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Sundance (Native American)

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Sundance (Native American)
NameSundance
LocationGreat Plains, North America
ParticipantsPlains tribes
Datevaries; traditionally summer
Frequencyannual to occasional
RelatedGhost Dance, Sun Dance, Powwow, Sweat lodge

Sundance (Native American)

The Sundance is a ceremonial and communal observance practiced by numerous Plains peoples including the Lakota, Dakota, Nakota, Cheyenne, Arapaho, Crow, Blackfoot, Pawnee and Comanche. Rooted in pre-contact spiritual systems and transformed through encounters with European colonization, United States, and Canada, the Sundance continues to function as a focal ritual for social cohesion, cosmology, healing, and political identity. Scholars, tribal leaders, ethnographers, and legal advocates have documented its rites, contested restrictions, and supported resurgence across reservations, urban centers, and intertribal gatherings.

Overview and cultural significance

The Sundance serves as a nexus of ceremonial authority among leaders such as medicine men, medicine women, and tribal elders in communities like the Oglala Sioux Tribe, Rosebud Sioux Tribe, Standing Rock Sioux Tribe, Cheyenne River Sioux Tribe, Arapaho Tribe of the Wind River Reservation, and Crow Nation. Often associated with renewal, thanksgiving, sacrifice, and vision-seeking, the Sundance intersects with narratives found in oral histories collected by researchers like Franz Boas, Ella Cara Deloria, James Mooney, George Bird Grinnell, and Ernest Thompson Seton. Performative elements link the Sundance to other Plains events such as powwow contests, sunrise ceremony motifs, and pan-Indigenous movements like the Ghost Dance movement. Its significance extends into legal claims addressed in cases before the Supreme Court of the United States and administrative policies of the Bureau of Indian Affairs.

Ceremonial structure and practices

Central elements include construction of a central lodge, erection of a sacred tree or pole, fasting, prayer, piercing, and dance performed over multiple days by participants representing bands and clans such as Teton Sioux, Miniconjou, Brulé Sioux, Arapaho (Southern) and Northern Cheyenne. Roles are often held by personages recognized for ritual knowledge derived from lineages connected to figures like Black Elk and Gall (tribal chief). Observances incorporate offerings, sweat lodge initiations referencing techniques seen among Hupa and Muckleshoot practices, and the commissioning of songs by singers such as those documented in archives of the Smithsonian Institution and the National Museum of the American Indian. Coordinating bodies have included tribal councils, spiritual societies, and intertribal committees established during meetings involving delegates from the National Congress of American Indians and the Indian Reorganization Act era governance.

Regional and tribal variations

Variations reflect distinct cosmologies across nations like the Northern Plains, Southern Plains, and adjacent communities including the Apsáalooke (Crow), Pawnee Nation of Oklahoma, and Kiowa Tribe of Oklahoma. Differences appear in rites of passage, gendered participation rules observed among the Shoshone, Ute, and Cheyenne, and in liturgical repertoires ranging from Lakota handgame songs to Comanche horse-centered honor displays. Regional stylings also intersect with intercultural exchanges after events like the Wounded Knee Massacre (1890), migrations tied to the Indian Removal Act, and allotment-era disruptions under the General Allotment Act (Dawes Act).

Since the 19th century, federal policies such as those advanced by Congress of the United States committees, enforcement by the United States Army, and missionary activity from organizations like the Board of Indian Commissioners attempted to suppress ceremonies including the Sundance. Landmark legal and administrative shifts occurred with legislation and court decisions addressing religious freedom and Indigenous rights, culminating in protections under the American Indian Religious Freedom Act and case law at the United States Court of Appeals and the Supreme Court of the United States. Activists and attorneys from groups like the Native American Rights Fund, American Indian Movement, and representatives from tribal governments litigated for ritual autonomy, often in dialogue with agencies such as the National Park Service when ceremonies invoked public lands or historic sites.

Music, dance, and regalia

Musical components feature drums, hand-held rattles, vocables, and song forms preserved by singers archived by scholars like Franz Boas and institutions including the Library of Congress and the American Folklife Center. Dances range from solo vision quest routines to communal circuits around the central pole, accompanied by regalia that often includes eagle feathers, beaded breastplates, buffalo-hide elements, and painted face designs seen in collections at the Smithsonian Institution National Museum of Natural History and portraits by artists such as Edward S. Curtis. Craft traditions involve quillwork, beadwork, porcupine quill embroidery, and hide tanning techniques transmitted through apprenticeship in families and tribal schools, sometimes supported by cultural programs funded by the Administration for Native Americans.

Contemporary revival and controversies

Contemporary revivals involve tribal cultural committees, pan-Indian intertribal councils, and urban American Indian centers in cities like Rapid City, South Dakota, Oklahoma City, Albuquerque, New Mexico, and Denver, Colorado. Controversies include debates over participation by non-Indigenous attendees, commercialization at festival circuits, authenticity disputes adjudicated by tribal law, and tensions arising from media representations in outlets such as National Public Radio and documentary filmmakers associated with festivals like the Santa Fe Indian Market. Ongoing negotiations involve collaborations among museums, universities such as University of North Dakota, University of South Dakota, and tribal colleges to balance preservation, access, and tribal sovereignty.

Category:Plains Indian music Category:Native American ceremonies