Jules Fisher

Jules Fisher is a renowned lighting designer who has worked on numerous Broadway productions, including Chicago, Ragtime, and Assassins, collaborating with notable directors such as Bob Fosse, Harold Prince, and Susan Stroman. Fisher's work has been recognized with multiple Tony Award nominations and wins, as well as Drama Desk Award and Outer Critics Circle Award nominations. He has also worked with prominent choreographers like Twyla Tharp and Graciela Daniele, and has designed lighting for theaters such as the Gershwin Theatre and the Al Hirschfeld Theatre. Fisher's designs have been influenced by the works of Leonard Bernstein, Stephen Sondheim, and John Kander.

● Early Life and Education

Jules Fisher was born in Norfolk, Virginia, and grew up in New York City, where he developed an interest in theater and dance, inspired by the works of Martha Graham and Alvin Ailey. He attended New York University's Tisch School of the Arts, where he studied lighting design under the guidance of Stefan Brecht and Jules Irving. Fisher's early career was influenced by his work with regional theaters such as the Williamstown Theatre Festival and the Goodman Theatre, where he collaborated with directors like Tyrone Guthrie and Peter Hall. He also worked with designers like Oliver Smith and Rouben Ter-Arutunian, and was inspired by the Ballets Russes and the New York City Ballet.

● Career

Fisher's career as a lighting designer spans over four decades, during which he has worked on numerous Broadway and Off-Broadway productions, including Pippin, Chicago, and La Cage aux Folles, collaborating with producers like Samuel Friedman and Robert Whitehead. He has also designed lighting for opera productions such as La Bohème and Carmen, working with companies like the Metropolitan Opera and the New York City Opera. Fisher has worked with notable conductors like James Levine and Leonard Bernstein, and has designed lighting for dance companies like the Alvin Ailey American Dance Theater and the Paul Taylor Dance Company. He has also collaborated with choreographers like Twyla Tharp and Graciela Daniele on productions like Movin' Out and The Wild Party.

● Awards and Nominations

Jules Fisher has received numerous award nominations and wins for his work as a lighting designer, including multiple Tony Award nominations and wins for Best Lighting Design for productions like Pippin and Assassins. He has also received Drama Desk Award nominations for Outstanding Lighting Design for productions like Ragtime and La Cage aux Folles. Fisher has been recognized with Outer Critics Circle Award nominations for Outstanding Lighting Design for productions like Chicago and The Wild Party. He has also received awards from theaters like the Gershwin Theatre and the Al Hirschfeld Theatre, and has been honored by organizations like the United States Institute for Theatre Technology and the Theatre Communications Group.

● Notable Works

Some of Jules Fisher's most notable works include his lighting designs for Chicago, Ragtime, and Assassins, which have been recognized with multiple Tony Award nominations and wins. He has also designed lighting for Pippin, La Cage aux Folles, and The Wild Party, collaborating with directors like Bob Fosse and Harold Prince. Fisher's designs have been influenced by the works of Leonard Bernstein, Stephen Sondheim, and John Kander, and have been recognized with awards from theaters like the Gershwin Theatre and the Al Hirschfeld Theatre. He has also worked with designers like Oliver Smith and Rouben Ter-Arutunian on productions like Movin' Out and The Full Monty.

● Personal Life

Jules Fisher is married to Peggy Eisenhauer, a fellow lighting designer with whom he has collaborated on numerous productions, including Ragtime and Assassins. The couple has worked together on Broadway productions like Chicago and La Cage aux Folles, and has been recognized with multiple Tony Award nominations and wins. Fisher and Eisenhauer have also taught lighting design at universities like New York University and Yale University, and have been involved with organizations like the United States Institute for Theatre Technology and the Theatre Communications Group. They have also worked with companies like the Metropolitan Opera and the New York City Opera, and have designed lighting for dance companies like the Alvin Ailey American Dance Theater and the Paul Taylor Dance Company. Category:American lighting designers