Generated by GPT-5-mini| Tet (Vietnamese New Year) | |
|---|---|
| Name | Tết Nguyên Đán |
| Official name | Tết Nguyên Đán |
| Nickname | Tết |
| Observed by | Vietnam, Overseas Vietnamese |
| Significance | Lunar New Year, beginning of spring |
| Date | First day of the first lunar month (varies) |
| Frequency | Annual |
Tet (Vietnamese New Year) is the principal festival in Vietnam marking the start of the lunar new year and the arrival of spring. Celebrated across the country and in Ho Chi Minh City, Hanoi, and Vietnamese communities in Paris, San Francisco, and Sydney, it combines indigenous customs, regional practices, and influences from China, Korea, and Japan. The holiday affects public life in institutions such as Vietnamese Academy of Social Sciences and businesses like Viettel and involves cultural performances by ensembles associated with Vietnam National Academy of Music and venues such as the Saigon Opera House.
The name derives from Sino-Vietnamese elements reflecting lunar calendrical systems inherited via contacts with Tang dynasty and Ming dynasty influences; the term includes characters analogous to those used in Chinese New Year and the Lunar New Year traditions observed in Korea and Japan. The date is set by the lunar calendar aligned with astronomical observations used by historic courts like the Nguyễn dynasty and earlier royal observatories in Thăng Long. Official announcements historically resembled edicts issued by rulers such as Emperor Gia Long and were timed similarly to festivals in Imperial China and rituals in Joseon.
Origins are traced to agrarian rites and ancestor veneration practiced in the Red River Delta, with archaeological and textual echoes in artifacts associated with the Dong Son culture and annals kept by scholars serving courts like Trần Thái Tông. Over centuries, royal ceremonies under dynasties such as the Lý dynasty and Trần dynasty institutionalized seasonal rites alongside offerings referenced in compilations akin to works preserved by the Vietnam Academy of Social Sciences. Contacts with traders from Java and emissaries from Ming dynasty introduced material culture that blended with local practices; later French colonial policies under officials such as those in French Indochina affected urban observance while nationalist movements led by figures in Viet Minh and later Nguyễn Ái Quốc adapted festivals for modern civic identity.
Household rituals include cleaning, home repair, and the preparation of altars for offerings, practices shared by families in provinces like Bắc Ninh and Huế. Visits and exchanges between relatives often mirror protocols observed in events featuring delegates from institutions such as Vietnamese Women's Union and cultural troupes from the Hanoi Opera House. The practice of giving lucky money follows patterns similar to customs seen in Guangzhou and Taipei; symbolic items like kumquat trees and peach blossoms are displayed as in gardens in Ninh Bình and markets such as Bến Thành Market. Folkloric performances—dragon dances and lion dances—are performed by companies that also appear at festivals organized by municipalities like the Da Nang People's Committee.
Traditional dishes center on variety and symbolism, with iconic preparations like bánh chưng and bánh tét associated with legends involving figures such as Lang Liêu from Bắc Ninh region lore. Family feasts often include boiled pig, pickled vegetables, candied fruits, and sweet soups prepared in kitchens influenced by regional recipes from Mekong Delta and Central Vietnam. Market networks supplying ingredients involve wholesalers in Chợ Lớn and distribution channels tied to firms like Vinamilk for dairy products during celebratory periods. Culinary displays are showcased at events in cultural zones such as the Hoàn Kiếm District and festivals promoted by the Vietnam National Administration of Tourism.
Ancestor veneration is central, with families performing rites at home altars and at communal temples like those honoring deities in Hanoi Temple of Literature and shrines in Huế Imperial City. Buddhist temples such as One Pillar Pagoda and Trấn Quốc Pagoda host services where monks from sanghas connected to organizations like the Vietnam Buddhist Sangha lead prayers. Catholics in dioceses like Saigon archdiocese integrate Masses and community gatherings similar to practices in parishes overseen by bishops formerly connected to institutions like Archdiocese of Hanoi; Cao Đài and Hòa Hảo communities also observe unique rites in their temples.
Municipalities stage public events including fireworks in plazas like Nguyễn Huệ Walking Street and parades featuring troupes from the Vietnam National Puppet Theatre and companies affiliated with the Vietnamese People's Army cultural units. Television networks such as VTV produce variety shows and countdown specials; musical performances involve artists promoted by labels in Ho Chi Minh City and concerts at venues like My Dinh National Stadium. Folk arts—cheo, cai luong, and múa lân—are performed by ensembles with ties to cultural centers such as the Vietnam Museum of Ethnology.
Contemporary observance reflects globalization, with diaspora communities in cities like Little Saigon, Vancouver, and Melbourne organizing Tet fairs in partnership with local councils and cultural associations. Commercialization by companies such as Vingroup and media coverage by outlets like Tuổi Trẻ have transformed public rituals, while government bodies including the Ministry of Culture, Sports and Tourism issue guidelines balancing tradition and public safety. Technological shifts see digital red envelopes and online greetings circulated via platforms like Zalo and services used by expatriates connected to consulates of the Socialist Republic of Vietnam.