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| Sekolah Tinggi Seni Indonesia | |
|---|---|
| Name | Sekolah Tinggi Seni Indonesia |
| Type | Public |
| Country | Indonesia |
Sekolah Tinggi Seni Indonesia is a tertiary arts institution in Indonesia focused on classical and contemporary practices in painting, sculpture, dance, music, theatre, and film. It offers undergraduate and graduate training linked to national cultural policy and international cultural exchange, engaging with institutions such as Institut Seni Indonesia, Universitas Indonesia, Universitas Gadjah Mada, Konservatorium Musik Utrecht, and the British Council. The institution collaborates with festivals and venues including Ubud Writers & Readers Festival, Bali Arts Festival, Jakarta International Film Festival, Yogyakarta Gamelan Festival, and Asia Pacific Triennial of Contemporary Art.
The institution traces roots to post-independence initiatives connected to Sukarno's cultural programs and regional arts schools influenced by Taman Siswa, Pendidikan Guru, and the legacy of Raden Saleh. Early formation involved figures associated with Affandi, S. Sudjojono, Basuki Abdullah, Nyoman Gunarsa, and exchanges with Leiden University and École des Beaux-Arts. During the 1960s and 1970s it responded to policies shaped by Suharto and later reforms tied to Reformasi and decentralization, while faculty engaged with residencies at Banaras Hindu University, Tokyo University of the Arts, Beijing Central Conservatory, and Royal College of Music. Curriculum reforms in the 1990s reflected dialogues with UNESCO, Asia-Europe Meeting, Ford Foundation, and collaborations with Ministry of Education and Culture (Indonesia), leading to accreditation alignments with BAN-PT and benchmarking against Yale School of Music and National School of Drama.
Campus sites occupy urban and regional locations interacting with Jakarta, Yogyakarta, Denpasar, Bandung, and Surakarta. Facilities include concert halls named after figures like W.S. Rendra and studios resembling those at Royal Academy of Dramatic Art and Juilliard School. The campuses host collections of instruments such as gamelan, siter, rebab, and Western apparatus comparable to holdings at Metropolitan Museum of Art or Victoria and Albert Museum. Rehearsal spaces are used for collaborations with companies like Teater Koma, Sanggar Dewata, Angkatan 66, and visiting ensembles from Bangkok Art and Culture Centre, Hong Kong Arts Centre, and Sydney Opera House residency programs. Libraries maintain archives of manuscripts and scores linked to Rudolfus, Koes Takahashi, and regional compilations tracked by Perpustakaan Nasional Republik Indonesia.
Programs span diplomas, Sarjana, Magister, and inter-disciplinary practice-led doctorates modeled on frameworks from European Higher Education Area, Bologna Process, Australian Qualifications Framework, and partnerships with Universität der Künste Berlin. Major study tracks include Karawitan performance, Balinese dance, Javanese dance, modern dance, vocal performance, composition, sound design, film directing, set design, animation, costume design, art history, and curatorial studies. Coursework integrates methods from Stanford University arts labs, Massachusetts Institute of Technology Media Lab approaches, and community outreach models inspired by Cultural Survival and Asia-Europe Foundation. Assessment incorporates juried recitals, capstone productions presented at venues such as Gedung Kesenian Jakarta, Taman Ismail Marzuki, Bentara Budaya, and touring programs to Bali Arts Festival and Yogyakarta Biennale.
Governance follows structures comparable to those at Universitas Airlangga and Institut Teknologi Bandung faculties, with a rector or director supported by deans for Fakultas Seni Pertunjukan, Fakultas Seni Rupa, and Fakultas Film dan Media. Advisory boards include representatives from Kementerian Pendidikan, Kebudayaan, Riset, dan Teknologi, provincial cultural offices such as Dinas Kebudayaan DKI Jakarta, and patrons linked to foundations like Yayasan Dharma Seni, Yayasan Kelola, and international partners including Asia-Europe Foundation and European Cultural Foundation. Quality assurance uses accreditation mechanisms related to BAN-PT and international peer review with institutions like Royal Conservatoire of Scotland and Conservatoire de Paris.
Student life features ensembles, studios, and clubs that mirror professional collectives such as Gamelan Sekar Jaya, Teater Boscha, Kelompok Seni Surabaya, and Komunitas Salihara. Organizations include student government associations modeled after BEM Universitas Indonesia, chapter branches of Himpunan Mahasiswa Seni, film clubs collaborating with Indonesian Film Festival (Festival Film Indonesia), and community engagement projects with Komunitas Pecinan, Komunitas Betawi, and regional art collectives from Sumatra, Kalimantan, Sulawesi, and Papua. Annual events and workshops invite artists from Eko Supriyanto, Trisno Sumardjo, Butet Kartaredjasa, Garin Nugroho, and international guests from Peter Brook-affiliated programs, Akram Khan Company, and Pina Bausch-influenced workshops.
Faculty and alumni networks include practitioners and scholars who have collaborated with or been recognized by institutions such as Bali Arts Festival, Festival Jalanan, Festival Film Indonesia, Asian Film Awards, ASEAN Cultural Awards, and international festivals in Cannes Film Festival, Venice Biennale, Biennale of Sydney, and Edinburgh Festival Fringe. Named figures associated through teaching, residencies, or degrees include artists in the orbit of Affandi, Raden Saleh, W.S. Rendra, directors connected to Garin Nugroho, choreographers influenced by Eiko & Koma, composers associated with I Wayan Gde Yudane and Ananda Sukarlan, and visual artists linked to Heri Dono, Eko Nugroho, Entang Wiharso, FX Harsono, and curators who have worked with Arahmaiani.
Category:Universities in Indonesia