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Stones Mobile Studio

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Stones Mobile Studio
NameStones Mobile Studio
DeveloperStones Audioworks
Released2010
Latest release2019
PlatformMobile devices
LicenseProprietary

Stones Mobile Studio is a compact mobile recording and production environment developed by Stones Audioworks for on-location music and field audio capture. It integrates multitrack recording, mixing, and effects within a handheld hardware rig and companion software suite, aimed at musicians, podcasters, and sound designers. The product sits at the intersection of portable studios popularized by legacy devices and modern mobile ecosystems.

Overview

Stones Mobile Studio combined a bespoke handheld interface with companion apps for iOS, Android (operating system), Windows, and macOS to provide multitrack recording, signal routing, and effects processing. Designed for field use, it built upon design philosophies seen in devices like the Akai MPC, Tascam Portastudio, Zoom recorders and concepts from Ableton Live, Pro Tools, Logic Pro, FL Studio workflows. Its launch targeted users familiar with products from Shure, Sennheiser, Rode Microphones, and Audio-Technica while appealing to creators who used platforms such as YouTube, SoundCloud, Bandcamp, and Spotify.

History

Stones Mobile Studio was announced following research by Stones Audioworks into portable production inspired by the heritage of the Fender, Gibson, and Roland Corporation ecosystems and the mobile software revolutions led by companies like Apple Inc. and Google. Early prototypes were shown at trade shows including NAMM Show, SXSW, and AES Convention with demonstrations alongside vendors such as Neumann, Universal Audio, and Focusrite. The product line evolved through firmware updates influenced by standards from organizations like the MIDI Manufacturers Association, specification work by the USB Implementers Forum, and compatibility efforts with cloud services including Dropbox, Google Drive, and Apple iCloud.

Design and Features

Hardware design reflected collaborations with acoustic engineers familiar with designs from AKG Acoustics, Beyerdynamic, and Rode Microphones. It offered balanced XLR inputs, phantom power comparable to standards used by Neve Electronics and SSL (Solid State Logic), and preamps influenced by circuits in API (company) and Focusrite. The software GUI borrowed interaction metaphors from Ableton Live, Propellerhead Reason, and GarageBand and supported plug-ins using protocols tied to VST, AAX, and Audio Units. Networked features enabled remote sessions interoperable with services like Skype, Zoom Video Communications, and collaboration platforms such as Slack and Trello.

Reception and Impact

Reviewers from outlets like Sound on Sound, Mix Magazine, Pitchfork, and The Guardian noted its convenience for field production, comparing it to workflows used by artists on BBC Radio, NPR, and independent labels such as XL Recordings and Sub Pop. Musicians from scenes associated with Nashville, Tennessee, Los Angeles, and London cited it for location recording on tours with logistics similar to setups used by acts from The Rolling Stones, Radiohead, and Arcade Fire. Audio engineers who work with institutions like the BBC, NPR, and CBC evaluated it against mobile solutions from Zoom and Tascam. Its availability influenced indie studios and community spaces such as Red Bull Music Academy programs and university labs at institutions like Berklee College of Music, Royal College of Music, and New York University.

Versions and Compatibility

Stones Mobile Studio released multiple firmware updates and variants, including models with expanded I/O and models with integrated battery packs inspired by portable units like those from Zoom and Tascam. Compatibility matrices referenced standards implemented by MIDI Manufacturers Association, USB Implementers Forum, and APIs from Apple Inc. and Google. Integration guides mapped connections to consoles by Yamaha Corporation, Allen & Heath, and outboard gear from Electro-Harmonix, TC Electronic, and Universal Audio.

Use in Education and Community

Educational adoption saw the device used in curricula at Berklee College of Music, University of Southern California Thornton School of Music, Royal Academy of Music, and community workshops organized by groups such as Creative Commons, DIY.org, and local makerspaces. Stones Mobile Studio featured in workshops at festivals including SXSW, Primavera Sound, and Green Man Festival where instructors compared it to classroom tools like Reason Studios and Pro Tools rigs. Community radio stations including KEXP, WFMU, and campus stations employed it for remote interviews and live sessions.

Notable Projects and Case Studies

Projects using the device ranged from on-tour recording sessions with independent artists affiliated with labels such as Warp (record label), Domino Recording Company, and Matador Records to field audio capture for documentaries distributed by outlets like BBC Documentary, VICE Media, and National Geographic. Case studies highlighted usage in live session recordings for programs like Tiny Desk Concerts, location scoring for independent films screened at Sundance Film Festival and Cannes Film Festival, and podcast production for series syndicated on NPR and iHeartRadio.

Category:Audio recording Category:Music technology