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Zabaltegi-Tabakalera

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Zabaltegi-Tabakalera
NameZabaltegi-Tabakalera
LocationSan Sebastián, Basque Country, Spain
Founded2016
LanguageBasque, Spanish, English

Zabaltegi-Tabakalera is an open section of the San Sebastián International Film Festival that privileges risk-taking and diversity, situated within the Tabakalera cultural centre in San Sebastián. It functions alongside the Festival de San Sebastián's traditional competitions and connects with institutions such as the Donostia Kultura, Festival Internacional de Cine de San Sebastián, Centro Cultural Montehermoso and the Basque Government. The section has hosted collaborations with the European Film Academy, the Berlinale, the Cannes Film Festival and the Locarno Festival, drawing filmmakers, programmers and critics from around the world.

History

Zabaltegi-Tabakalera was established following dialogues between Festival Internacional de Cine de San Sebastián, Tabakalera, Diputación Foral de Gipuzkoa and Ayuntamiento de San Sebastián, responding to initiatives from cultural actors like the Fundación Donostia Kultura, Festival de Cannes programmers, and curators from the Museo Guggenheim Bilbao. Its origins trace to experimental sections in festivals such as the Venice Film Festival, Berlin International Film Festival and Rotterdam's International Film Festival, and it quickly developed ties with the European Audiovisual Observatory, Instituto Cervantes, and the Basque Film Commission. Directors, producers and auteurs including Pedro Almodóvar, Agnès Varda, Wim Wenders, Ken Loach and Lucrecia Martel have appeared at the broader festival, influencing the curatorial approach that Zabaltegi-Tabakalera adopted to foreground auteurs, first features and restorations in dialogue with Filmoteca Española and the Cinemateca Portuguesa. The section evolved through programming conversations with institutions such as the British Film Institute, CNC, and the Sundance Institute, reflecting trends from festivals like Telluride, Toronto International Film Festival and New York Film Festival.

Festival Structure and Sections

The programming model juxtaposes experimental works, debut features and restored classics, interacting with strands associated with the San Sebastián festival such as Official Selection, Horizontes Latinos, New Directors and Perlak; it also references international models like Critics' Week, Directors' Fortnight and Encounters. Collaborations with organisations including the European Film Academy, ICAA, FIPRESCI, and ACE Producers inform selection criteria, while partners such as Zinebi, Festival de Gijón, and Seminci contribute to cross-festival exchanges. Curatorial teams draw on networks involving curators from Museo Nacional Centro de Arte Reina Sofía, Etxepare Euskal Institutua, and the Royal Society of Arts, and program panels with representatives from Arte France Cinéma, TVE, RTVE and Movistar+. The section includes screenings, talks, retrospectives, and laboratory-style sessions akin to those at IDFA, Visions du Réel and Sheffield Doc/Fest, and engages with funding bodies such as Eurimages, ICAA, and Creative Europe.

Venues and Screenings

Screenings take place primarily at Tabakalera, the centre for contemporary culture linked to Euskadi Irratia, the Biblioteca Central, and Sala Kursaal within the Festival Internacional de Cine de San Sebastián complex; satellite events have been hosted at Centro Cultural Intxaurrondo, Teatro Victoria Eugenia, and the Aquarium of San Sebastián. Projection formats include 35 mm restorations from Filmoteca Española, DCP premieres supported by the European Film Academy, and archival screenings coordinated with the British Film Institute and the Cineteca Nacional. The festival has staged outdoor screenings in collaboration with Ayuntamiento de San Sebastián and Gipuzkoa Foru Aldundia, and special showcases co-curated with institutions such as the Museo Chillida-Leku, Museo San Telmo, and Tabakalera's Media Art Centre featuring works from artists associated with Tate Modern, Centre Pompidou, and MACBA.

Awards and Jury

While Zabaltegi-Tabakalera is principally an open, non-competitive section, its programming informs juries and prizes across the festival administered by Festival Internacional de Cine de San Sebastián, including awards adjudicated by juries with members from the European Film Academy, FIPRESCI, and the Círculo de Escritores Cinematográficos. Judges have included critics and programmers from Cahiers du Cinéma, Sight & Sound, Variety, The Hollywood Reporter and Screen International, as well as filmmakers affiliated with Cannes, Venice, and Berlin juries. Associated distinctions across the festival ecosystem—such as Donostia Awards, Silver Shell, and SIGNIS prizes—often intersect with Zabaltegi-Tabakalera selections, and partnerships with institutions like Filmoteca Española and the Basque Government support collateral recognitions and residency offers.

Notable Premieres and Guests

Zabaltegi-Tabakalera and its affiliated strands have premiered works by auteurs and emerging filmmakers connected to Pedro Almodóvar, Alejandro González Iñárritu, Ken Loach, Agnès Varda, Béla Tarr, Jia Zhangke, Alfonso Cuarón, Lynne Ramsay, and Ignacio Aguirre, while hosting guests from the British Film Institute, European Film Academy, Cannes Film Festival delegates and Venice Biennale curators. High-profile attendees have included Isabelle Huppert, Juliette Binoche, Javier Bardem, Penélope Cruz, Guillermo del Toro, Agustín Díaz Yanes, and Marta Nieto, with masterclasses by figures linked to the Sundance Institute, Berlinale Talents, and La Biennale di Venezia. Restorations and rediscoveries presented in the section have brought historians from Filmoteca de Catalunya, Cineteca di Bologna, and the Library of Congress, and have featured retrospectives of works by Federico Fellini, Ingmar Bergman, Akira Kurosawa, Yasujiro Ozu, and Luis Buñuel.

Impact and Reception

Critics from publications such as Variety, The Hollywood Reporter, Le Monde, El País, and The Guardian have assessed Zabaltegi-Tabakalera as an influential laboratory within the Festival Internacional de Cine de San Sebastián, noting its role in amplifying films that later circulated to Venice, Cannes, Locarno and Toronto. Programming decisions have been discussed in forums involving the European Film Academy, FIPRESCI symposia, and academic conferences at Universidad del País Vasco, Universidad Complutense de Madrid, and the University of Oxford; funding implications have engaged Eurimages, ICAA, and Creative Europe stakeholders. The section's contributions to Basque cultural policy have been evaluated by Etxepare Euskal Institutua, Diputación Foral de Gipuzkoa, and Ministerio de Cultura y Deporte, while industry reactions from distributors such as Filmax, A Contracorriente Films, and Cohen Media Group highlight its market impact and festival circulation.

Category:Film festivals in Spain Category:Culture in San Sebastián