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| Dangerous Woman Tour | |
|---|---|
| Name | Dangerous Woman Tour |
| Artist | Ariana Grande |
| Album | Dangerous Woman |
| Start date | March 3, 2017 |
| End date | September 21, 2017 |
| Shows | 76 |
Dangerous Woman Tour
The Dangerous Woman Tour was the third concert tour by Ariana Grande in support of her third studio album, Dangerous Woman. The tour visited arenas across North America, Europe, Asia and South America, showcasing Grande's vocal techniques and pop-R&B repertoire while involving collaborators from the contemporary pop, R&B and hip hop scenes. Staged amid the late 2010s live-music industry, the tour intersected with issues involving concert security, streaming distribution and global ticketing platforms.
The tour was announced following the release of Dangerous Woman and followed Grande's prior headline outings, including the The Honeymoon Tour and the My Everything Tour. Management teams from Republic Records, AG Entertainment, and production firms coordinated routing with promoters such as Live Nation and venue operators including Madison Square Garden and The O2 Arena. Creative direction involved collaborators from the pop and fashion worlds, with setlist decisions reflecting singles like Side to Side and Into You. Rehearsals took place in Los Angeles and Miami with choreography influenced by teams who had worked with acts such as Britney Spears and Beyoncé. Ticketing used major platforms including Ticketmaster and partnerships with fan clubs and radio networks such as iHeartRadio.
The set list combined tracks from Dangerous Woman with earlier hits from My Everything and Yours Truly, featuring ballads, uptempo pop, and R&B-inflected numbers. Songs performed included singles like Dangerous Woman, Side to Side, Into You, and fan favorites such as Problem and Break Free. Themes addressed in the performance ranged from empowerment and vulnerability to love and resilience, echoing contemporary songwriting trends exemplified by peers such as Demi Lovato, Taylor Swift, Selena Gomez, Rihanna, and Katy Perry. Musical arrangements incorporated live band elements, programmed beats, and backing vocalists echoing influences from Mariah Carey, Whitney Houston, and Sia.
Production design employed large-scale LED screens, motorized risers, and pyrotechnic-free lighting cues to craft intimate and cinematic moments. The show’s visual language referenced fashion houses and designers often associated with Grande's image, including Giambattista Valli and Alexander Wang, while choreography drew on techniques used in tours by Justin Bieber, Lady Gaga, and Madonna. Technical crews worked with audio engineers experienced with arena acoustics at venues like Staples Center and Tokyo Dome. Production logistics required coordination with transportation firms, local unions such as IATSE, and security contractors frequently engaged by major tours including those of Coldplay and U2.
Critical response highlighted Grande's vocal range and stagecraft, with comparisons to vocalists such as Adele and Barbra Streisand noted by reviewers. Publications that covered the tour included outlets akin to Billboard, Rolling Stone, The Guardian, and The New York Times; commentary addressed set pacing, wardrobe, and crowd interaction. Commercially, the tour ranked on year-end tallies compiled by industry trackers like Pollstar and Billboard Boxscore, selling out multiple arenas across Europe and North America, and generating revenue comparable to contemporaneous tours by Shawn Mendes and Harry Styles. Sponsors and branding partnerships involved companies in fashion, fragrance, and streaming, similar to tie-ins seen with Spotify and Apple Music.
The tour was marked by a major security incident when a bombing occurred at the Manchester Arena following a concert date, which prompted worldwide discussions involving counterterrorism agencies such as the United Kingdom Police and emergency services including NHS England. The attack led to the postponement of dates, benefit events involving artists including Justin Bieber, Coldplay, and KISS-affiliated fundraisers, and the organization of a tribute concert headlined by Grande with guest appearances from Pharrell Williams, Miley Cyrus, and Katy Perry. Additional incidents included show cancellations and logistical disputes involving promoters, venue regulations, and ticket refunds administered through platforms like Ticketmaster and local consumer protection agencies.
Select performances were recorded and streamed via platforms analogous to YouTube, radio broadcasts on networks such as BBC Radio 1 and iHeartRadio, and highlights appeared on televised specials in markets including United States television and United Kingdom television. Official releases included live recordings and charitable singles associated with benefit events, with distribution through Republic Records and major digital retailers like iTunes Store and streaming services such as Spotify and Apple Music.
The touring company comprised musical directors, a live band, backing vocalists, dancers, choreographers, wardrobe stylists, and technical crews. Supporting acts on various legs included artists from the pop and R&B scenes, with opening performances by acts similar to Victoria Monét, Little Mix, Bebe Rexha, and Mac Miller on select dates. Management and representation involved agencies such as William Morris Endeavor and production companies that previously collaborated with performers including Adele and Beyoncé.
Category:Ariana Grande concert tours