Generated by GPT-5-mini| Transactions of the International Society for Music Information Retrieval (TISMIR) | |
|---|---|
| Title | Transactions of the International Society for Music Information Retrieval (TISMIR) |
| Discipline | Musicology; Computer Science; Information Retrieval |
| Publisher | International Society for Music Information Retrieval |
| Frequency | Annual |
| History | 20XX–present |
| Openaccess | Hybrid |
Transactions of the International Society for Music Information Retrieval (TISMIR) is a peer-reviewed journal associated with the International Society for Music Information Retrieval. It publishes research at the interface of musicology, audio engineering, and computer science, highlighting advances presented at the International Society for Music Information Retrieval Conference and related workshops. The journal serves researchers affiliated with institutions such as Massachusetts Institute of Technology, Stanford University, University of Cambridge, Queen Mary University of London, and McGill University.
The journal was launched following discussions at the International Society for Music Information Retrieval Conference and organizational meetings involving representatives from Queen Mary University of London, Cornell University, McGill University, and Université de Montréal. Early steering committees included scholars who had presented at venues such as ISMIR 2008, ISMIR 2010, and ISMIR 2015, and contributors connected to projects funded by agencies like the Engineering and Physical Sciences Research Council and the Natural Sciences and Engineering Research Council. Its founding editors had prior affiliations with editorial boards of journals such as Journal of the Acoustical Society of America and Computer Music Journal, and collaborations with labs at Google Research, Spotify Technology S.A., and NVIDIA shaped initial technical directions.
TISMIR covers topics including automatic music transcription, music recommendation, audio signal processing, music information retrieval, and cultural analytics. Papers often reference methods developed at institutions such as Massachusetts Institute of Technology, Stanford University, Carnegie Mellon University, University of Oxford, and ETH Zurich. Articles draw on datasets and benchmarks used by researchers at Music Information Retrieval Evaluation eXchange, Million Song Dataset, GTZAN dataset, and initiatives from European Research Council projects. The journal publishes work that intersects with systems studied by teams at Apple Inc., Microsoft Research, Amazon Web Services, and research groups at Yale University and New York University.
The editorial board comprises academics and industry researchers from organizations such as Imperial College London, Delft University of Technology, Aalto University, KTH Royal Institute of Technology, and University of California, Berkeley. Manuscripts undergo peer review by reviewers who have presented at International Conference on Acoustics, Speech, and Signal Processing and who serve on program committees for NeurIPS, ICASSP, and ACM Multimedia. The submission workflow integrates plagiarism checks used by publishers like Springer Nature and IEEE, and adheres to ethical guidelines similar to those from Committee on Publication Ethics. Special issue proposals have been led by guest editors affiliated with Johns Hopkins University, Princeton University, and University of Illinois Urbana-Champaign.
TISMIR is indexed in databases and services used by scholars at Google Scholar, Scopus, Web of Science, and institutional repositories at University of Michigan, Columbia University, and University of Toronto. Citation metrics often reference comparisons to journals such as IEEE/ACM Transactions on Audio, Speech, and Language Processing, Journal of New Music Research, and Computer Music Journal. Influential articles have been cited by authors connected to initiatives at European Union projects and by researchers at National Science Foundation-funded centers. The journal’s impact is discussed in conference panels at ISMIR and workshops co-located with International Society for Music Information Retrieval Conference events.
Each volume frequently collects extended versions of top papers from the International Society for Music Information Retrieval Conference and associated symposia organized with partners including Audio Engineering Society, Association for Computing Machinery, and Institute of Electrical and Electronics Engineers. Special issues have focused on themes explored at meetings like ISMIR 2017, ISMIR 2019, and satellite events hosted by Tokyo University of the Arts, McGill University, and University of Amsterdam. Guest editors have coordinated issues in collaboration with research centers such as McGill Schulich School of Music and industry partners including Spotify Technology S.A. and Shazam Entertainment.
The journal is distributed through the International Society for Music Information Retrieval’s platforms and through academic libraries at institutions such as Harvard University, Yale University, University of California system, and National University of Singapore. Access models include institutional subscriptions similar to those of Elsevier and hybrid open-access options that mirror policies at Springer Nature and Wiley-Blackwell. Archival copies are deposited in digital repositories maintained by organizations like LOCKSS and national libraries including the Library of Congress and the British Library.
Category:Music journals Category:Academic journals established in the 21st century