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| Steinberg Cubase | |
|---|---|
| Name | Cubase |
| Developer | Steinberg Media Technologies |
| Initial release | 1989 |
| Operating system | Microsoft Windows, macOS |
| License | Proprietary |
Steinberg Cubase is a digital audio workstation developed by Steinberg Media Technologies, widely used for music production, recording, editing, and mixing. It competes with applications from companies such as Avid Technology, Apple Inc., Ableton, and Propellerhead Software and has been adopted by artists, producers, and studios connected to institutions like Abbey Road Studios and labels such as Universal Music Group. Cubase integrates technologies associated with standards from organizations including MIDI Manufacturers Association, Steinberg Media Technologies GmbH, and hardware firms such as Yamaha Corporation and Focusrite.
Cubase was introduced by Steinberg in the late 1980s amid developments by firms like Apple Computer and Roland Corporation in digital music. Early releases followed innovations associated with the MIDI protocol and influenced by work at companies such as Sequential Circuits and EMU Systems. Throughout the 1990s, Cubase evolved alongside formats championed by Microsoft and Intel Corporation on personal computers and with audio standards advanced by AES committees and studios like Electric Lady Studios. The 2000s saw integration with technologies from VST proponents and competition with products from Digidesign and Pro Tools. Corporate transitions involved entities such as Yamaha entering strategic partnerships with Steinberg, reflecting broader consolidation trends seen in firms like Berklee College of Music adopters and major record companies including Sony Music Entertainment.
Cubase has been released in multiple editions aimed at diverse users, echoing market segmentation similar to products from Avid Technology and Apple Inc.. Editions target independent creators associated with labels such as XL Recordings and broadcast houses like BBC; professional suites include features comparable to offerings from Steinberg competitors and hardware bundles by Mackie and Universal Audio. Feature sets have encompassed advanced score editors used by composers at institutions such as Juilliard School and orchestras like the Berlin Philharmonic, tempo detection workflows adopted by producers at Capitol Studios, and plugin architectures inspired by standards from the MIDI Manufacturers Association.
The Cubase environment reflects design philosophies similar to digital audio workstations developed by Ableton AG and Apple Inc. with track-centric layouts familiar to engineers at Sunset Sound and producers like Rick Rubin. Its mixer and arrangement windows draw parallels to console ergonomics found in facilities such as Sound City Studios and broadcast consoles at BBC Broadcasting House. Workflow features support collaboration with control surfaces from firms such as Avid Technology and Mackie, and integrate with scoring conventions used by composers at Film Score Monthly and orchestras like the London Symphony Orchestra.
Cubase implements audio processing techniques related to research from labs like IRCAM and algorithms comparable to developments by Fraunhofer Society researchers. Its MIDI handling aligns with protocol extensions maintained by the MIDI Manufacturers Association and used by manufacturers such as Roland Corporation and Korg. Audio engines support sampling and synthesis methods explored by companies including Native Instruments and Spectrasonics and leverage plugin formats similar to those adopted by Waves Audio and TC Electronic.
Cubase supports plugin formats and hardware standards that facilitate integration with products from Waves Audio, Native Instruments, Universal Audio, and iZotope. Compatibility layers connect Cubase projects to hardware controllers manufactured by Novation, Akai Professional, and Arturia and to audio interfaces by Focusrite and RME. File interchange workflows intersect with technologies from Avid Technology and session standards used across studios like Abbey Road Studios and broadcast facilities such as NPR.
Cubase has been discussed in publications and critiques alongside software from Avid Technology, Apple Inc., and Ableton AG in outlets like Rolling Stone and Sound On Sound. Its adoption influenced production practices at labels including Warner Music Group and artists associated with studios such as Electric Lady Studios. Industry awards and recognition have paralleled honors given to software and hardware makers like Yamaha Corporation and Universal Audio by institutions such as Grammy Awards panels and technical committees within organizations like AES.
Major Cubase releases introduced milestones comparable to those seen in competing products from Avid Technology and Apple Inc.. Early 1990s versions established sequencing features inspired by pioneers like Peter Gabriel collaborators, while releases in the 2000s incorporated plugin and audio engines developed in dialogue with firms such as Steinberg Media Technologies GmbH and Yamaha Corporation. Recent versions added tools and interfaces reflecting trends set by companies including Ableton AG and Native Instruments and have been adopted by producers connected to studios like Capitol Studios and labels such as Sony Music Entertainment.
Category:Digital audio workstation software