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Redbook (magazine)

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Redbook (magazine)
TitleRedbook
CategoryWomen's magazine
FrequencyMonthly (historically)
Firstdate1903
Finaldateprint 2019 (US)
CountryUnited States
LanguageEnglish

Redbook (magazine) was an American illustrated magazine for women that published fiction, features, and lifestyle content from the early 20th century into the 21st century. Founded in 1903, it evolved through corporate owners, editorial shifts, and cultural changes, intersecting with figures from Theodore Roosevelt to Oprah Winfrey and authors such as F. Scott Fitzgerald and Ernest Hemingway. Over its run the title connected with publishing houses, advertising networks, and media conglomerates including McCall Corporation, Crowell-Collier Publishing, Hearst Corporation, and Google-era digital partners.

History

Redbook appeared in 1903 amid a flourishing magazine market that included The Saturday Evening Post, Harper's Bazaar, Ladies' Home Journal, Good Housekeeping, and The Atlantic (magazine). Early editors aimed to blend short fiction and practical counsel, publishing stories by writers later associated with Lost Generation, Modernist literature, and American realism. During the 1920s and 1930s the magazine published contributors linked to F. Scott Fitzgerald, Ernest Hemingway, William Faulkner, Edna St. Vincent Millay, and Sinclair Lewis. Ownership changed hands across firms such as McCall Corporation, Crowell-Collier Publishing, and later corporate entities tied to The New York Times Company-era consolidation and Hearst Corporation acquisitions. In the postwar decades Redbook adjusted to competition from Life (magazine), Time (magazine), and television-era advertisers represented by agencies like J. Walter Thompson and William Esty Company. The late 20th and early 21st centuries saw redesigns influenced by editors from publications such as Glamour (magazine), Vogue (magazine), and Cosmopolitan (magazine), and partnerships with retail and media brands including Target Corporation and ABC (American Broadcasting Company).

Editorial Content and Features

Editorially, Redbook combined short fiction, service pieces, and narrative journalism that engaged writers and figures associated with Modernist literature, Beat Generation, and contemporary feminist debates involving personalities like Betty Friedan, Gloria Steinem, and Simone de Beauvoir. Fictional submissions featured alongside serialized work from authors who also appeared in The New Yorker, Esquire (magazine), and Playboy (magazine). Features ranged from household guidance reflecting trends in Prohibition-era domesticity to health coverage paralleling reports in The Lancet and JAMA when discussing public-health topics involving names like Jonas Salk and Florence Nightingale in historical retrospectives. Lifestyle coverage profiled celebrities from Marilyn Monroe and Audrey Hepburn to Madonna (entertainer) and Beyoncé Knowles, and also examined political figures such as Eleanor Roosevelt, John F. Kennedy, and Hillary Rodham Clinton. The magazine ran service departments, fiction contests, and columns mirroring formats used in Reader's Digest, McCall's, and Ladies' Home Journal.

Publication and Circulation

Redbook's circulation history reflects broader shifts in print media influenced by institutions and events such as the Great Depression, World War II, postwar baby boom, and the rise of Internet platforms like Yahoo! and Google. Audit figures and rate-base practices mirrored those of the Audit Bureau of Circulations and competitors including Better Homes and Gardens and Family Circle. The title moved from large newsstand distribution to subscription strategies aligned with mail-order operations like Kmart and Sears, Roebuck and Co., and later experimented with digital editions alongside publishers such as Hearst Corporation's portfolio. Advertising clients ranged from consumer brands like Procter & Gamble and Campbell Soup Company to fashion houses referenced alongside Ralph Lauren, Calvin Klein, and Estée Lauder Companies.

Notable Contributors and Impact

Redbook published fiction and nonfiction by renowned writers and cultural figures connected to institutions like Columbia University, Harvard University, and publishing houses such as Scribner and Random House. Contributors included literary figures with ties to The Algonquin Round Table and the New Criticism movement, plus journalists from outlets like The New York Times, Washington Post, and Newsweek. The magazine influenced career trajectories for writers who later appeared in anthologies from Alfred A. Knopf and awards lists including the Pulitzer Prize and the National Book Award. Its cultural impact intersected with social movements involving Women's suffrage, Second-wave feminism, and public-health campaigns promoted by organizations like American Red Cross and Centers for Disease Control and Prevention. Redbook's editorial choices shaped popular perceptions of figures such as Lucille Ball, Jackie Kennedy Onassis, Oprah Winfrey, Dr. Mehmet Oz, and Rachel Carson through profiles and investigative pieces.

Cover Art and Photography

Cover art and photography for Redbook engaged photographers and illustrators who worked for publications like Life (magazine), Look (magazine), and Vogue (magazine), and employed techniques associated with studios such as Ansel Adams (photographer)'s contemporaries and commercial houses connected to Condé Nast. Portrait subjects ranged from actors tied to Hollywood studios like Metro-Goldwyn-Mayer and Paramount Pictures to political leaders photographed alongside press corps from White House and campaign tours associated with elections like the 1960 United States presidential election. The magazine commissioned illustrators and cover artists influenced by movements such as Art Nouveau, Art Deco, and Pop Art, and collaborated with photojournalists who also supplied images to agencies like Associated Press and Getty Images.

Category:American magazines Category:Women's magazines