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| Name | Hotel Majapahit |
| Location | Surabaya, East Java, Indonesia |
| Opening date | 1910 (as Hotel Oranje) |
| Developer | Lucas Martin Sarkies |
| Architect | W. B. van Gendt |
| Owner | Accor |
| Number of rooms | 143 |
Hotel Majapahit. Hotel Majapahit, originally known as the Hotel Oranje, is a historic luxury hotel in Surabaya, Indonesia. Its establishment and early history are deeply intertwined with the Dutch East Indies colonial period, serving as a social and political hub for the colonial elite. The hotel is most famously remembered as the site of the Hotel Majapahit incident in 1945, a pivotal confrontation during the Indonesian National Revolution that symbolizes the violent rejection of colonial authority and the assertion of national sovereignty.
The hotel was founded in 1910 by the Armenian hotelier Lucas Martin Sarkies, of the prominent Sarkies Brothers hospitality family, who operated several luxury hotels across Southeast Asia, including the Raffles Hotel in Singapore. It was originally named Hotel Oranje in honor of the Dutch royal family. The hotel's construction and operation were emblematic of the colonial economy, catering almost exclusively to European planters, merchants, civil servants, and military officers within the Dutch East Indies plantation system. Its location in Surabaya, a major port city and commercial center of Java, placed it at the heart of colonial administrative and economic power. The hotel's early decades coincided with the height of the Dutch Ethical Policy, a period of purported reform that nonetheless reinforced colonial structures and social hierarchies, with establishments like the Oranje serving as exclusive enclaves of European privilege.
Designed by Dutch architect W. B. van Gendt, the hotel's original structure is a prime example of early 20th-century Indo-European (Indisch) style, which blended European architectural forms with adaptations for the tropical climate. The design features wide verandas, high ceilings, and extensive use of local materials like teak, facilitating natural ventilation. The layout and aesthetics were intended to project imperial permanence and comfort, creating a familiar European environment insulated from its archipelagic surroundings. Subsequent expansions, including the addition of a grand ballroom and gardens, reinforced its status as a premier social venue for the colonial elite. The architectural ensemble stands as a physical testament to the colonial built environment and its social segregation.
Hotel Majapahit gained profound historical significance during the Indonesian National Revolution. Following the Proclamation of Indonesian Independence by Sukarno and Mohammad Hatta on 17 August 1945, tensions escalated in Surabaya. In September 1945, Indonesian republican youths tore the blue strip from the Dutch red-white-blue tricolor flying at the hotel, creating the red-and-white Indonesian flag—an act known as the Hotel Majapahit incident. This defiant symbol of resistance against the returning Allied (primarily British) and Dutch forces helped spark the Battle of Surabaya in November 1945, a major and costly conflict that galvanized national unity and international attention for the Indonesian cause. The hotel thus transformed from a symbol of colonial luxury into a key site of anti-colonial struggle.
The hotel's renaming to Hotel Majapahit in the post-independence era is deeply symbolic, referencing the Majapahit Empire, a powerful pre-colonial Hindu-Buddhist empire based in Java. This act of reclamation repurposed a colonial asset into a symbol of indigenous historical prestige and national identity. The property has since hosted numerous Indonesian political figures and international dignitaries, operating as a site of state diplomacy. However, its continued operation as a luxury hotel also reflects the complexities of post-colonialism, where spaces of colonial oppression are often preserved within the frameworks of tourism and neocolonial economic relations, raising questions about memory, commodification, and historical justice.
Throughout its history, the hotel's operations have been sustained by a stark racial and class hierarchy. During the colonial era, management and high-status positions were reserved for Europeans, while Javanese and other Indonesian subjects filled roles as servants, cooks, and groundskeepers under conditions typical of colonial indenture and low-wage labor. This division mirrored the broader extractive colonial economy that exploited raw materials and local labor for the benefit of the metropole. In the contemporary era, while management has indigenized, the hotel industry in Indonesia continues to grapple with issues of labor rights, unionization, and equitable wage distribution, with historic hotels like the Majapahit situated within these ongoing socio-economic debates.
Recognized for its historical and architectural value, Hotel Majapahit has been designated a cultural heritage property by the Indonesian government. Its preservation, however, involves navigating the tensions between maintaining architectural integrity, serving modern hospitality standards, and ethically presenting its contested history. The hotel is frequently included in historical tours of Surabaya, and its story is a staple in Indonesian educational narratives about the revolution. The conservation efforts, often supported by heritage tourism, highlight the global challenge of preserving colonial-era buildings in post-colonial nations, where such structures are both monuments to a painful past and valuable assets for national memory and economic development.
Category:Hotels in Indonesia Category:Buildings and structures in Surabaya Category:Colonial architecture in Indonesia Category:Dutch East Indies Category:Indonesian National Revolution