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Express Yourself (Madonna song)

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Express Yourself (Madonna song)
NameExpress Yourself
ArtistMadonna
AlbumLike a Prayer
Released1989
Format7-inch, 12-inch, cassette, CD
Recorded1988
StudioJohnny Yuma (Los Angeles), Westlake (Los Angeles)
GenrePop, dance-pop, R&B
Length4:39
LabelSire, Warner Bros.
WriterMadonna, Stephen Bray
ProducerMadonna, Stephen Bray

Express Yourself (Madonna song) is a 1989 single by Madonna from her fourth studio album, Like a Prayer. The song, co-written and co-produced with Stephen Bray, was issued amid Madonna's expanding collaborations with Sire Records and Warner Bros. Records and arrived during a period of artistic evolution following the success of True Blue and the Who's That Girl World Tour. It became notable for its chart success, feminist themes, and a high-profile music video directed by David Fincher.

Background and Release

Madonna worked with Stephen Bray and other collaborators after projects connected to Desperately Seeking Susan and the soundtrack for Who's That Girl. Recording sessions tied to Like a Prayer occurred in Los Angeles studios associated with producers who had worked with Prince, Janet Jackson, and Michael Jackson. The single was released in 1989 on formats common to Warner Bros. Records releases, following promotional strategies used by contemporaries such as Paula Abdul, George Michael, and INXS. Madonna framed the song during interviews alongside figures from the MTV era and promotional appearances on programs associated with David Letterman and The Tonight Show Starring Johnny Carson.

Composition and Lyrics

Musically, the track blends pop and dance-pop with R&B elements reminiscent of production trends linked to Stock Aitken Waterman and the Minneapolis sound associated with Prince. The arrangement features horn stabs, syncopated drum programming, and layered backing vocals comparable to sessions involving Shep Pettibone and Jellybean Benitez. Lyrically, Madonna advocates for assertiveness and self-respect in relationships, themes resonant with feminist discourse associated with figures such as Gloria Steinem, Betty Friedan, and cultural debates evident during the late 1980s Reagan and Thatcher eras. The song's chorus and verses reference empowerment motifs paralleling earlier pop statements by Aretha Franklin and contemporaneous refrains from Cyndi Lauper and Annie Lennox.

Critical Reception and Legacy

Contemporary reviews from publications aligned with Rolling Stone, Billboard, and NME praised the song's production, vocal performance, and anthem-like qualities, situating Madonna among pop icons including Diana Ross, Cher, and Barbra Streisand. Retrospective assessments in outlets associated with Pitchfork Media, The Guardian, and The New York Times have highlighted the track's role in Madonna's evolving artistic persona alongside the cultural impact of the Like a Prayer era. The song influenced subsequent artists across pop and R&B, with credits cited by performers such as Beyoncé, Lady Gaga, Rihanna, Kylie Minogue, Britney Spears, Christina Aguilera, and producers linked to Max Martin and Dr. Dre. Its feminist message and sonic palette have been referenced in academic work at institutions like New York University, University of California, Los Angeles, and Harvard University cultural studies programs.

Commercial Performance

The single reached top positions on charts curated by Billboard, including strong placement on the Billboard Hot 100 and dance charts, and charted within the top ten in markets tracked by Official Charts Company in the United Kingdom, and national charts compiled by ARIA in Australia and Oricon in Japan. Sales certifications were issued by agencies such as the Recording Industry Association of America, British Phonographic Industry, and Australian Recording Industry Association, reflecting the single's commercial resonance during the late 1980s and early 1990s alongside other Madonna releases like Vogue and Like a Prayer.

Music Video

Directed by David Fincher, the music video draws visual and thematic inspiration from the cinematic canon associated with Fritz Lang, Metropolis, and the aesthetic of Hollywood musicals featuring stars like Judy Garland and Marlene Dietrich. The video includes stylized sets, choreography reminiscent of work by Bob Fosse and Busby Berkeley, and fashion pieces that reference designers linked to Jean-Paul Gaultier and Azzedine Alaïa. The production involved crews who had worked on projects for Michael Jackson and Prince, and the video's prominence on MTV reinforced Madonna's visual identity during the network's peak influence. It earned nominations and recognition from institutions like the MTV Video Music Awards and influenced later directors such as Hype Williams and Spike Jonze.

Live Performances and Tours

Madonna incorporated the song into set lists on multiple tours, including the Blond Ambition World Tour, The Girlie Show World Tour, and subsequent concert residencies and world tours where choreography and staging were adapted by collaborators connected to Jamie King and Kevin Antunes. Performances were staged in venues overseen by promoters such as Live Nation and production teams linked to companies like Cirque du Soleil for theatrical elements. Guest appearances, television specials, and benefit concerts sometimes featured reinterpretations that evoked staging traditions from Broadway and festival circuits like Glastonbury.

Personnel and Credits

- Madonna – lead vocals, songwriter, producer - Stephen Bray – songwriter, producer, programming - Session musicians and backing vocalists drawn from studios associated with Los Angeles session players who worked with Stevie Wonder and Chaka Khan - Engineering and mixing personnel from facilities used by producers linked to Quincy Jones and Jimmy Jam and Terry Lewis - Music video director: David Fincher; choreography and stylistic consultants affiliated with designers and choreographers who collaborated across the pop industry

Category:1989 singles Category:Madonna songs