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Peter Lamarque

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Peter Lamarque
NamePeter Lamarque
Birth date1944
OccupationPhilosopher, Academic
NationalityBritish
Alma materUniversity of Oxford
InstitutionsUniversity of York
EraContemporary philosophy
Main interestsAesthetics, Philosophy of literature, Philosophy of art

Peter Lamarque Peter Lamarque (born 1944) is a British philosopher noted for work in aesthetics and the philosophy of literature. He held a professorship at the University of York and has contributed influential accounts of authorship, fictional representation, and aesthetic value. His scholarship engages debates involving figures across analytic philosophy, literary theory, and continental thought.

Early life and education

Lamarque was born in 1944 and educated in the United Kingdom, reading for degrees at the University of Oxford where he studied under scholars connected to analytic traditions. During his formative years he encountered the work of philosophers associated with G. E. Moore, Ludwig Wittgenstein, and John Austin, and also engaged with literary studies influenced by figures like I. A. Richards and F. R. Leavis. His doctoral and postgraduate training situated him in networks overlapping the British Academy and leading departments such as King's College London and the University of Cambridge.

Academic career

Lamarque joined the faculty at the University of York, where he served as Professor of Philosophy and developed the aesthetics programme linked to departments including English literature and Film studies at York. He held visiting positions and lectured at institutions such as the University of Oxford, Princeton University, the University of California, Berkeley and the Australian National University, collaborating with scholars in aesthetics like Jerrold Levinson and Kendall Walton. He supervised postgraduate research that intersected with journals including Mind, The Journal of Aesthetics and Art Criticism and Philosophy and Literature and participated in panels for organizations such as the Modern Language Association and the American Philosophical Association.

Philosophical work and contributions

Lamarque's work addresses problems of fictional representation, authorial intention, aesthetic value, and the nature of interpretation. He defended positions that converse with theories by W. K. Wimsatt, Monroe Beardsley, and Roland Barthes while engaging analytic rebuttals from scholars like David Lewis on modal realism and fictional entities. His account of how readers understand and reference fictional characters dialogues with proposals by Donald Davidson and Terry Eagleton, and examines the tension between intentionalist readings endorsed by E. D. Hirsch and anti-intentionalist perspectives of Stanley Fish. Lamarque analyzed the ontology of artworks in light of debates exemplified by Nelson Goodman and Arthur Danto, and he explored aesthetic value with reference to the evaluative schemas of Clive Bell and the moralist/postmodern critiques associated with Martha Nussbaum and Theodor Adorno.

He has been influential in clarifying the role of authorial intention in literary interpretation, critiquing simplistic reductions advanced by proponents of the New Criticism while building on hermeneutic resources used by Hans-Georg Gadamer and Paul Ricoeur. His discussions of narrative identity and fictional truth engage with analytic accounts offered by Kit Fine and Michael Dummett and also converses with narratologists such as Mieke Bal and Gérard Genette. Lamarque's methodological stance often bridges dialogues between philosophers like Timothy Williamson and literary theorists such as Jonathan Culler.

Major publications

Lamarque authored and edited several influential books and articles that have become staples in syllabi across departments. Notable monographs include explorations comparable in impact to works by Jerrold Levinson and Kendall Walton and articles published alongside contributions by Martha Nussbaum and Noël Carroll. He edited volumes and special issues bringing together essays from contributors affiliated with Oxford University Press, Routledge, and Cambridge University Press, collaborating with editors linked to Columbia University and Harvard University presses. His writings have been reprinted in collections alongside essays by W. V. Quine and Elizabeth Anscombe in anthologies on aesthetics and interpretation.

Awards and honours

Lamarque's scholarship earned recognition from learned societies including fellowships associated with the British Academy and accolades from organizations such as the British Society of Aesthetics and the Modern Language Association. He received invitations to deliver named lectures at institutions like the University of Chicago and the University of Toronto and was awarded honorary positions and visiting chairs at research centers connected to the National Humanities Center and the Institute for Advanced Study.

Category:1944 births Category:British philosophers Category:Aestheticians Category:Philosophers of literature Category:Academics of the University of York