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| The Killing (US) | |
|---|---|
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| Show name | The Killing (US) |
| Genre | Crime drama |
| Based on | Danish series Forbrydelsen |
| Developer | Veena Sud |
| Starring | Mireille Enos, Joel Kinnaman, Michelle Forbes, Brent Sexton, Eric Ladin, Billy Campbell |
| Composer | Francesco Leyro |
| Country | United States |
| Language | English |
| Num episodes | 44 |
| Producer | Veena Sud, Mireille Enos |
| Runtime | 42–55 minutes |
| Network | AMC (TV channel), Netflix |
The Killing (US) is an American crime drama television series adapted from the Danish series Forbrydelsen and developed by Veena Sud. The series follows homicide investigators investigating murders in Seattle, Washington and combines procedural elements with serialized character drama. It aired on AMC (TV channel) and concluded after four seasons, with a final season released on Netflix.
The Killing (US) centers on detectives Sarah Linden and Stephen Holder as they pursue complex homicide investigations affecting figures including Mayor Leslie Adams analogues, local entrepreneurs, and familial networks within King County, Washington. The series' narrative structure emphasizes week-by-week case progression and political entanglements involving the Seattle Mayoral campaign, the Seattle Police Department, and institutions like Jewel District Hospital in season arcs. Developed by Veena Sud from the original by Søren Sveistrup, production incorporated procedural techniques from Nordic noir and serialized character studies reminiscent of series such as True Detective and Broadchurch. Early development involved AMC (TV channel) commissioning a pilot directed by Ed Bianchi (placeholder) and script refinements influenced by producers with credits on The Shield and NYPD Blue.
Lead roles include Mireille Enos as Detective Sarah Linden, a meticulous investigator whose methods recall protagonists from Jane Tennison-type dramas, and Joel Kinnaman as Detective Stephen Holder, whose arc intersects with themes explored by actors tied to The Wire and Breaking Bad alumni. Supporting cast features Michelle Forbes as a community matriarch and political figure, Brent Sexton as a seasoned captain, Eric Ladin in local law roles, and Billy Campbell as a bereaved father entwined with municipal politics. Guest and recurring performers include actors connected to series such as Mad Men, Law & Order, Grey's Anatomy, Homeland, Dexter (TV series), and House of Cards, creating a repertory of performers experienced in crime and political drama. Character relationships draw on archetypes present in works by creators from HBO and Showtime dramas.
Production took place primarily in the Greater Vancouver region standing in for Seattle, Washington, utilizing locations in British Columbia to depict urban and waterfront settings. The production team included showrunners and writers with credits on The X-Files and Lost, while cinematography employed moody palettes akin to Nordic noir cinematographers and lighting teams with experience on The Sopranos. Music direction and sound design referenced composers working on Twin Peaks-influenced scores. The show's production history includes a high-profile cancellation and renewal cycle involving AMC (TV channel) executives, fan campaigns, and negotiations with Netflix for a concluding season; these events paralleled industry precedents set by series like Jericho and Arrested Development.
The series comprises four seasons with serialized investigations per season; Season 1 adapts the original Danish first-season arc with weekly revelations, Season 2 expands into political conspiracy during a mayoral race, Season 3 follows a new case tied to urban crime and organized networks, and Season 4 concludes with an arc concerning youth disappearances and trafficking. Episode structures adopt cliffhanger devices and character-driven interludes similar to serialized formats used in The Sopranos, Breaking Bad, and The Killing (Danish) adaptations. Episode directors included veterans from The X-Files, 24 (TV series), and The West Wing, while writers contributed chapters comparable to those on The Wire and Mad Men.
Initial critical reception compared the series to contemporaneous crime dramas including Broadchurch, True Detective, and Homeland, praising performances by Mireille Enos and Joel Kinnaman while criticizing pacing reminiscent of debates around serial storytelling in House of Cards and Lost. The controversial Season 2 finale provoked discourse across media outlets such as The New York Times and The Guardian and stimulated academic analysis in television studies comparing audience reaction to serialized mystery resolution failures in shows like Twin Peaks and Lost. The show influenced later American adaptations of Nordic noir and contributed to the careers of actors who later worked on Westworld, The Walking Dead, and Mr. Robot.
Performances and production design received nominations and awards from institutions including the Primetime Emmy Awards, the Golden Globe Awards, and critics' circles such as the Critics' Choice Television Awards. Lead acting nods highlighted Mireille Enos in categories similar to those recognizing work on Big Little Lies and Fargo (TV series). Technical nominations acknowledged cinematography, editing, and sound work in ceremonies regularly attended by crews from AMC (TV channel) prestige dramas.
The series was released on DVD and Blu-ray with supplementary materials typical of releases for series distributed by Anchor Bay Entertainment and Netflix-streamed internationally via licensing agreements with platforms including Netflix, leading to a broader global audience reach comparable to other AMC (TV channel) exports. Streaming availability has alternated between rights holders, reflecting shifts in catalog licensing similar to transactions involving HBO Max and Amazon Prime Video.
Category:American crime drama television series