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| Ray Charles (musician) | |
|---|---|
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| Name | Ray Charles |
| Caption | Charles in 1960 |
| Background | solo_singer |
| Birth name | Ray Charles Robinson |
| Birth date | 1930-09-23 |
| Birth place | Albany, Georgia, United States |
| Death date | 2004-06-10 |
| Death place | Beverly Hills, California, United States |
| Origin | Greenville, Florida, United States |
| Genres | Rhythm and blues, soul, jazz, country, gospel, pop |
| Occupations | Musician, singer, songwriter, arranger, record producer |
| Instruments | Piano, keyboards, vocals, saxophone |
| Years active | 1947–2004 |
| Labels | Atlantic, ABC, Concord, Tangerine |
Ray Charles (musician) Ray Charles Robinson was an American singer, pianist, composer, and arranger who pioneered the soul music genre by combining gospel music with rhythm and blues, jazz, and country music. Over a career spanning more than five decades he recorded for labels such as Atlantic Records and ABC Records, collaborated with artists from Nina Simone to Willie Nelson, and won numerous awards including multiple Grammy Awards and induction into the Rock and Roll Hall of Fame. His work impacted popular music worldwide, influencing performers across Motown Records, Stax Records, and the wider American music industry.
Born in Albany, Georgia in 1930, Ray Charles Robinson grew up in Greenville, Florida and later in Jacksonville, Florida before moving to St. Augustine, Florida. After the death of his younger brother and a childhood illness that left him blind by age seven, his family placed him in the Florida School for the Deaf and the Blind in St. Augustine, where he studied piano and music theory. He absorbed spirituals and hymns from Black church choirs, learned classical repertoire and ragtime from instructors, and was exposed to touring acts passing through Florida, including performers associated with Savoy Records and King Records.
Charles began performing professionally in the late 1940s with small combos on the Chitlin' Circuit, working in Jacksonville and Tampa, and later formed the Maxin Trio and the McSon Trio. He moved to Seattle and then to Los Angeles, where he made early recordings for labels connected to Swing Time Records and played with session musicians affiliated with R&B and jazz scenes. In the 1950s he signed with Atlantic Records, where producers and arrangers from New York City studios helped refine his mixture of gospel phrasing and secular themes. By the late 1950s and 1960s, during his tenure at ABC-Paramount, he established Tangerine Records and toured with ensembles featuring musicians from The Raelettes and jazz sidemen who had worked with Duke Ellington, Count Basie, and Charles Mingus. His collaborations spanned artists on Capitol Records and contemporaries linked to Mercury Records and Verve Records.
Charles synthesized elements from gospel music traditions associated with Mahalia Jackson and Thomas A. Dorsey, the phrasing of Nat King Cole, and instrumental approaches linked to Art Tatum and Oscar Peterson. He adapted country repertoire popularized by Hank Williams and Johnny Cash, reworking material associated with Country Music Hall of Fame performers into soul arrangements. His use of call-and-response and melismatic singing echoed techniques from Sam Cooke and Aretha Franklin, while instrumental solos drew from Clifford Brown-era bebop and swing pianists tied to the Blue Note Records aesthetic.
Key recordings include his early R&B hits produced during the 1950s and landmark tracks such as "What'd I Say", recorded with session musicians who later worked with artists on Atlantic Records and covered by acts tied to British Invasion bands. His 1962 crossover albums and singles, issued on ABC-Paramount and through his own Tangerine Records, included interpretations of compositions associated with Duke Ellington, George Gershwin, and Irving Berlin. Later works featured duets and covers with figures like Nina Simone, B.B. King, Barbra Streisand, and Willie Nelson, and recordings that brought him onto compilation releases alongside musicians from Motown Records and Stax Records. His box sets and retrospective compilations were issued by labels akin to Concord Records and curated by archivists specializing in American roots music.
Charles appeared in films and television programs that showcased his performances, sharing screen and billing with entertainers affiliated with The Ed Sullivan Show, Saturday Night Live, and film projects connected to United Artists and Warner Bros.. Stage appearances included concert residencies at venues linked to Carnegie Hall and festivals such as Newport Jazz Festival and international tours that brought him to stages in London and Paris. He contributed to soundtracks involving composers associated with Hollywood studios and made cameo performances alongside actors and musicians connected to Universal Pictures and Paramount Pictures productions.
Charles managed a complex personal life that included marriages and relationships with figures connected to Los Angeles social circles and the wider entertainment community. He struggled with substance dependence in the 1960s and 1970s and sought treatment that intersected with public health institutions and clinics in California and New York City. His health declined in the 2000s, and he died in Beverly Hills, California in 2004; his death was widely reported by outlets covering personalities linked to American popular culture.
Charles's legacy is reflected in honors such as induction into the Rock and Roll Hall of Fame, multiple Grammy Award victories including lifetime achievement recognition, and posthumous tributes by musicians on labels such as Motown Records, Stax Records, and Blue Note Records. His influence is cited by artists recorded on Atlantic Records, performers from Capitol Records, and contemporary singers associated with Columbia Records. Institutions like the Library of Congress and the National Recording Registry have preserved his recordings, while biographers and documentary filmmakers connected to PBS and BBC have produced retrospectives. Streets, festivals, and museum exhibitions in cities including Atlanta, New Orleans, and Los Angeles commemorate his contributions to American music.
Category:American pianists Category:20th-century American singers