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Raymond Premru

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Raymond Premru
NameRaymond Premru
Birth dateOctober 8, 1934
Birth placeNew York City, United States
Death dateFebruary 17, 1999
Death placeDurham, County Durham, England
OccupationTrombonist, Composer, Educator
InstrumentsTrombone
Years active1950s–1999

Raymond Premru was an American-born trombonist, composer, and educator who spent most of his professional life in the United Kingdom. He was a principal orchestral and solo trombonist, a prolific composer of brass and chamber works, and a teacher whose students and colleagues included figures from major orchestras and conservatoires across Europe and North America.

Early life and education

Born in New York City, Premru studied music in the postwar United States where he was exposed to institutions and figures such as the Juilliard School, Manhattan School of Music, and the vibrant Broadway and studio scenes centered around Times Square and Carnegie Hall. He received formative instruction from noted American brass performers and teachers associated with ensembles like the New York Philharmonic and the Metropolitan Opera. In his student years he encountered repertoire and pedagogy linked to composers and conductors including Gustav Mahler, Igor Stravinsky, Aaron Copland, Leonard Bernstein, Eugene Ormandy, and Leopold Stokowski.

Career as a performer

Premru's performing career took him from the United States to the United Kingdom, where he became associated with major ensembles such as the Royal Ballet, the Royal Opera House, the Philharmonia Orchestra, the BBC Symphony Orchestra, and the Royal Philharmonic Orchestra. He freelanced in London sessions alongside musicians who worked with film studios like Pinewood Studios and producers allied to London Records and EMI Classics. Premru collaborated with conductors such as Herbert von Karajan, Sir Adrian Boult, Sir Colin Davis, Sir Malcolm Sargent, and Sir Georg Solti and performed under guest appearances by soloists including Itzhak Perlman, Yehudi Menuhin, Mstislav Rostropovich, Claudio Arrau, and Vladimir Ashkenazy. He was active in recordings that paired orchestras with composers and arrangers like Henry Mancini, John Williams, Maurice Jarre, Andrew Lloyd Webber, and Benjamin Britten.

Compositions and musical style

Premru's compositional output spanned solo, chamber, brass ensemble, and orchestral works, and he wrote pieces for performers and institutions such as the Royal College of Music, the Royal Academy of Music, the Guildhall School of Music and Drama, the Chicago Symphony Orchestra, the New York Philharmonic, and regional brass bands associated with the National Brass Band Championships. His style blended influences from Johannes Brahms, Igor Stravinsky, Paul Hindemith, Olivier Messiaen, Béla Bartók, and Dmitri Shostakovich while engaging with twentieth-century techniques associated with Aaron Copland, Elliott Carter, Benjamin Britten, György Ligeti, and Benjamin Lees. Works such as sonatas, concertos, and brass quintets demonstrated contrapuntal writing and formal clarity reminiscent of traditions upheld at institutions like Eastman School of Music, Curtis Institute of Music, and Royal Northern College of Music.

Teaching and mentorship

Premru taught at conservatories and summer courses connected to organizations including the Royal College of Music, the Royal Academy of Music, the Guildhall School of Music and Drama, King's College London, University of Durham, and international programs that involved faculties from the Tanglewood Music Center, the Aspen Music Festival and School, and the Cleveland Institute of Music. His students went on to positions in ensembles such as the London Symphony Orchestra, the Royal Philharmonic Orchestra, the BBC Philharmonic, the Los Angeles Philharmonic, and university faculties at institutions like the University of Oxford, University of Cambridge, and the Royal Conservatory of Music in Toronto.

Recordings and notable premieres

Premru was featured on recordings issued by labels including EMI Classics, Decca Records, Philips Records, RCA Victor, Sony Classical, Chandos Records, and Hyperion Records. He premiered works in concert halls and festivals associated with Royal Festival Hall, Wigmore Hall, Barbican Centre, Aldeburgh Festival, Edinburgh Festival, and venues tied to orchestras such as the Royal Albert Hall, Queen Elizabeth Hall, and Chicago's Symphony Center. Solo and chamber premieres involved collaborators from ensembles like the Melos Ensemble, the Philip Jones Brass Ensemble, the London Sinfonietta, and contemporary groups connected to composers represented by Boosey & Hawkes and Schott Music.

Awards and honors

During his career Premru received recognition from organizations and events including the Arts Council of Great Britain, the Royal Philharmonic Society, the International Trombone Association, the British Academy of Songwriters, Composers and Authors, and music festivals such as Cheltenham Music Festival and Huddersfield Contemporary Music Festival. He was acknowledged by conservatoires and civic bodies in counties like County Durham and cities including London and New York City.

Personal life and legacy

Premru lived in the United Kingdom while maintaining connections to American musical life in cities such as New York City, Los Angeles, and Chicago. His legacy continues through published editions distributed by publishers like Boosey & Hawkes, Edition Peters, and Novello & Co, through recordings preserved in archives such as the British Library sound archive and the Library of Congress, and through the careers of students and colleagues in orchestras and conservatoires across Europe and North America including the Vienna Philharmonic, Berlin Philharmonic, Royal Concertgebouw Orchestra, and the Orchestre de Paris. He is remembered in obituaries and commemorations in publications and institutions including The Times (London), The Guardian, Gramophone (magazine), and university memorials at Durham University.

Category:American trombonists Category:20th-century composers Category:People from New York City