Generated by GPT-5-mini| Off The Kerb Productions | |
|---|---|
| Name | Off The Kerb Productions |
| Type | Talent agency and production company |
| Industry | Entertainment |
| Founded | 1981 |
| Founder | Michael Herd |
| Headquarters | London, United Kingdom |
| Products | Live comedy tours, television formats, festival promotion |
Off The Kerb Productions is a London-based talent agency and live comedy production company known for representing stand-up comedians and producing tours and televised specials. It has worked with leading performers across the United Kingdom and internationally, participating in festivals, television broadcasts, and corporate events. The company has engaged with broadcasters, venues, and promoters to develop shows that toured arenas and theatres and appeared on national television.
Founded in 1981 by Michael Herd, the company emerged during a period when alternative comedy venues such as The Comedy Store and festivals like the Edinburgh Festival Fringe shaped British comedy. In the 1980s and 1990s it navigated relationships with broadcasters including the BBC, ITV, and later Channel 4, aligning with cultural shifts that involved performers from institutions such as the Royal Court Theatre and the National Theatre. The firm expanded alongside the rise of televised stand-up specials on platforms linked to companies like Sky UK and international circuits involving promoters from Australia and the United States. Strategic partnerships with venues such as the O2 Arena, the Royal Albert Hall, and regional theatres benefited touring artists associated with the company.
Leadership figures associated with the firm include its founder Michael Herd and senior agents who liaised with festivals like Melbourne International Comedy Festival and events such as the Glastonbury Festival where comedy programming intersects with music. Key executives negotiated contracts with broadcasters including the BBC One commissioning teams and worked with production houses tied to names like Tiger Aspect Productions, Hat Trick Productions, and distributors connected to BBC Studios. Agents cultivated relationships with talent managers who previously worked at agencies such as Creative Artists Agency and firms operating in the West End circuit.
The company represented an array of comedians and performers who appeared on programmes such as Mock the Week, Have I Got News for You, Live at the Apollo, and specials on BBC Two and Channel 4. Artists associated through touring deals and agency representation included headline acts appearing at venues like the Manchester Arena and festivals like Latitude Festival. Collaborations extended to presenters and writers who contributed to shows on Radio 4, panel programmes produced by So Television, and streaming specials distributed by platforms analogous to Netflix and Amazon Prime Video. The roster encompassed stand-up, sketch performers, and comedians who transitioned into television dramas and films screened at festivals such as the BFI London Film Festival.
The company operated as a talent agency and production entity, negotiating touring contracts, merchandise deals, and television format licensing with broadcasters such as Channel 5 and international outlets in markets like North America and Europe. Revenue streams derived from live ticket sales at venues like the Apollo Theatre, broadcast rights with networks including ITV1, and corporate engagements with clients in sectors hosting events at convention centres and arenas. The business model involved talent management, tour routing with promoters associated with the Ticketmaster network, and co-production arrangements with independent production companies and distributors serving markets in Japan and Canada.
Shows and artists promoted by the company received nominations and awards at ceremonies such as the Laurence Olivier Awards, the British Academy Television Awards, and festival accolades at the Edinburgh Comedy Awards. Individual performers represented by the agency won honours from institutions like the Royal Television Society and critics’ prizes from publications akin to The Guardian and The Telegraph arts desks, and programmes achieved high audience share on outlets including BBC One and Sky Arts.
Like many talent agencies and production companies, the firm has at times been involved in contractual disputes with promoters, broadcasters, and artists over issues such as fee splits, tour cancellations, and intellectual property rights relating to televised recordings. Disputes have required negotiation with legal teams familiar with UK entertainment law and arbitration bodies that handle disagreements between promoters and agents at institutions comparable to the Entertainment Agents Association and venue operators tied to chains such as the Ambassadors Theatre Group. High-profile disagreements in the sector have sometimes led to coverage in outlets including The Times and The Independent.
Category:Talent agencies Category:Entertainment companies of the United Kingdom