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| Tate (institution) | |
|---|---|
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| Name | Tate |
| Established | 1897 |
| Location | London; Liverpool; St Ives |
| Type | Art museum |
| Collection size | over 70,000 |
| Director | Maria Balshaw |
Tate (institution) is a network of four art museums and a national collection established in 1897 to display British art and international modern and contemporary art. It comprises major sites in London, Liverpool, and St Ives that house works by artists such as J. M. W. Turner, Claude Monet, Pablo Picasso, Salvador Dalí and Andy Warhol, and organises international exhibitions, acquisitions, research, and public programmes across visual culture, performance, and film.
The institution originated from the bequest of industrialist and art collector Henry Tate and the creation of a national collection that incorporated acquisitions from the National Gallery and the British Museum. Early development involved figures linked to the Arts and Crafts Movement, the Pre-Raphaelite Brotherhood, and acquisition debates around J. M. W. Turner and John Constable. Twentieth-century expansions responded to exhibitions influenced by Picasso and Marcel Duchamp, while late-century transformations were shaped by cultural policies under administrations associated with Norman Tebbit and initiatives promoted during the mayoralty of Ken Livingstone. The turn of the millennium saw the opening of a converted power station designed in relation to the work of Giles Gilbert Scott and programming that engaged with artists such as Damien Hirst, Tracey Emin, Anish Kapoor, Yayoi Kusama, Marina Abramović and survey exhibitions resonant with the Venice Biennale.
Tate's collection spans historical holdings including J. M. W. Turner watercolours, nineteenth-century works by John Everett Millais and William Blake, modernist holdings of Henri Matisse, Wassily Kandinsky, Paul Klee and Piet Mondrian, and contemporary works by Gerhard Richter, Ai Weiwei, Cindy Sherman, Jeff Koons and Rachel Whiteread. The catalogue includes prints, drawings, sculptures, installations, film and photography by artists such as Barbara Hepworth, Henry Moore, Francis Bacon, Lucian Freud, Dorothea Tanning and Joseph Beuys. Specialised collections cover movements and groups like Futurism, Surrealism, Pop Art, Abstract Expressionism and Conceptual Art. The institution manages acquisition policies, loans to institutions including the Museum of Modern Art, the Centre Pompidou, Metropolitan Museum of Art and the National Gallery of Art, and conservation collaborations with the Courtauld Institute of Art, Victoria and Albert Museum and university departments at University College London.
Tate Modern occupies a former Bankside Power Station transformed into galleries that stage retrospectives by Pablo Picasso, Marcel Duchamp, Kazimir Malevich, Mark Rothko and large installations by Olafur Eliasson, Ai Weiwei, Anish Kapoor and Rachel Whiteread. Its Turbine Hall commissions have included works by Antony Gormley, Carsten Höller, Ragnar Kjartansson and Monica Bonvicini. Tate Modern collaborates with international biennales such as the Gwangju Biennale, the São Paulo Art Biennial and the Whitney Biennial, and hosts performances linked to figures like John Cage, Merce Cunningham, Laurie Anderson and William Kentridge.
Tate Britain focuses on British art from the Tudor period to the present, with landmark holdings by J. M. W. Turner, William Blake, John Constable, Thomas Gainsborough and twentieth-century artists including Dame Laura Knight, Henry Moore, Francis Bacon and Lucian Freud. Exhibitions at Tate Britain have examined movements such as Pre-Raphaelite Brotherhood, Neo-Romanticism, the Bloomsbury Group and discourses around portraiture linked to figures like Gillian Wearing and David Hockney. The gallery stages the biennial Turner Prize presentations and curates displays that intersect with archives from institutions including the National Portrait Gallery and the British Library.
Tate Liverpool, located on the Albert Dock waterfront, presents international touring exhibitions featuring Yayoi Kusama, David Hockney and Ai Weiwei while engaging with maritime and industrial histories tied to the Port of Liverpool. Tate St Ives, sited in Cornwall, foregrounds modernist responses by artists such as Barbara Hepworth, Ben Nicholson, Naum Gabo and Peter Lanyon and connects to regional movements including the St Ives School and artists linked to the Penwith Peninsula.
The institution runs educational programmes for schools and public audiences, research partnerships with the Courtauld Institute of Art, King's College London, University of Oxford and University of Cambridge, and publishes catalogues raisonnés and scholarly monographs on artists including Turner, Francis Bacon, Lucian Freud and Henry Moore. Public programmes include talks, symposia, film seasons, curator-led tours and residencies with artists such as Gillian Wearing, Cornelia Parker, Isa Genzken and Pipilotti Rist, and outreach initiatives with organisations like Arts Council England, British Council and the Heritage Lottery Fund.
Governance is overseen by a board of trustees that engages with national cultural policy, philanthropy from donors such as the Sainsbury family, corporate sponsors including BP (historically) and fundraising bodies like the Art Fund. The institution receives public funding and private donations, negotiates loans with institutions like the National Gallery of Art and complies with regulatory frameworks involving the Charity Commission and national departments responsible for cultural heritage. Directors and chief executives have included figures who liaise with international museum networks such as the International Council of Museums.
Major architectural interventions include the conversion by architects Herzog & de Meuron of a former power station for Tate Modern, recent expansion projects by Snohetta and earlier nineteenth-century gallery buildings associated with Sydney Smirke and James Pennethorne at the Millbank site for Tate Britain. Conservation laboratories collaborate with specialists in painting conservation, sculpture conservation and digital preservation from institutions such as the National Gallery, the Victoria and Albert Museum and university departments at University College London and the University of York. The institution manages listed buildings, site maintenance on the South Bank, coastal conservation at St Ives and adaptive reuse projects that interface with urban regeneration schemes led by local authorities and development trusts.
Category:Art museums and galleries in England