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| St Margaret's Church, Uxbridge | |
|---|---|
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| Name | St Margaret's Church, Uxbridge |
| Location | Uxbridge, Greater London |
| Country | England |
| Denomination | Church of England |
| Founded | 12th century (earliest fabric) |
| Dedication | Saint Margaret of Antioch |
| Heritage designation | Grade II* |
St Margaret's Church, Uxbridge is a parish church in the town of Uxbridge in the London Borough of Hillingdon. The building has medieval origins and later Georgian and Victorian alterations, and it serves as the Church of England parish church for central Uxbridge. The church has been associated with local governance, commerce and wartime events in Middlesex and has connections to regional transport hubs such as Uxbridge tube station.
The earliest record of a church on the site dates to the medieval period during the reign of Henry II and archaeological evidence indicates 12th-century fabric surviving in the nave. During the reign of Edward I and later Henry VIII there were parish records documenting repairs and chantry endowments. The churchyard expanded in the 17th century contemporaneously with events such as the English Civil War and the local garrison activity connected to Kingston upon Thames and Hillingdon. In the 18th century the parish benefited from patronage by local landed families with ties to Moor Park, London and merchants connected to the Grand Junction Canal. Substantial Victorian restoration in the 19th century was influenced by the liturgical movement associated with Edward Pusey and the Oxford Movement, bringing architects experienced with works at churches like All Souls Church, Langham Place and parishes in Westminster.
The exterior displays a mixture of Norman masonry, Perpendicular Gothic windows typical of the late medieval period, and Georgian brickwork. The west tower is crenellated and incorporates 15th-century stonework similar to examples at St Albans Cathedral and parish towers in Hertfordshire. The chancel arch and nave arcades show round and pointed profiles reflecting successive campaigns similar to restorations at Winchester Cathedral and Gloucester Cathedral. Interior fittings include a pulpit in the style of Christopher Wren-inspired church furniture, box pews from the Georgian era, and Victorian encaustic tiles influenced by designs from William Morris. Stained glass panels commemorate figures linked to national history such as veterans of the Napoleonic Wars and civic leaders from Middlesex County Council.
The living historically fell under the patronage of local landowners and ecclesiastical authorities including the Diocese of London and later the Diocese of Chelmsford during boundary changes; today it is within the Diocese of London and the Archdeaconry of Middlesex. Clergy serving the parish have included rectors and vicars who participated in diocesan synods and local charitable institutions like The Salvation Army and Church Pastoral Aid Society. The parish registers provide baptismal, marriage and burial entries used by genealogists tracing families linked to Hillingdon Local Studies and trade directories for Uxbridge High Street.
Worship follows the liturgical calendar of the Church of England with services that reflect Anglican traditions associated with Common Worship and earlier editions of the Book of Common Prayer. The parish runs community projects in partnership with Hillingdon Council, local schools such as Uxbridge High School, and charities like Age UK and the Royal British Legion. Seasonal events have included processions on Palm Sunday, civic services attended by representatives of Hillingdon Borough Council and commemorations for Remembrance Sunday.
The tower houses a ring of bells that has been augmented and rehung over centuries by foundries with links to the tradition exemplified by the Whitechapel Bell Foundry and bellringing societies such as the Oxford University Society of Change Ringers. The church organ, rebuilt in the 19th century and restored in the 20th century, follows the tonal models used by builders influenced by Father Willis and is employed for choral and congregational repertoire including works by Sir Charles Villiers Stanford, Herbert Howells, John Stainer and hymns found in the New English Hymnal. The choir participates in diocesan festivals and has collaborated with ensembles from nearby institutions like Brunel University and community choirs in Harrow.
The churchyard and interior contain memorials to local dignitaries, military officers who served in the Crimean War and the First World War, and benefactors tied to the Canal Age and local industries. Tombstones and plaques commemorate families associated with nearby estates such as Crosby Hall-era proprietors and merchants who appear in the records of London Gazette notices. Monuments include carved tablets by sculptors trained in workshops influenced by Sir Richard Westmacott and commemorative windows dedicated to civic leaders from Middlesex County Council.
The church is protected as a Grade II* listed building under the designation system administered by Historic England and sits within conservation considerations related to the London Borough of Hillingdon planning policies. Conservation work has been guided by principles promoted by organizations such as The Society for the Protection of Ancient Buildings and funding advice has been sought through bodies like the Heritage Lottery Fund and the National Churches Trust. Ongoing preservation addresses roofing, masonry consolidation, and safeguarding stained glass following guidance used at other historic parish churches across Greater London.
Category:Church of England churches in London Category:Grade II* listed churches in London Category:Buildings and structures in the London Borough of Hillingdon