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| The Amazing Spider-Man (2012 film) | |
|---|---|
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| Name | The Amazing Spider-Man |
| Director | Marc Webb |
| Producer | Avi Arad, Matt Tolmach |
| Based on | Spider-Man by Stan Lee and Steve Ditko |
| Starring | Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, Sally Field |
| Music | James Horner |
| Cinematography | John Schwartzman |
| Editing | Alan Edward Bell |
| Studio | Columbia Pictures, Marvel Entertainment, Sony Pictures Entertainment |
| Distributor | Sony Pictures Releasing |
| Released | July 3, 2012 |
| Runtime | 136 minutes |
| Country | United States |
| Language | English |
| Budget | $230 million |
| Gross | $757.9 million |
The Amazing Spider-Man (2012 film) The Amazing Spider-Man is a 2012 American superhero film directed by Marc Webb and produced by Columbia Pictures, Marvel Entertainment, and Sony Pictures Entertainment. Starring Andrew Garfield, Emma Stone, and Rhys Ifans, the film rebooted the Spider-Man film series based on the Spider-Man comics created by Stan Lee and Steve Ditko. The narrative follows a teenage Peter Parker confronting identity, family mysteries, and the antagonist Dr. Curt Connors amid themes of responsibility and science-driven ethical dilemmas.
Teenager Peter Parker is raised by his aunt May Parker and uncle Ben Parker after the death of his parents, Richard and Mary Parker, agents of DARPA-linked projects with ties to Oscorp. While at Plymouth Academy and later Columbia University-adjacent scenes, Peter investigates his parents' disappearance using a combination of his father's research notes and encounters with former Oscorp scientist Dr. Curt Connors. After being bitten by a genetically engineered spider developed under the oversight of Dr. Curt Connors at Oscorp, Peter develops abilities analogous to those of a spider, including enhanced strength, agility, and a precognitive "spider-sense." Following the murder of Ben Parker during a botched robbery, Peter adopts the vigilante identity Spider-Man to confront street crime and to dismantle criminal enterprises connected to Oscorp and the black-market machinations of figures linked to Norman Osborn's legacy. His relationship with classmate and activist Gwen Stacy becomes entwined with his secret life as he uncovers Connors's experiments that aim to regenerate lost tissue using cross-species gene therapies; Connors's human trial backfires, producing a reptilian antagonist known as the Lizard whose plan to transform New York City threatens millions. Spider-Man battles the Lizard across landmarks such as Times Square, the Oscorp Tower-adjacent areas, and the New York City Subway system, ultimately reversing the Lizard's threat using a synthesized antidote derived from Parker's own blood and Connors's research while grappling with personal loss and the implications of vigilante justice.
The film stars Andrew Garfield as Peter Parker/Spider-Man and Emma Stone as Gwen Stacy, with Rhys Ifans portraying Dr. Curt Connors/the Lizard. Supporting roles include Denis Leary as Captain George Stacy, Campbell Scott as Richard Parker (uncredited cameo), Irrfan Khan as Dr. Rajit Ratha, Martin Sheen as Ben Parker, and Sally Field as May Parker. The ensemble features appearances by Chris Zylka as Flash Thompson, Embeth Davidtz as Mary Parker, Jordi Mollà as Antonio Rodriguez, Michael Massee as The Gentleman Anderson, and voice or motion-capture contributions connected to the creature effects team and stunt coordinators drawn from professional circles that include members of stunt associations and Weta Digital-adjacent visual effects collaborations. Cameos and minor roles link the film to personnel associated with prior Raimi series veterans and to new creative partnerships formed during the reboot.
Sony acquired film rights to Spider-Man in the 1990s, leading to previous productions in a collaboration between Columbia Pictures and creators like Sam Raimi. Development of the 2012 reboot involved Marvel Entertainment executives and producers Avi Arad and Matt Tolmach, with Marc Webb hired to helm an origin-centric reimagining that leaned on the Parker-Osborn-Connors mythos. Casting choices underwent industry-wide searches with Andrew Garfield ultimately cast after screen tests evaluated his chemistry with Emma Stone, who had previously appeared in The Help and worked with Garfield on independent projects. Pre-production involved production design referencing comic arcs from The Amazing Spider-Man run and consulting with comic writers and artists tied to Marvel Comics history. Principal photography took place in New York City and on soundstages at facilities linked to Sony Pictures Studios, with cinematography by John Schwartzman and visual effects overseen by vendors experienced from projects like Avatar and The Lord of the Rings-era teams, integrating practical stunts choreographed with stunt coordinators from United Stuntmen's Association-related pools. Post-production featured editing by Alan Edward Bell and a digital effects pipeline that collaborated with companies such as Industrial Light & Magic, Weta Digital, and Framestore-adjacent houses to create the Lizard and citywide destruction sequences.
The score was composed by James Horner, collaborating with orchestrators and session musicians linked to ensembles that have recorded for films like Titanic and Braveheart. Horner's work integrates leitmotifs associated with Peter Parker, Gwen Stacy, and the Lizard, recorded at scoring stages in Los Angeles, with sequence cueing tailored to action set pieces and emotional beats reflecting Parker's duality. Additional music supervision involved licensing contemporary tracks and coordinating with music supervisors experienced on Spider-Man 2-era soundtracks.
Sony Pictures Releasing distributed the film, debuting in international markets with premieres in Los Angeles and major cities coordinated with press circuits including San Diego Comic-Con appearances and late-stage marketing during events like E3 tie-ins. Theatrical release dates spanned North American and global windows beginning July 3, 2012, with promotional partnerships involving corporations with prior entertainment marketing collaborations and licensing agreements that referenced Marvel cross-media visibility despite distinct studio rights. Home media releases included Blu-ray, DVD, and digital distribution aligning with contemporaneous catalog strategies at Amazon Prime Video, iTunes, and rental services.
Critical reception mixed praise for performances by Andrew Garfield and Emma Stone and for the film's action choreography, but criticism targeted its reboot timing and comparisons to the Sam Raimi-directed Spider-Man film series. Box office performance totaled $757.9 million worldwide, positioning the film among the year's top grossers and affecting franchise valuation metrics tracked by Box Office Mojo and trade publications like Variety and The Hollywood Reporter. Awards recognition included nominations from industry bodies and guilds associated with visual effects, stunts, and music, with commentary appearing across outlets such as The New York Times, Rolling Stone, and Empire.
A sequel, The Amazing Spider-Man 2 (2014 film), followed under the same production banner, expanding character arcs and introducing additional villains from Marvel Comics lore while intersecting with Sony's long-term strategic planning for spun-off properties and shared-universe concepts. The reboot influenced later negotiations between Sony Pictures Entertainment and Marvel Studios over character usage in the Marvel Cinematic Universe, contributing to collaborative agreements that impacted casting, crossovers, and the development of derivative projects such as Venom and television adaptations tied to Marvel Television and streaming platform strategies.
Category:2012 films Category:Spider-Man films Category:Films directed by Marc Webb