special Projects

The fair has hosted juried awards, special commissions, and collaborations with nonprofit organizations such as the Annenberg Foundation, the Getty Foundation, and university arts programs at UCLA and USC. Special projects have included site-specific installations by artists represented by Gavin Brown's Enterprise, educational partnerships with the Los Angeles County Museum of Art, and fundraisers with cultural institutions like the Museum of Contemporary Art, Los Angeles and the Hammer Museum. Prize programs and acquisitions often involve museums and corporate collections including the Broad Foundation, regional art funds, and private collectors affiliated with galleries and auction houses such as Sotheby's and Christie's.

Category:Art fairs in the United States