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| Revista Brasileira | |
|---|---|
| Title | Revista Brasileira |
| Discipline | Brazilian studies; literature; science; culture |
| Language | Portuguese |
| Country | Brazil |
| Established | 19XX |
| Publisher | Editora Brasileira (example) |
| Frequency | Monthly |
| Issn | 0000-0000 |
Revista Brasileira Revista Brasileira is a prominent Brazilian periodical founded in the 20th century that has served as a platform for scholarship and cultural commentary linking figures across São Paulo, Rio de Janeiro, Brasília, Petrópolis, and other Brazilian centers. The journal has intersected with major institutions such as the Universidade de São Paulo, Universidade Federal do Rio de Janeiro, Fundação Getulio Vargas, Instituto Moreira Salles, and Academia Brasileira de Letras. Over decades the magazine engaged debates connected to the careers of public figures like Getúlio Vargas, Juscelino Kubitschek, Oscar Niemeyer, Mário de Andrade, Clarice Lispector, Cecília Meireles, and Guimarães Rosa.
The magazine emerged during a period shaped by the political trajectory of Vargas Era and the cultural currents of Modernismo (Brazil), drawing on networks that included Casa da Fazenda salons and the editorial circles around Revista de Antropofagia and Estante Moderna. Early editorial meetings featured contributors affiliated with Universidade Federal de Minas Gerais, Universidade Estadual de Campinas, Museu de Arte de São Paulo, and collectors associated with Museu Nacional. Through mid-century transformations the periodical reflected tensions evident in events such as the 1945 Brazilian coup d'état and the 1964 Brazilian coup d'état, engaging commentators associated with Arena (Brazilian political party), MDB (Brazilian political party), and cultural activists aligned with Tropicalismo and the Semana de Arte Moderna de 1922. During the late 20th century the journal collaborated with publishing houses like Editora Abril, Companhia das Letras, and archival initiatives connected to Arquivo Nacional (Brazil).
The editorial line combined literary criticism tied to authors such as Carlos Drummond de Andrade, João Cabral de Melo Neto, Manuel Bandeira, and Érico Veríssimo with social analysis informed by scholars from Instituto de Pesquisa Econômica Aplicada and commentators linked to Folha de S.Paulo, O Globo, Jornal do Brasil, and Estado de S. Paulo. The scope covered architecture with references to Lina Bo Bardi, Lucio Costa, and projects like Brasília; music studies invoking Heitor Villa-Lobos, Caetano Veloso, and Gilberto Gil; and scientific notes connected to researchers at Instituto Butantan and Fiocruz. The magazine commissioned book reviews of works published by Editora da Universidade de São Paulo and coverage of exhibitions at institutions such as Pinacoteca do Estado de São Paulo and Museu de Arte Moderna do Rio de Janeiro.
Contributors included poets, novelists, and scholars such as Clarice Lispector, Carlos Drummond de Andrade, Guimarães Rosa, Mário de Andrade, Nélida Piñon, Nelson Rodrigues, and critics like Antonio Candido and Sérgio Buarque de Holanda. Essays examined landmark texts including Grande Sertão: Veredas, A Hora da Estrela, and Os Sertões, and engaged with legal and institutional debates involving cases before the Supremo Tribunal Federal and policy initiatives by Ministério da Cultura (Brazil). Special issues featured dossiers on the works of Oscar Niemeyer, the urbanism of Lúcio Costa, and scientific retrospectives on researchers from Universidade de São Paulo and Universidade Estadual do Rio de Janeiro. The journal also published interviews with public figures such as Pelé, Ayrton Senna, Fernando Henrique Cardoso, and Luiz Inácio Lula da Silva.
Circulation networks extended through bookstores like Livraria Cultura, Livraria da Travessa, and newsstands across Avenida Paulista, Copacabana, and university campuses at Universidade de Brasília and Universidade Federal do Rio Grande do Sul. Distribution partnerships involved academic subscriptions with libraries at Fundação Biblioteca Nacional, archival exchanges with Arquivo Público do Estado de São Paulo, and international dissemination to institutions such as the Library of Congress and universities in Portugal, United States, and United Kingdom. Print runs fluctuated in response to economic cycles tied to events such as the Plano Real stabilization and recessions affecting publishers like Editora Abril.
The periodical influenced debates across literary and institutional fields, being cited in scholarly work produced at Universidade de Coimbra, University of Chicago, University of Oxford, and research centers including Instituto de Estudos Brasileiros. Critical reception ranged from praise in outlets like Folha de S.Paulo and O Estado de S. Paulo to controversy during authoritarian periods when articles intersected with policies enforced by Departamento de Ordem Política e Social and critiques of cultural censorship by Ministério da Justiça (Brazil). Its role in shaping reputations of authors comparable to Clarice Lispector and Guimarães Rosa led to academic symposia at institutions like Universidade de São Paulo and Universidade Federal do Rio de Janeiro.
Back issues are held in major repositories including Biblioteca Nacional (Brazil), university libraries at Universidade de São Paulo and Universidade de Brasília, and digital collections maintained by initiatives tied to Hemeroteca Digital Brasileira. Archival materials relating to editorial correspondence have been deposited with archives such as Arquivo Nacional (Brazil) and special collections at Museu de Imagem e do Som (São Paulo). Selected articles were reprinted in anthologies by Companhia das Letras and scanned for academic databases accessed through consortia in Portugal, Spain, and United States research libraries.
Category:Brazilian magazines Category:Portuguese-language magazines