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| Strictly Business | |
|---|---|
| Name | Strictly Business |
| Director | Keenen Ivory Wayans |
| Producer | George Folsey Jr. |
| Starring | Morris Chestnut, Joe Morton, Lela Rochon |
| Music | Marcus Miller |
| Cinematography | Tim Suhrstedt |
| Editing | Nick Rotundo |
| Studio | Paramount Pictures |
| Distributor | Paramount Pictures |
| Released | 1991 |
| Runtime | 101 minutes |
| Country | United States |
| Language | English |
Strictly Business
Strictly Business is a 1991 American romantic comedy film directed by Keenen Ivory Wayans and produced by George Folsey Jr. The film stars Morris Chestnut, Joe Morton, and Lela Rochon and follows a young aspiring businessman navigating corporate ambition, social networks, and romantic entanglement in New York City Strictly Business combines elements of workplace comedy, urban romance, and coming-of-age narrative against the backdrop of early 1990s cultural currents.
Set in Manhattan, the plot centers on an ambitious sales trainee from Chicago who seeks advancement at a national firm headquartered in New York City He becomes entangled with a nightlife-savvy socialite and a seasoned mentor from the corporate ladder, generating conflicts tied to ambition, class, and personal ethics The film engages with tropes seen in works featuring mentorship and urban aspiration such as Wall Street, Working Girl, and Glengarry Glen Ross while foregrounding African American professional life comparable to portrayals in The Cosby Show and A Different World Strictly Business situates personal choices within networks of friends, rivals, and institutional gatekeepers including executives, clients, and PR contacts
Development began when Keenen Ivory Wayans, known for In Living Color and earlier film work, sought to create a commercially viable romantic comedy anchored by African American leads The screenplay underwent revisions influenced by earlier studio projects at Paramount Pictures and drafts circulated among writers connected to New Line Cinema and independent producers Casting drew on performers active in television and film: Morris Chestnut had risen through roles in television films and series, Joe Morton brought stage and screen experience including work with Directorate collaborators, and Lela Rochon appeared after roles in period dramas and music-video work Pre-production involved location scouting across Soho, Tribeca, and Midtown Manhattan to capture contemporary corporate interiors and nightlife venues Production faced scheduling negotiations with talent represented by agencies including Creative Artists Agency and William Morris Agency Principal photography employed cinematographer Tim Suhrstedt, whose prior credits included commercial comedies, and took place primarily on soundstages and practical locations in New York City with additional shoots in studio facilities associated with Paramount Pictures The production design balanced sleek office settings reminiscent of Chrysler Building-era corporate aesthetics with club interiors reflecting East Coast nightlife trends
Strictly Business premiered in 1991 with distribution by Paramount Pictures and screenings timed to urban markets and African American audiences concentrated in cities like Atlanta, Los Angeles, Chicago, and New York City Critical reception was mixed: some reviewers compared its romantic-comedy structure to mainstream titles such as Pretty Woman and praised performances by Joe Morton and Morris Chestnut while other critics found the screenplay uneven relative to contemporaneous ensemble comedies like House Party and Boomerang Box office performance reflected modest commercial returns, with stronger showings in metropolitan areas familiar to the cast and creative team Industry commentators placed the film within the early 1990s wave of black-centered studio films alongside titles produced or distributed by companies such as Warner Bros. and Universal Pictures Over time, retrospective assessments have noted the film's role in the careers of its principal actors and director, alongside other Wayans family projects like I'm Gonna Git You Sucka and The Five Heartbeats
The soundtrack for Strictly Business assembled contemporary R&B and hip-hop artists of the early 1990s, curated to reflect the film's urban setting and nightclub sequences Producers collaborated with musicians and record labels active at the time, including partnerships common to Motown Records, Def Jam Recordings, and Atlantic Records Musical direction featured contributions from Marcus Miller, whose background in jazz and R&B production anchored score cues and thematic material The soundtrack album included tracks by established and emerging performers, aiming to cross-promote film and music sales in retail chains and radio markets such as Billboard charts Promotional singles received airtime on urban contemporary radio and video rotation on networks like BET and MTV The musical choices emphasized groove-driven arrangements and lyrical themes of ambition, romance, and nightlife, aligning with contemporaneous soundtrack-driven hits from films like New Jack City and Above the Rim
After theatrical release, Strictly Business was made available on home video formats distributed by Paramount Home Video and later included in cable rotation on outlets such as HBO and TBS The film's availability on physical media and later digital platforms contributed to its cult familiarity among fans of early 1990s urban comedies Its legacy is tied to the career trajectories of cast and crew: Morris Chestnut progressed to leading roles in film and television, Joe Morton received acclaim in subsequent dramatic roles, and Keenen Ivory Wayans continued to shape comedy through television and film projects The film is often referenced in studies of African American representation in mainstream cinema of the 1990s and appears in curated retrospectives alongside titles distributed by Paramount Pictures, Warner Bros., and independent black cinema festivals The soundtrack remains a point of interest for collectors of 1990s R&B and hip-hop soundtracks Category:1991 films