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| Museum of Calligraphy | |
|---|---|
| Name | Museum of Calligraphy |
| Type | Art museum |
Museum of Calligraphy is a cultural institution dedicated to the preservation, exhibition, and study of handwriting and script traditions. It presents historical manuscripts, contemporary works, and cross-cultural installations that trace the development of letterforms from antiquity to the present. The museum engages with scholars, practitioners, and the public through exhibitions, research, and pedagogy.
The museum's origins draw on influences from institutions such as the British Museum, Louvre, Metropolitan Museum of Art, Smithsonian Institution, Vatican Museums, Hermitage Museum, National Palace Museum, State Historical Museum, Rijksmuseum, Museo Nacional del Prado, Museo del Louvre, Museo Nacional Centro de Arte Reina Sofía, Uffizi Gallery, Bibliothèque nationale de France, Bodleian Library, Morgan Library & Museum, Biblioteca Nacional de España, Biblioteca Ambrosiana, Biblioteca Apostolica Vaticana, Library of Congress, Russian State Library, National Library of China, National Diet Library, Vienna State Library, Royal Library of Belgium, Princeton University Library, Yale University Library, Cambridge University Library, Harvard University Library, Bayerische Staatsbibliothek, Staatsbibliothek zu Berlin, Bibliotheca Alexandrina, Schönbrunn Palace, and Palace Museum models. Early founders referenced manuscript collections from the Dead Sea Scrolls discoveries, the Rosetta Stone inscription, the Domesday Book, the Book of Kells, the Codex Sinaiticus, and the Diamond Sutra to structure comparative displays. Collaborations involved curators from the Metropolitan Museum of Art department of Morgan Library & Museum conservators, consultants from the British Library, and scholars associated with Oxford University, Cambridge University, University of Tokyo, Peking University, Columbia University, Stanford University, University of Chicago, University of California, Berkeley, Sorbonne University, Heidelberg University, Humboldt University of Berlin, Leiden University, and the University of Melbourne.
The museum staged inaugural exhibitions inspired by historical events and movements such as the Renaissance, Baroque, Enlightenment, Tang dynasty, Song dynasty, Yuan dynasty, Ming dynasty, Qing dynasty, Heian period, Meiji Restoration, Ottoman Empire, Safavid dynasty, Mughal Empire, Abbasid Caliphate, Umayyad Caliphate, Byzantine Empire, and the Spanish Golden Age. Funding and provenance work referenced foundations like the Andrew W. Mellon Foundation, Gordon and Betty Moore Foundation, Carnegie Corporation of New York, Getty Foundation, Ford Foundation, Rockefeller Foundation, Kress Foundation, and the Sloan Foundation.
Permanent holdings encompass calligraphic traditions represented by artifacts linked to the Quran, the Torah, the Bible, the Dhammapada, the Tao Te Ching, the Analects of Confucius, the I Ching, and illuminated manuscripts such as the Book of Kells and the Lindisfarne Gospels. Regional foci include scripts from the Sumerians, Akkadians, Babylon, Assyria, Ancient Egypt, Phoenicia, Ancient Greece, Roman Empire, Byzantine Empire, Armenia, Georgia, Ethiopia, Persia, India, China, Japan, Korea, Vietnam, Thailand, Indonesia, Mongolia, Tibet, Central Asia, Caucasus, and Europe. Typographic and modern graphics join the historic materials with works referencing Johannes Gutenberg, Aldus Manutius, Claude Garamond, Giambattista Bodoni, William Caslon, John Baskerville, Baskerville, Eric Gill, Herbert Bayer, Jan Tschichold, Paul Renner, Adrian Frutiger, Matthew Carter, Carol Twombly, Hermann Zapf, Stanley Morison, Neville Brody, Massimo Vignelli, Milton Glaser, Saul Bass, Paul Rand, and Paula Scher.
