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WMEX

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Parent: WEEI Hop 5
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WMEX
NameWMEX
CityBoston, Massachusetts
AreaGreater Boston
BrandingWMEX 1510 AM
Frequency1510 kHz
Airdate1934 (original incarnation)
FormatTalk / Oldies (varies by era)
LanguageEnglish
PowerDaytime: 50,000 watts (historically); Night: low-power directional (varies)
Facility id12345

WMEX

WMEX is an AM radio station long associated with the Boston, Massachusetts market, with a legacy spanning multiple decades and incarnations. Throughout its history the station has intersected with major broadcasting trends, shifts in Federal Communications Commission policy, and the careers of prominent broadcasters who later worked at outlets such as WBZ (AM), WCVB-TV, and WEEI (AM). Its signal and branding have been tied to both popular music eras and spoken-word formats, intersecting with events like the evolution of Top 40 radio and the deregulation waves of the late 20th century.

History

The station originated in the mid-1930s amid a growing National Broadcasting Company-era radio landscape that included contemporaries such as WJZ (AM), KDKA and WOR (AM). In the postwar years it adopted formats that mirrored national shifts from big band programming toward rock and roll and Top 40 playlists, competing with stations like WMCA and WABC for younger audiences. During the 1950s and 1960s the station’s personalities and stunts echoed the rise of influential programmers associated with companies such as CBS Radio and ABC Radio, and it navigated regulatory changes from the Communications Act of 1934 through to later FCC rulemakings.

In the 1970s and 1980s, amid consolidation moves by groups like Capitol Broadcasting Company and later Clear Channel Communications, the station experimented with formats including adult contemporary and talk, reflecting industry trends toward format specialization seen at stations such as WPRO and KFI (AM). Ownership transfers and callsign swaps paralleled transactions involving entities like Entercom and iHeartMedia, even as the station occasionally returned to heritage branding and oldies repertoires to capitalize on nostalgia movements linked to cultural milestones like the British Invasion.

Regulatory shifts in the 1990s and 2000s—driven by legislation such as the Telecommunications Act of 1996—affected consolidation patterns that influenced the station’s corporate stewardship. In recent decades, the outlet oscillated between niche music programming, classic hits, and locally produced talk, reflecting parallel strategies used by stations including WBZ-FM and WGBH (FM) that blended localism with syndicated content.

Programming

Programming across eras has included Top 40 countdowns, oldies blocks, talk shows, and specialty weekend features. Music-driven lineups sometimes emphasized artists and catalogs associated with The Beatles, Elvis Presley, The Rolling Stones, Motown Records releases, and Doobie Brothers-era classic rock, mirroring playlists programmed at peer stations such as KROQ or WMJX. Talk segments have featured local civic discussions referencing figures and institutions like Boston City Hall, Massachusetts State House, and regional sports franchises including the Boston Red Sox, New England Patriots, and Boston Celtics.

Syndicated programming has been sourced from networks and personalities connected to syndicators such as Premiere Networks, Westwood One, and Cumulus Media Networks, while local shows spotlighted community affairs, traffic and weather updates tied to the Massachusetts Department of Transportation and partnerships with regional newsrooms at outlets like The Boston Globe and WCVB-TV. The station has occasionally hosted special broadcasts for commemorations tied to events such as Boston Marathon coverage and civic observances.

Technical parameters

Operating on the AM band at 1510 kHz, the station’s technical profile has included daytime and reduced nighttime power patterns to comply with clear-channel protections for stations like WLAC (AM) and other legacy facilities. Historically, engineering changes reflected advances in transmitter technology from tube-based rigs to modern solid-state transmitters manufactured by vendors similar to Transmitter Solutions and Rohde & Schwarz-style firms. Antenna systems have used directional arrays and ground radial systems akin to installations at other high-powered regional outlets such as WBBM (AM) and KMOX to shape coverage and minimize interference.

The station’s signal contour has aimed to serve Greater Boston and adjacent Massachusetts counties, with propagation considerations influenced by diurnal ionospheric changes described in literature on skywave propagation and regulatory guidance from the Federal Communications Commission on AM allocation and interference protection.

Ownership and management

Ownership has changed hands multiple times among regional and national broadcasters, investment groups, and local media entrepreneurs, reflecting industry consolidation moves exemplified by transactions involving companies like Audacy, Inc. and Cumulus Media. Executive leadership typically included program directors, general managers, and chief engineers with experience at major-market operations including WLW, WJR (AM), and WABC (AM). Corporate management strategies often aligned with revenue models used by commercial broadcasters such as local advertising sales, brokered programming, and syndication agreements.

Affiliations and corporate governance were periodically influenced by litigation and compliance regimes shaped by the Federal Communications Commission and court rulings interpreting license renewal standards and ownership limits articulated under federal statute.

Studios and transmitter locations

Studios have been sited in the Boston metropolitan area, at times co-located with sister stations and media properties in broadcast clusters similar to those found in One Financial Center (Boston)-style commercial buildings. Transmitter facilities have been situated on parcels chosen for soil conductivity and land availability, comparable to transmitter site selections for stations such as WBZ (AM) and WZLX. Auxiliary facilities and remote broadcast vans have supported live remotes from venues like Fenway Park, TD Garden, and municipal events at Copley Square.

Notable personalities and alumni

Over the years the station nurtured on-air talent and engineers who later worked at prominent stations and networks, with alumni moving to outlets including WBZ (AM), WEEI (AM), WFXT, NESN, CBS Sports Radio, and national syndicates. Personalities and producers with ties to the station crossed paths with broadcasting figures associated with Howard Stern, Casey Kasem, Larry Lujack, Scott Shannon, and producers who contributed to regional sports coverage for teams like the Boston Bruins and Boston Red Sox.

Category:Radio stations in Boston