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Revue d'histoire littéraire de la France

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Revue d'histoire littéraire de la France
TitleRevue d'histoire littéraire de la France
DisciplineLiterary history
LanguageFrench
PublisherSociété d'histoire littéraire de la France
CountryFrance
History19th century–present
FrequencyQuarterly

Revue d'histoire littéraire de la France is a French scholarly journal devoted to the history of French literature, criticism, and textual scholarship. Founded in the 19th century by members of the Société d'histoire littéraire de la France, the journal has published research on authors, periods, and texts ranging from medieval romance to 20th‑century poetry. Contributors have included university scholars, archivists, and bibliographers whose work intersects with archives, libraries, and national institutions.

History

The journal emerged in the milieu of 19th‑century French scholarship alongside institutions such as the Académie Française, the Bibliothèque nationale de France, and the École des Chartes, influenced by figures associated with the Romanticism debates and the revival of interest in medieval texts exemplified by editors of the works of François Rabelais, Chrétien de Troyes, and Marie de France. Early editorial activity connected the review with projects linked to the Comité des travaux historiques et scientifiques, the Société des bibliophiles français, and Republican cultural policy during the Third Republic. Over successive generations the journal reflected historiographical shifts seen in the work of scholars such as Jules Michelet, Gustave Flaubert (as subject of criticism), Stendhal, Honoré de Balzac, and later critics influenced by methods found in studies by Georges Poulet, Maurice Blanchot, and Roland Barthes.

Scope and Editorial Aims

The journal's remit covers philology, textual criticism, biography, reception studies, and archival discoveries relating to writers like Voltaire, Jean-Jacques Rousseau, Denis Diderot, Marcel Proust, Victor Hugo, Charles Baudelaire, Paul Verlaine, Arthur Rimbaud, Simone de Beauvoir, and Albert Camus. It aims to publish primary-source editions, manuscript inventories connected to repositories such as the Archives Nationales (France), catalogues from the Musée Carnavalet, and studies addressing dramatic history involving figures like Molière, Jean Racine, and Pierre Corneille. The editorial policy often foregrounds contextualized readings that bring together correspondence from collections associated with Gonzague Saint Bris-era collectors, the legacies of collectors like Gaspard Monge (as patronal examples), and institutional holdings at the Sorbonne and Collège de France.

Publication and Frequency

Published by the Société d'histoire littéraire de la France, the review issues thematic volumes and regular numbers distributed through academic channels tied to the Centre national du livre, university presses such as the Presses Universitaires de France, and library networks including the Bibliothèque publique d'information. Historically appearing quarterly, special issues have been timed with centenaries and congresses held under the auspices of bodies like the Association pour la promotion de la recherche universitaire and commemorative events for anniversaries of authors such as Jean Genet, Georges Sand, Colette, and Marceline Desbordes-Valmore.

Editorial Board and Contributors

Editorial leadership has involved scholars affiliated with institutions such as the Université Paris-Sorbonne, Université de Lyon, Université de Strasbourg, the École Normale Supérieure (Paris), and the Collège de France. Contributors have included eminent historians and critics who worked on figures like André Gide, Michel Foucault, Jacques Derrida, Henri Bergson, Gustave Flaubert, Stéphane Mallarmé, Alfred de Musset, Paul Valéry, André Breton, Louis Aragon, and Antonin Artaud. The board commissions articles from archival scholars tied to holdings at the Archives départementales de la Seine, librarians from the Bibliothèque Mazarine, and curators from the Musée de la Vie Romantique.

Notable Articles and Special Issues

The journal has published seminal archival reports revealing correspondence of authors such as Choderlos de Laclos, rediscovered manuscripts of Marivaux, and notes on unknown drafts by Jean Racine. Special issues have gathered scholarship on movements including Classicism, Enlightenment, Romanticism, Symbolism, and Surrealism, and monographic dossiers devoted to figures like François Villon, Rabelais, Blaise Pascal, Madame de Sévigné, Nicolas Boileau, Pierre Louÿs, Gustave Flaubert, and André Malraux. Conference proceedings tied to the Congrès des sociétés historiques et scientifiques and centenary dossiers for the Exposition Universelle (1900) context have also been featured.

Reception and Influence

Scholars in departments such as Université de Provence, Université de Lille, and Université de Bordeaux have cited the journal in work on textual editing, literary reception, and intellectual networks that intersect with figures like Émile Zola, Henri Beyle (Stendhal), and Alexandre Dumas père. The review has influenced editorial practices at publishing houses such as Gallimard, Flammarion, and Éditions Fayard, and informed cataloguing standards at archival institutions including the Service historique de la Défense and municipal archives of Paris. It figures in historiographies of French letters alongside periodicals like La Revue des Deux Mondes, Mercure de France, and Les Annales politiques et littéraires for those tracing continuities in philological method, archival publication, and the commemorative culture of French literary studies.

Category:French literary magazines