Generated by GPT-5-mini| Kamikaze (Eminem album) | |
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| Name | Kamikaze |
| Type | studio |
| Artist | Eminem |
| Released | August 31, 2018 |
| Recorded | 2018 |
| Studio | Effigy Studios |
| Genre | Hip hop |
| Length | 45:31 |
| Label | Shady Records, Aftermath Entertainment, Interscope Records |
| Producer | Eminem, Dr. Dre, Mike Will Made It, Tay Keith, Fred Again, Illa da Producer, Boi-1da, StreetRunner, Jeremy "Backpack" Miller |
| Prev title | Revival |
| Prev year | 2017 |
| Next title | Music to Be Murdered By |
| Next year | 2020 |
Kamikaze (Eminem album) is the tenth studio album by Eminem, released unexpectedly on August 31, 2018, through Shady Records, Aftermath Entertainment and Interscope Records. The album arrived after the mixed reception to Revival and features aggressive production and direct rebuttals to critics, peers, and streaming platforms. It debuted at number one on the Billboard 200 and sparked debates across media, music industry outlets and social platforms.
Following the commercial and critical discourse surrounding Revival and a high-profile 2017 BET Awards performance, Eminem withdrew from major publicity and returned to studio work in 2018. Sessions involved collaborators associated with Dr. Dre, Shady Records, Aftermath Entertainment, Interscope Records and producers who had worked with Kendrick Lamar, Cardi B, Post Malone and Nicki Minaj. Recording took place at Effigy Studios and other Los Angeles facilities with engineers who had credits with Jay-Z, Kanye West and 50 Cent. The project was framed as a response to critiques from music journalists at outlets like Pitchfork, Rolling Stone, The New York Times and Complex (magazine), and to perceived slights from contemporaries tied to Drake (musician) and Machine Gun Kelly.
Musically, the album draws on aggressive hip hop sonics with production elements linked to traps popularized by producers for Future (rapper), Migos, Travis Scott and Young Thug. Tracks incorporate hard-hitting drums, synth textures and samples reminiscent of works associated with Dr. Dre, Kanye West, Jay-Z, Nas and 50 Cent. Lyrically, Eminem targets a wide array of figures and institutions: critics from outlets like Pitchfork, executives at Universal Music Group, artists including Machine Gun Kelly, Joe Budden, Lil Yachty and suggestions about streaming practices by Spotify. The album revisits themes from earlier The Marshall Mathers LP and The Slim Shady LP eras, including alter egos and shock tactics, while employing multisyllabic rhyme schemes and internal rhyme patterns used by artists such as Rakim, Big Daddy Kane and Nas.
Kamikaze was released as a surprise drop on digital platforms including Spotify, Apple Music, Tidal (service) and Amazon Music, bypassing traditional lead single promotion used by Republic Records and Def Jam Recordings campaigns. The album's cover art references visual motifs connected to World War II imagery and echoes marketing strategies used by contemporaries like Beyoncé and Radiohead for surprise releases. Promotion included social media engagement across Twitter, Instagram and interviews on radio shows affiliated with Hot 97, Power 105.1 and streaming premieres on platforms used by Beats 1 and YouTube Music.
Reviews were polarized: some outlets praised the technical skill and return to combative personas, drawing comparisons to earlier acclaimed records such as The Marshall Mathers LP and productions by Dr. Dre, while others criticized its tone and perceived regressions, aligning with discourse in Pitchfork, Rolling Stone, NME, The Guardian and The New York Times. Critics referenced Eminem's history with controversies involving MTV, BET, and legal disputes similar to those faced by 2 Live Crew and Sinead O'Connor. Several music journalists compared the album's defensive posture to public responses by artists like Kanye West and Kendrick Lamar to media criticism.
Kamikaze debuted at number one on the Billboard 200 with strong streaming equivalents and album sales, outpacing contemporaneous releases by Cardi B, Drake (musician), Travis Scott, Post Malone and Ariana Grande. It reached number one in multiple countries, including the United Kingdom, Canada, Australia, Germany, and France, and generated top ten singles on the Billboard Hot 100 and charts compiled by Official Charts Company. The album's streaming success contributed to renewed discussions at IFPI and RIAA about streaming metrics and certification thresholds used for albums by legacy artists such as Eminem, Jay-Z and Kanye West.
Kamikaze prompted controversies over lyrics perceived as misogynistic, homophobic or violent, echoing past disputes involving Eminem and public figures like Moby, Elton John and Christina Aguilera. Specific feuds escalated: a diss exchange with Machine Gun Kelly led to subsequent tracks and public statements involving managers and labels including Interscope Records. Streaming practices and playlist placements on Spotify were publicly criticized, prompting industry commentary from executives at Universal Music Group, Warner Music Group and Sony Music Entertainment. Media outlets such as CNN, BBC News, The New York Times and The Guardian covered debates on artistic freedom, censorship, and platform responsibility.
The album contains collaborations, samples and production contributions from figures associated with Dr. Dre, Mike Will Made It, Tay Keith, Boi-1da and Fred Again. Personnel credits include engineers and mixers who had worked with Kendrick Lamar, SZA, Rihanna, Beyoncé and Jay-Z. The track listing features aggressive solo performances by Eminem alongside production tags and sample clearances linked to catalogs managed by publishers associated with Universal Music Publishing Group and Sony/ATV Music Publishing. Detailed liner credits list mastering by established engineers with credits spanning catalogs of Dr. Dre, Timbaland, Pharrell Williams and Rick Rubin.
Category:2018 albums Category:Eminem albums Category:Shady Records albums