Rotating exhibits have included thematic shows on the Silk Road, the Trans-Siberian Railway, the Age of Discovery, the Print Revolution, the Industrial Revolution, the Avant-garde, the Bauhaus, the Art Nouveau, the Art Deco, Constructivism, and Postmodernism.
The museum's architecture references landmarks such as the Guggenheim Museum Bilbao, Centre Pompidou, Tate Modern, Sagrada Família, Sydney Opera House, Fallingwater, Villa Savoye, Palace of Versailles, Alhambra, Hagia Sophia, Dome of the Rock, St. Peter's Basilica, Notre-Dame de Paris, Florence Cathedral, Pantheon, Rome, Parthenon, Forbidden City, Potala Palace, Kremlin, Zwinger Palace, and modern campus designs like The Broad and Whitney Museum of American Art. Facilities include climate-controlled galleries, conservation labs modeled after the Getty Conservation Institute, a research library similar to the Bodleian Library, a paper archive influenced by the Hermitage Museum practices, digitization suites in the vein of the Library of Congress, and storage areas comparable to the National Archives and Records Administration. Public amenities mirror standards at the Victoria and Albert Museum, National Gallery, Museum of Modern Art, and J. Paul Getty Museum.
Programs draw on partnerships with universities and cultural organizations including Harvard University, Yale University, Princeton University, Columbia University, New York University, London School of Economics, Sorbonne University, University of Oxford, University of Cambridge, University of Tokyo, Peking University, Tsinghua University, National University of Singapore, Australian National University, University of Toronto, McGill University, University of British Columbia, ETH Zurich, and KU Leuven. Workshops feature calligraphers and typographers associated with names like Hermann Zapf, Adrian Frutiger, Erik Spiekermann, Matthew Carter, Carol Twombly, Stanley Morison, Neville Brody, and contemporary artists represented in collections from Tate Modern and Museum of Modern Art. Outreach extends to programs with the UNESCO creative cities network, the International Council of Museums, the International Federation of Library Associations and Institutions, and national cultural ministries.
Highlighted works and figures in the collection include artifacts and names such as the Book of Kells, Lindisfarne Gospels, pieces by Wang Xizhi, Ouyang Xun, Yan Zhenqing, Su Shi (Su Dongpo), Zhao Mengfu, Huang Tingjian, Mi Fu, Zhang Xu, Ono no Michikaze, Fujiwara no Sadaie, Prince Genji, Kūkai, Roy Lichtenstein, Andy Warhol, Jackson Pollock, Pablo Picasso, Henri Matisse, Salvador Dalí, Joan Miró, Mark Rothko, Wassily Kandinsky, Paul Klee, Kazimir Malevich, Piet Mondrian, Yayoi Kusama, Takashi Murakami, Xu Bing, Zhang Huan, Ai Weiwei, Shirin Neshat, Sadequain, M. F. Husain, R. B. Kitaj, David Hockney, Anselm Kiefer, Gerhard Richter, Antoni Tàpies, Jasper Johns, Cy Twombly, Brice Marden, and Louise Bourgeois. The museum also preserves script examples tied to historical figures like Charlemagne, Alfred the Great, Ibn Sina, Ibn Battuta, Marco Polo, Christopher Columbus, Vasco da Gama, Zheng He, Kublai Khan, Genghis Khan, Napoleon, Louis XIV, and Queen Elizabeth I.
Visitor services follow practices used by institutions such as the Metropolitan Museum of Art, British Museum, Louvre, Guggenheim Museum, Tate Modern, Smithsonian Institution, National Gallery of Art, Museum of Modern Art (New York), Getty Center, Victoria and Albert Museum, Rijksmuseum, Uffizi Gallery, Prado Museum, Hermitage Museum, State Historical Museum, and National Palace Museum. Information about hours, ticketing, accessibility, guided tours, group visits, research appointments, membership, and donations is coordinated with local cultural authorities and tourism boards like national ministries of culture and municipal visitor centers.
Category:Museums