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| Nina Kraviz | |
|---|---|
| Name | Nina Kraviz |
| Birth name | Nina Kraviz |
| Birth date | 1981-10-15 |
| Birth place | Irkutsk |
| Origin | Moscow |
| Genres | Techno, Acid house, Minimal techno |
| Occupations | Disc jockey, Record producer, Singer |
| Years active | 2008–present |
| Labels | Rekids, Kompakt, Trip, Comeme |
Nina Kraviz is a Russian DJ, Record producer, and vocalist known for her influence on contemporary techno and Acid house scenes. She rose to prominence through a series of acclaimed singles, DJ mixes, and her own label, becoming a prominent figure across festivals and clubs in Berlin, London, and New York City. Her career bridges underground club culture, experimental electronic labels, and mainstream festival circuits.
Born in Irkutsk in 1981, Kraviz studied dentistry at a medical institute before relocating to Moscow to pursue artistic interests. While in Moscow she engaged with local scenes influenced by acts and institutions such as Dynamo-era venues and emigrant club movements that connected to European centers like Berlin and Barcelona. Her transition from Irkutsk to Moscow paralleled broader post-Soviet cultural exchanges involving figures linked to Warp Records and R&S Records.
Kraviz began releasing music in the late 2000s, initially attracting attention with singles that circulated through influential outlets associated with labels like Comeme and Rekids. She released a self-titled album that placed her alongside producers from scenes around Berlin and Hamburg, and she collaborated with artists connected to Sasha, John Digweed, and contemporaries from Perlon and Ostgut Ton. Her trajectory includes residencies, radio mixes for stations tied to BBC Radio 1 and Resident Advisor, and headline sets at festivals such as Boiler Room, Sónar, Awakenings Festival, and Dekmantel Festival.
Her productions and sets draw on traditions from Detroit techno pioneers associated with Metroplex and Underground Resistance, as well as European traditions cultivated by Basic Channel and Chain Reaction. Vocal tracks reference techniques used by performers on Kompakt and vocalists who worked with Róisín Murphy and Björk. Kraviz's palette includes Acid house timbres reminiscent of Phuture and DJ Pierre, dub-influenced textures related to Basic Channel, and minimalist structures that echo producers from Minimal collectives. She cites interest in peers and mentors linked to Richie Hawtin, Jeff Mills, Carl Cox, Ellen Allien, and label curators from Tresor.
Her recorded output comprises a mix of studio albums, EPs, singles, and DJ mixes released on labels including Rekids, Kompakt, and her own Trip imprint. Notable entries include a self-titled debut LP and multiple remix commissions for artists associated with Depeche Mode, The Chemical Brothers, and producers from R&S Records. She has also contributed to compilation series alongside releases from Fabric and mix series curated by Ben Klock and Marcel Dettmann.
Kraviz has performed at venues and festivals across Europe, North America, and Asia, including headline appearances at Berghain, Fabric, Output, and stages at Coachella, Glastonbury Festival, and Tomorrowland. Her live approach alternates between vinyl DJ sets, CDJ performances, and live vocal integration, aligning her with artists such as Nina Kraviz not linked, The Field, and Lusine in cross-disciplinary presentations. She frequently appears on streaming showcases and radio slots run by organizations like BBC Radio 1 and NPR.
In addition to releases on established labels like Rekids and Kompakt, she founded the Trip label to release work by herself and peers. Trip has issued EPs and singles by producers connected to scenes in Moscow, Berlin, and São Paulo, and it has facilitated collaborations with remixers from Comeme and Perlon. Her studio work includes production, mixing, and mastering engagements with engineers who have worked at studios frequented by artists such as Aphex Twin, Squarepusher, and Autechre.
Critical reception of Kraviz has been polarized, with praise from outlets and curators associated with Resident Advisor, Mixmag, and Pitchfork for her programming and production, and criticism from commentators tied to debates around festival curation and artist politics in forums linked to The Guardian and The New York Times. Her aesthetic and interviews have provoked commentary from cultural figures and institutions including journalists from Dazed and curators at Sónar; she remains a prominent, often-discussed presence in electronic music panels and symposiums hosted by organizations like Red Bull Music Academy and Output.
Category:Russian DJs Category:Techno musicians