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| The Hub (Edinburgh) | |
|---|---|
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| Name | The Hub |
| Map type | Edinburgh |
| Established | 1845 |
| Architect | Sir James Gowans |
| Location | Castlehill, Edinburgh |
| Type | Concert hall; cultural venue |
The Hub (Edinburgh)
The Hub is a landmark concert and events venue near Edinburgh Castle and on the Royal Mile in Edinburgh, Scotland. Originally built as the Victoria Hall for the General Assembly of the Church of Scotland, it later became a centre for festivals and cultural activity associated with the Edinburgh Festival Fringe, Edinburgh International Festival, and local institutions such as National Theatre of Scotland and Scottish Opera. The building sits adjacent to historic sites like St Giles' Cathedral, John Knox House, and Midlothian-linked landmarks.
The site was proposed during debates involving figures from the Church of Scotland and civic leaders of Edinburgh City Council in the mid-19th century, amid contemporaneous projects such as the construction of Scott Monument and expansions of the Royal Mile. Designed by Sir James Gowans and completed in 1845, the building served the General Assembly alongside other ecclesiastical venues including Greyfriars Kirk, St Cuthbert's Church, and Tron Kirk. During the 20th century its role shifted as personalities and organisations like Rudolf Bing, Peter Maxwell Davies, Kenneth MacMillan, and companies including Scottish Ballet engaged with the city's festival ecosystem. The Hub later became closely associated with the Edinburgh Festival Fringe Society and performers from institutions such as Royal Conservatoire of Scotland and touring groups from Royal Shakespeare Company and Glasgow Royal Concert Hall.
The Hub is noted for a Gothic Revival spire and polychrome stonework echoing the work of architects such as George Gilbert Scott, Augustus Pugin, and contemporaries in Victorian Britain like Charles Barry. Constructed of local sandstone, the exterior features ornate tracery, gargoyles and buttresses comparable to details on Gothic Revival buildings in London and Oxford. Interior spaces were designed to serve assemblies and later adapted for acoustics used by ensembles including BBC Scottish Symphony Orchestra, Scottish Chamber Orchestra, and chamber groups associated with Wigmore Hall touring residencies. Restoration campaigns referenced conservation guidelines akin to those applied at Palace of Holyroodhouse and Scottish National Portrait Gallery.
The Hub functions as a hub for festivals, civic receptions and cultural programming connecting organisations such as the Edinburgh Festival Fringe Society, Edinburgh International Festival, Creative Scotland, and heritage bodies including Historic Environment Scotland. It hosts speakers and debates featuring politicians and public figures from Scottish Parliament, UK Parliament, and international delegations from cities like Paris, Berlin, and New York City. Partnerships with educational institutions such as University of Edinburgh, Heriot-Watt University, and Edinburgh Napier University support conferences, workshops and residencies. The venue collaborates with charities and arts funders including Arts Council England, Heritage Lottery Fund, and National Lottery beneficiaries.
Programming spans concerts, comedy, dance and theatre, attracting acts associated with Fringe pioneers and companies like Complicite, Fringe First winners, and touring performers from Royal Lyceum Theatre and Tron Theatre. Music events have featured artists comparable to those on bills at Usher Hall, Barbican Centre, and international festivals such as Glastonbury Festival and Edinburgh Jazz and Blues Festival. The Hub has been a venue for premieres, gala concerts, film screenings tied to festivals like the Edinburgh International Film Festival and panel events with participants from BBC Radio Scotland, Sky Arts, and podcast producers. Community programming connects to organisations like Citizen Theatre, Edinburgh Youth Orchestra, and youth companies tied to National Youth Choir of Scotland.
Conservation work at the Hub has engaged conservation architects and heritage organisations, reflecting principles used in projects at St Mary's Cathedral, Edinburgh, Scottish National Gallery, and Edinburgh Castle conservation programmes. Redevelopment plans balanced modern requirements for accessibility, fire safety and acoustic performance with listed-building constraints under legislation influenced by bodies like Historic Scotland and guidance used in refurbishments of Kelvingrove Art Gallery and Museum and Glasgow Cathedral. Funding and governance for upgrades involved partnerships with local authorities including City of Edinburgh Council, philanthropists akin to those supporting Royal Botanic Garden Edinburgh, and trusts resembling National Trust for Scotland contributions.
Located on Castlehill adjacent to the Royal Mile and within walking distance of Waverley railway station, the venue is accessible from transport hubs including Edinburgh Airport via tram and bus links. Nearby cultural attractions include Camera Obscura and World of Illusions, The Scotch Whisky Experience, and museums such as the Museum of Edinburgh and National Museum of Scotland. Visitors can find listings and ticketed events coordinated with box offices used by venues like Usher Hall and online platforms used by Eventbrite and festival ticketing partners. The area is served by hospitality providers ranging from historic hotels like The Balmoral to boutique inns on Canongate.
Category:Buildings and structures in Edinburgh Category:Former churches in Scotland