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Manito Ahbee Festival

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Parent: Métis Nation Hop 5
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Manito Ahbee Festival
NameManito Ahbee Festival
LocationWinnipeg, Manitoba, Canada
Years active1998–present
Founded1998
FoundersBear Clan Patrol; Manitoba Keewatinowi Okimakanak?
DatesMay (annual)

Manito Ahbee Festival is an annual cultural celebration held in Winnipeg, Manitoba, that honors Indigenous music, dance, art, and leadership across Turtle Island. The festival convenes diverse participants from First Nations, Métis, and Inuit communities alongside allies from municipal, provincial, and federal institutions, fostering cultural resurgence, reconciliation, and artistic exchange. It features powwow competition, contemporary arts showcases, leadership forums, and youth programming that draw national and international attention.

Overview

The festival serves as a nexus connecting communities such as Anishinaabe, Cree, Ojibwe, Dakota, Dene, Métis, and Inuit artists, activists, and scholars. Programming highlights include intertribal powwow competitions like the Red River Exhibition powwow scene, Indigenous music festivals affiliated with groups such as A Tribe Called Red performers, and visual art exhibitions comparable to displays at the Winnipeg Art Gallery and the Ace Art Inc.. Educational components align with curricula referenced by institutions like the University of Manitoba, Canadian Museum for Human Rights, Royal Manitoba Theatre Centre, and FortWhyte Alive. The festival works with governmental partners including Canadian Heritage, Manitoba Arts Council, and municipal bodies like the City of Winnipeg to coordinate venues such as the Canad Inns Winnipeg Convention Centre and the Marriott Winnipeg.

History

Origins trace to gatherings and cultural revitalization efforts linked with organizations such as the Assembly of First Nations and grassroots collectives like the Bear Clan Patrol. Early iterations paralleled movements seen in events like the Manito Ahbee Gathering and responded to issues addressed by groups including Native Women's Association of Canada and Indspire. Influences included landmark moments such as the Royal Commission on Aboriginal Peoples recommendations and the growing prominence of Indigenous festivals like Return of the Sun Dance-era revivals and the contemporary Indigenous arts scene epitomized by venues like The Forks National Historic Site. The festival adapted over time to include leadership awards modeled in part after national recognitions like the Order of Canada and creative awards akin to the Governor General's Awards in literary and artistic categories. Collaborations have involved cultural institutions such as the Manitoba Museum, Canadian Council for Aboriginal Business, and advocacy organizations including Idle No More activists and the Assembly of Manitoba Chiefs.

Events and Activities

Signature events mirror formats seen at competitions like the World Eskimo-Indian Olympics and include grand entry powwows, drum group showcases, and jingle dress performances similar to those at the MBC powwow circuit. Music stages feature contemporary Indigenous acts comparable to Snotty Nose Rez Kids and traditional singers akin to artists on labels such as Native North America. Visual arts fairs present work from collectives like the Indigenous Arts Collective and galleries including the Plug In ICA. Symposiums and panels host speakers from institutions such as the National Research Council Canada, Canadian Broadcasting Corporation, and academia represented by scholars from University of Winnipeg and Brandon University. Youth programming includes mentorship modeled on initiatives like Circle of Life Thunderbird House and partnerships with organizations such as Big Brothers Big Sisters of Winnipeg and sports entities like Winnipeg Blue Bombers community outreach. Workshops teach crafts similar to those taught in Shingwauk Residential Schools Centre reunions and involve elders affiliated with the Elders Council and cultural teachers from band offices like Sagkeeng First Nation and Peguis First Nation.

Cultural Significance and Impact

The festival contributes to Indigenous cultural resurgence alongside movements documented by Truth and Reconciliation Commission of Canada and policy shifts influenced by the United Nations Declaration on the Rights of Indigenous Peoples. It amplifies artists who later appear at venues such as the Canada Council for the Arts stages and on platforms like CBC Music and NFB (National Film Board of Canada). The event supports economic and social development similar to impacts tracked by the Canadian Tourism Commission and aligns with community health initiatives like projects run by Assembly of Manitoba Chiefs Health Directorate and Manitoba Indigenous AIDS Task Force. It fosters cross-cultural dialogue engaging civic leaders from Province of Manitoba and national figures involved in dialogues at the Parliament of Canada and cultural diplomacy tied to institutions such as the Department of Canadian Heritage.

Organization and Partnership

Organizers collaborate with non-profits and governmental agencies including Manitoba Keewatinowi Okimakanak, Native Women's Association of Canada, and regional development bodies like Economic Development Winnipeg. Funding partnerships have included foundations like the Winnipeg Foundation, federal grants managed through Canadian Heritage programs, and sponsorships from corporations active in community partnership such as Investors Group and local businesses allied with the Winnipeg Chamber of Commerce. Logistical partnerships enlist venues including the Centennial Concert Hall, RBC Convention Centre Winnipeg, and hospitality partners like Fort Garry Hotel. Media partners have included outlets such as CBC Manitoba, Winnipeg Free Press, and Indigenous media like APTN.

Attendance and Reception

Attendance draws thousands of participants from regions across Manitoba, neighboring provinces like Saskatchewan and Ontario, and international visitors from the United States and other nations. Coverage by media outlets including Global Television Network, CTV, and arts critics writing for publications like Canadian Art and The Walrus have noted its role in raising profiles of Indigenous artists akin to those elevated at the Vancouver Indigenous Fashion Week. Community testimonials mirror endorsements by leaders from Assembly of First Nations and awardees affiliated with organizations like Indspire. The festival continues to be evaluated in community impact studies similar to reports by the Prairie Research Associates and cultural policy analyses by scholars at the Canadian Centre for Policy Alternatives.

Category:Festivals in Manitoba