Generated by GPT-5-mini| All-New, All-Different Marvel | |
|---|---|
| Name | All-New, All-Different Marvel |
| Publisher | Marvel Comics |
| Start date | October 2015 |
| End date | 2016 (waveed relaunches continued) |
| Notable titles | The Unbeatable Squirrel Girl, Ms. Marvel, Moon Girl and Devil Dinosaur, Secret Wars (aftermath) |
| Creators | Brian Michael Bendis, Jonathan Hickman, Mark Waid, G. Willow Wilson, Ryan North |
All-New, All-Different Marvel was a 2015–2016 publishing initiative by Marvel Comics that reorganized the company's superhero line following the events of Secret Wars (2015), featuring updated identities, new teams, and creative teams intended to reflect changes established by Jonathan Hickman's and Brian Michael Bendis's preceding crossover work. The relaunch affected continuity tied to Tony Stark, Steve Rogers, Peter Parker, Carol Danvers, and introduced broader exposure for characters associated with Ms. Marvel (Kamala Khan), Miles Morales, and Jane Foster in new roles.
Marvel's post-Secret Wars (2015) strategy was shaped by editorial leadership under Axel Alonso and corporate oversight by Disney, responding to market forces influenced by publishers such as DC Comics's Rebirth (2016). Creative architects like Jonathan Hickman, who had reshaped Avengers and New Avengers, and Brian Michael Bendis, noted for runs on Ultimate Spider-Man and Jessica Jones, set tonal and continuity parameters. The program followed precedents including Marvel NOW! and All-New, All-Different Marvel drew on editorial policies established during the tenure of Joe Quesada and Dan Buckley. The initiative coordinated with multimedia strategies tied to Marvel Cinematic Universe, Marvel Television, and licensing partners such as Hasbro and Sony Pictures Entertainment, aligning print continuity with character visibility in Captain America: Civil War, Ant-Man, and Doctor Strange (film) periods.
The line-up presented new or rebranded series headlined by creators like Mark Waid on Daredevil, G. Willow Wilson on Ms. Marvel (Kamala Khan), Nick Spencer on The Superior Foes of Spider-Man-adjacent projects, and Ta-Nehisi Coates on Black Panther. Teams and legacy mantle changes included Sam Wilson (Falcon) as Captain America, Jane Foster as Thor, Riri Williams as Ironheart, and additions such as Miles Morales's ongoing prominence following Spider-Verse. Ensemble books like Avengers and Uncanny X-Men were refocused, while younger-skewed titles such as Moon Girl and Devil Dinosaur, created by Brenda K. Starr collaborators, targeted a broader demographic alongside legacy series like The Amazing Spider-Man by Dan Slott. Branding included updated logos, variant covers by artists like Alex Ross and Adrian Alphona, and marketing tie-ins at conventions like San Diego Comic-Con International and New York Comic Con.
Launch titles debuted in fall 2015 and spring 2016, inheriting narrative threads from Secret Wars (2015)'s patchwork of domains and the incursions arc authored by Jonathan Hickman. Major storylines across the imprint included Miles Morales' integration into mainstream continuity after Spider-Men II, Jane Foster's odyssey bearing Mjolnir and confronting Odin-adjacent legacies, the Avengers roster reshuffles during arcs plotted by Mark Waid and Brian Michael Bendis, and politically resonant arcs in Black Panther under Ta-Nehisi Coates that engaged Wakandan geopolitics and global actors like Ulysses Klaue. The imprint also encompassed titles with distinct tonal aims: comedic and subversive beats in Howard the Duck, teenage optimism in Ms. Marvel (Kamala Khan), and science-fiction exploration in Doctor Strange (2015 series) runs. Crossovers and one-shots tied into corporate events including Civil War II and tie-ins to Secret Empire continuity, employing writers such as Nick Spencer, Kieron Gillen, Jason Aaron, and artists including Stuart Immonen and Esad Ribić.
Critical reception ranged from praise for diversity and fresh creative voices to criticism over perceived oversaturation and editorial inconsistency; outlets and critics who covered comics such as IGN (magazine), The A.V. Club, Comic Book Resources, and reviewers with ties to Paste (magazine) debated artistic merits. Sales charts compiled by distributors like Diamond Comic Distributors reflected an initial boost for marquee titles such as The Amazing Spider-Man and Uncanny X-Men, while new characters and series showed variable retail performance, with flagship books often outselling debut smaller-press creator-owned equivalents at Image Comics and Dark Horse Comics. Trade paperback collections and digital sales on platforms operated by ComiXology influenced longevity for series such as Ms. Marvel and The Unbeatable Squirrel Girl, aiding nomination consideration for awards like the Hugo Award and the Eisner Award for certain creators.
The imprint's legacy includes normalization of legacy heroes like Sam Wilson as Captain America and codifying diversity through leads such as Kamala Khan, Miles Morales, and Riri Williams, which affected casting and character selection in Marvel Cinematic Universe projects, Marvel Netflix series, and video game adaptations by studios like Insomniac Games. Editorial lessons about cross-title cohesion influenced later initiatives such as Marvel Legacy and editorial shifts under later editors-in-chief like CB Cebulski. Creators who rose during this period—G. Willow Wilson, Ta-Nehisi Coates, Donny Cates—went on to shape subsequent continuity and creator-brand relationships, while characters and concepts introduced or elevated during the era continued to appear in licensed merchandise sold through Hasbro and streaming tie-ins on platforms including Disney+.
Category:Marvel Comics imprints