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| Name | Rudy Vallee |
| Birth name | Hubert Prior Vallee |
| Birth date | July 28, 1901 |
| Birth place | Island Pond, Vermont |
| Death date | July 3, 1986 |
| Death place | South Kingstown, Rhode Island |
| Occupation | Singer, actor, bandleader, radio personality |
| Years active | 1920s–1980s |
Rudy Vallee was an American singer, actor, bandleader, and radio personality who helped popularize crooning and the male soloist format during the Jazz Age and the Golden Age of Radio. He became a major cultural figure through recordings, live performances, radio programs, film appearances, and later television, influencing entertainers and institutions across the United States and internationally. Vallee's career intersected with major performers, studios, networks, venues, and recording companies of the 20th century.
Vallee was born Hubert Prior Vallee in Island Pond, Vermont, near Montreal and the Canada–United States border, and raised in Westbrook, Maine and Old Orchard Beach, Maine. He attended Bellows Falls High School and later enrolled at Vermont Academy and the University of Maine, where he studied engineering and was involved in Varsity music activities and campus performances. During his youth he performed with local orchestras and was influenced by popular music circulating in Boston, New York City, and via Victor Records and Columbia Records recordings.
Vallee first gained attention as a saxophonist and bandleader, forming the early ensemble the The Connecticut Yankees and later the Rudy Vallee and His Connecticut Yankees. He popularized the use of the megaphone as a stylistic device, joining a lineage that included performers featured on Vaudeville circuits and in Tin Pan Alley repertoire. Vallee recorded for labels associated with RCA Victor, Columbia Records, and worked with arrangers and songwriters from the Great American Songbook tradition, including pieces by George Gershwin, Irving Berlin, Cole Porter, Jerome Kern, Richard Rodgers, and Lorenz Hart. His early hits included popular compositions that placed him alongside contemporaries such as Bing Crosby, Al Jolson, Paul Whiteman, Jack Teagarden, Ted Lewis, Guy Lombardo, and Guy Mitchell. Vallee's orchestra featured sidemen who later became notable, linking him to musicians active in the Harlem Renaissance clubs, Cotton Club environs, and the broader New York City music scene.
Vallee's radio breakthrough came on networks such as NBC and CBS, where programs like the The Fleischmann's Yeast Hour-era shows and sponsored broadcasts propelled his national profile. He headlined variety programs that featured guests from Broadway, Hollywood, and the recording industry, sharing airwaves with artists like Ella Fitzgerald, Louis Armstrong, Fred Astaire, Ethel Merman, Frank Sinatra, Judy Garland, and Benny Goodman. Vallee transitioned to film with appearances in productions by Paramount Pictures, RKO Radio Pictures, and Warner Bros. His film work connected him to directors and stars active in the Pre-Code Hollywood and Golden Age of Hollywood eras, appearing alongside performers from the Metro-Goldwyn-Mayer stable and in musicals that showcased songs linked to ASCAP and BMI catalogs. Vallee's radio programs and film roles made him a fixture in the entertainment industries overseen by executives from RCA, American Broadcasting Company, and major talent agencies.
During the 1940s and 1950s Vallee adapted to changing tastes by performing in clubs such as those in Las Vegas, Miami Beach, and Hollywood Boulevard venues, and by appearing on television series produced by networks like NBC, CBS, and ABC. He guested on programs with hosts and producers connected to Ed Sullivan, Jack Paar, Johnny Carson, and participated in variety and reunion specials that also featured stars from Vaudeville, Broadway, and classic radio. Vallee continued recording for boutique and legacy labels that preserved standards associated with the American Songbook; he worked with arrangers and orchestras tied to conservatories and institutions in New York City and Los Angeles. In later decades Vallee made cameo and character appearances in films and television projects connected to studios such as Universal Pictures and producers associated with the revival of classic musicals and nostalgia revues.
Vallee's personal life intersected with figures from the worlds of entertainment, publishing, and higher education; he maintained residences in New York City, Los Angeles, California, and later in Rhode Island. He married and divorced during a period when celebrity unions were frequently covered by outlets based in New York City and Hollywood, and he was involved in charitable performances linked to wartime and veterans' organizations such as USO shows and benefit concerts coordinated with United Service Organizations and philanthropic arms of studios and networks. Vallee's legacy includes influence on crooners and pop vocalists including Bing Crosby, Frank Sinatra, Dean Martin, Nat King Cole, Tony Bennett, Al Jolson-era performers, and later interpreters of standards in the decades of the 20th century. Institutions such as the Library of Congress and museums preserving radio and film history document his recordings and broadcasts alongside contemporaries preserved in archives like the Academy of Motion Picture Arts and Sciences and the New York Public Library for the Performing Arts. Vallee is remembered through revival recordings, compilations curated by labels maintaining historical catalogs, retrospectives on BBC Radio and American networks, and scholarly work housed at universities including Harvard University, Yale University, and the University of Maine.
Category:American singers Category:1901 births Category:1986 deaths