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Royal Danish Opera

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Royal Danish Opera
NameRoyal Danish Opera
Native nameDen Kongelige Opera
CaptionThe Copenhagen Opera House
Founded1748
FounderChristian VI of Denmark
LocationCopenhagen, Denmark
VenueCopenhagen Opera House

Royal Danish Opera The Royal Danish Opera is the principal opera company of Denmark based in Copenhagen. Founded under royal patronage in the 18th century, the company has been associated with institutions such as the Royal Danish Theatre, the Copenhagen Opera House, and the Royal Danish Ballet. It has premiered works by composers linked to the Danish Golden Age and collaborated with international figures from Vienna State Opera, La Scala, and the Metropolitan Opera.

History

The company's origins trace to performances under Christian VI of Denmark at the Royal Danish Theatre and connections to the court at Amalienborg Palace and Christiansborg Palace. During the 18th century the institution engaged composers like Johann Adolph Scheibe and performers influenced by trends from the Paris Opera, King's Theatre (Denmark), and the London Royal Opera House. In the 19th century the company worked with composers of the Danish Golden Age such as Niels Gade and premiered dramatic works in the era of Hans Christian Andersen and architects like C. F. Hansen. The late 19th and early 20th centuries saw collaborations with conductors tied to the Bayreuth Festival, Wagnerian traditions, and the influence of Richard Strauss and Giacomo Puccini. Post-World War II reconstruction of Danish cultural life brought artistic exchanges with the Vienna Philharmonic, Berlin State Opera, and touring productions from the Royal Opera House, London. The opening of the modern Copenhagen Opera House in 2005 marked a new era comparable to developments at Sydney Opera House and Lincoln Center. The company’s history intersects with cultural policy under ministries in Denmark and with international festivals like the Aarhus Festival and Roskilde Festival when staging crossover projects.

Buildings and venues

Performances have been staged at the historic Royal Danish Theatre on Kongens Nytorv, venues near Nyhavn and the Christianshavn district, and at temporary spaces such as facilities used by touring companies from Glyndebourne and the Savoy Theatre. The purpose-built Copenhagen Opera House, designed by architect Henning Larsen with contributions resembling projects by I. M. Pei and Santiago Calatrava, offers stages, rehearsal rooms, and production workshops akin to those at Palais Garnier. The company has also used the Odd Fellow Palace, the Old Stage (Det Kongelige Teater), and summer venues in Fredensborg and Aarhus for outdoor productions paralleling initiatives by Glyndebourne Festival Opera and the Glyndebourne Touring Opera. Backstage technology and acoustics have been developed in consultation with engineers who worked on the Elbphilharmonie and the Barbican Centre.

Repertoire and productions

The repertoire covers works by Wagner, Mozart, Verdi, Puccini, Strauss (Richard), Tchaikovsky, Donizetti, Bellini, and Handel, as well as operas by Nordic composers like Carl Nielsen, Per Nørgård, and Rued Langgaard. The company stages baroque productions influenced by directors associated with English National Opera and contemporary commissions in the spirit of premieres at the Royal Opera House, Covent Garden and the Festival d'Aix-en-Provence. Productions have involved stage directors from the circles of Peter Sellars, Robert Wilson, Liv Ullmann, and Christoph Marthaler, and designers who have worked at the Metropolitan Opera and Teatro alla Scala. Co-productions and guest appearances have connected the company with Staatsoper Unter den Linden, Opéra National de Paris, Komische Oper Berlin, and festival programmers from Salzburg Festival. Revivals of works by Wagner have been mounted alongside modern stagings of Mozart by directors from the Glyndebourne tradition and contemporary reinterpretations akin to those at the Edinburgh Festival Fringe.

Company and administration

The organizational leadership has included artistic directors, general managers, and intendanten interacting with figures from the Ministry of Culture (Denmark), patrons associated with Frederik, Crown Prince of Denmark, and boards comparable to those at Royal Opera House. Music directors and chief conductors have been recruited from orchestras such as the Royal Danish Orchestra, Copenhagen Philharmonic, Danish National Symphony Orchestra, and international ensembles like the London Symphony Orchestra. Administrative collaborations have linked the company to agencies including Danish Arts Foundation, Kulturministeriet, and international promoters working with Opus Arte and Deutsche Grammophon. Funding models reflect relationships with institutions like Statens Kunstfond and foundations similar to Carlsberg Foundation and A.P. Møller Foundation.

Notable performers and conductors

Soloists and conductors affiliated with the company have included sopranos and tenors who also appeared at La Scala, Metropolitan Opera, and Vienna State Opera, as well as conductors from the Royal Danish Orchestra and guest maestros connected to Daniel Barenboim, Sir Simon Rattle, Gustavo Dudamel, Herbert von Karajan, Leif Segerstam, and Thomas Dausgaard. Renowned Danish singers such as Inga Nielsen and Aksel Schiøtz performed roles in repertory alongside international artists drawn from the coveted houses of Teatro Real, Opéra de Lyon, and Bayerische Staatsoper. Stage directors and choreographers associated with the company have included figures who worked with Martha Graham, John Neumeier, and collaborators from the Royal Danish Ballet.

Education, outreach, and recordings

Educational initiatives have partnered with institutions like the Royal Danish Academy of Music, Copenhagen Conservatory, University of Copenhagen, and local schools in Zealand (Denmark) to develop apprenticeship programs similar to those at the Vienna State Opera Opera Studio and workshops like Glyndebourne Education. Outreach projects have been presented in collaboration with the Aarhus School of Architecture and festivals such as the Aarhus Festival and Copenhagen Jazz Festival when producing cross-genre events. The company’s recordings and broadcasts have been released on labels akin to Deutsche Grammophon, Chandos Records, and EMI Classics, and have been transmitted via partners including DR (broadcaster), BBC Radio 3, and international streaming platforms used by Opéra National de Paris and Metropolitan Opera Live in HD.

Category:Opera companies in Denmark