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The Black List

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The Black List
NameThe Black List
CaptionAnnual list of most-liked unproduced screenplays
FounderFranklin Leonard
Established2005
CountryUnited States
LanguageEnglish
FrequencyAnnual

The Black List is an annual survey and compendium of the most-liked unproduced screenplays circulating in theHollywood film industry, compiled from the votes of film executives, producers, agents, and development executives. Founded in the mid-2000s, it has become a barometer for screenwriting talent and a launchpad for projects that subsequently became commercial and critical successes. The list connects aspiring and established writers to producers, studios, and festivals, influencing deals at Paramount Pictures, Warner Bros., Walt Disney Studios, and independent companies such as A24 and Focus Features.

Overview

The Black List aggregates ballots from industry professionals at organizations including Creative Artists Agency, William Morris Endeavor, United Talent Agency, SAG-AFTRA, and major production firms like Legendary Entertainment and Lionsgate. Each participating executive nominates favorite unproduced scripts, producing a ranked compilation that highlights screenplays before they reach production at studios such as Universal Pictures or streaming platforms like Netflix and Amazon Studios. The list has featured works connected to filmmakers and actors tied to awards bodies including the Academy Awards, Golden Globe Awards, BAFTA, and film festivals such as Sundance Film Festival, Cannes Film Festival, and Toronto International Film Festival.

History and Origins

The initiative originated in 2005, when industry executive Franklin Leonard surveyed peers at companies including Paramount Pictures, Warner Bros., and boutique producers like Plan B Entertainment and Annapurna Pictures to identify outstanding unproduced material. Early editions highlighted scripts later produced by directors and producers associated with names like Martin Scorsese, Christopher Nolan, Greta Gerwig, Quentin Tarantino, Kathryn Bigelow, and David O. Russell. Over subsequent years the project expanded into a company that developed talent services, live readings, and partnerships with organizations such as The Black List Live, agencies, and film markets including the American Film Market. The list’s growth paralleled the rise of streaming services and the shifting landscape involving Sony Pictures Entertainment, CBS Studios, and international co-productions with entities like BBC Films.

Criteria and Inclusion Process

Participants from studios, production companies, and agencies submit their favorite unproduced screenplays annually; ballots come from executives at firms like Skydance Media, Imagine Entertainment, Village Roadshow Pictures, and boutique shops such as Scott Free Productions and Miramax. Eligibility typically requires that a screenplay has not begun principal photography and is represented by an industry professional. The compilation weights frequency and ranking across ballots to produce a list; scripts linked to agents at ICM Partners, managers at Biscayne Management, and producers with credits under Participant Media can gain visibility. Subsequent services offered by the organization assist writers in networking with production entities, festivals like SXSW, and companies active in development finance such as Goldman Sachs-backed ventures and venture partners in entertainment.

Notable Entries and Cases

Over the years, the compilation has included early versions of scripts that later materialized into films associated with major figures: projects connected to Joaquin Phoenix, Natalie Portman, Brad Pitt, Leonardo DiCaprio, Meryl Streep, and directors like Alejandro G. Iñárritu and Patty Jenkins. Several entries evolved into films that received nominations from the Academy of Motion Picture Arts and Sciences and awards from bodies like the Screen Actors Guild Awards. Cases include scripts that became productions at studios such as Columbia Pictures and 20th Century Studios, and independent successes released through distributors like NEON and IFC Films. High-profile examples illustrate trajectories from page to screen via development deals, option agreements with companies like Skydance or Amazon MGM Studios, and festival debuts at Venice Film Festival.

Impact and Controversies

The list has reshaped talent pipelines, affecting negotiations with agencies including CAA and influencing greenlighting at conglomerates like The Walt Disney Company. Supporters credit it with surfacing writers who later won prizes from the Writers Guild of America and the British Academy of Film and Television Arts. Critics argue that reliance on industry ballots can reinforce insider networks centered on firms such as Regency Enterprises and Silver Pictures, and that successes sometimes privilege established producers and star-powered attachments at companies like Netherlands‑based Pathé or STX Entertainment. Debates have also touched on diversity and representation, prompting responses from advocacy groups and initiatives tied to programs at institutions such as The Sundance Institute and The AFI Conservatory.

Legal considerations have arisen around option agreements, chain-of-title disputes, and rights clearances involving entities like Writers Guild of America and studios including Paramount Global. The industry practices for protecting intellectual property—options, purchase agreements, and arbitration under guild rules—interact with the publicity that the annual compilation generates. Cultural responses include anthology productions, staged readings, and adaptations facilitated by producers linked to Imagine Entertainment, broadcasters such as HBO and Showtime, and streaming services including Apple TV+. Educational programs and workshops at institutions like USC School of Cinematic Arts, New York University Tisch School of the Arts, and Columbia University School of the Arts reference the list as a case study in development and exposure.

Category:Film industry lists