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New College Choir

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New College Choir
NameNew College Choir
OriginOxford
Founded1379
GenreChoral music, Sacred music, Renaissance music, Anglican choral tradition
MembersChoir of choristers and choral scholars
AffiliatedNew College, Oxford, University of Oxford

New College Choir is the choral foundation of New College, Oxford within the collegiate system of the University of Oxford. Renowned for regular services in the college chapel, concert tours, and a substantial discography, the choir has exerted influence on the performance of Renaissance music, Baroque music, and contemporary sacred repertoire. It combines a long-standing liturgical role with public outreach through broadcasts, recordings, and international engagements.

History

The choir traces its institutional origins to the foundation of New College, Oxford by William of Wykeham in 1379, at a moment contemporary with foundations such as Eton College and the collegiate reforms associated with the late medieval church. Its early service pattern mirrored practices at Windsor Castle and St George's Chapel, Windsor Castle, linking chorister education with prebendal and collegiate structures found across Oxford and Cambridge. Over centuries the choir participated in the liturgical life that paralleled developments at Westminster Abbey, King's College, Cambridge, and parish foundations in Christ Church, Oxford. During the English Reformation and the reigns of monarchs like Henry VIII and Elizabeth I, the choir adapted repertoire and liturgy in ways comparable to other ecclesiastical choirs such as St Paul's Cathedral and Canterbury Cathedral. The Victorian era saw reforms associated with figures like John Keble and the Oxford Movement, which influenced choral practice at collegiate chapels including New College. Twentieth-century directors reoriented the choir toward historically informed performances in line with movements at ensembles like The Sixteen and the Tallis Scholars, while embracing contemporary commissions analogous to initiatives by BBC Proms and Aldeburgh Festival contributors.

Choir and Membership

The choir comprises boy choristers recruited from local schools, choral scholars holding places at New College, Oxford, and adult altos, tenors, and basses drawn from the University of Oxford and professional singers. Recruitment mirrors systems used at King's College, Cambridge and Magdalen College, Oxford, combining academic scholarships with musical bursaries similar to arrangements at Trinity College, Cambridge and cathedral foundations like York Minster and Southwark Cathedral. Choristers receive musical education akin to programs at Eton College Chapel and Westminster School, while choral scholars balance academic studies in colleges across the University of Oxford with liturgical and concert duties. Governance involves the Warden and Fellows of New College, Oxford alongside a choir director and organist, modeled on collegiate structures seen at St John's College, Cambridge and Exeter College, Oxford.

Repertoire and Recordings

The choir's repertoire spans medieval plainsong linked to manuscripts like those in the Bodleian Library, Renaissance polyphony by composers such as Thomas Tallis, William Byrd, and Orlando Gibbons, and Baroque works by George Frideric Handel and Henry Purcell. It has championed choral cycles by Johann Sebastian Bach, sacred choral pieces by Benjamin Britten and Herbert Howells, and contemporary commissions akin to projects led by Arvo Pärt collaborators. The ensemble's recordings on labels comparable to EMI Classics and Decca Records feature services, anthems, and complete works collections, contributing to the discographies associated with ensembles like The Academy of St Martin in the Fields and broadcasters including BBC Radio 3. Recording projects often draw on the college's acoustics and organ traditions linked to instruments maintained in partnership with builders like Harrison & Harrison.

Conductors and Musical Directors

Directors of music have included influential figures who parallel those at institutions such as King's College, Cambridge and Westminster Abbey. Historically significant musicians associated with New College have shaped repertoire and liturgical practice in ways comparable to the impact of conductors like Herbert Howells at St John's College, Cambridge or David Willcocks at King's College, Cambridge. Contemporary directors have forged links with early music specialists and modern composers, interacting with networks involving Gustav Holst proponents and collaborators from festivals like Glyndebourne and Edinburgh Festival Fringe. Organists and accompanists connected to the choir have also maintained professional ties with cathedral music posts at Wells Cathedral and academic positions at conservatoires such as the Royal College of Music.

Tours and Performances

The choir undertakes domestic and international tours, performing in venues comparable to St Mark's Basilica in Venice, Notre-Dame de Paris, and cathedrals including St Paul's Cathedral and Canterbury Cathedral. Tours often include appearances at festivals like the BBC Proms, Three Choirs Festival, and Oxford Lieder Festival, and collaborations with orchestras and ensembles similar to The English Concert and Orchestra of the Age of Enlightenment. The choir's regular liturgical schedule features daily services and Evensong in the college chapel, with broadcasts on networks such as BBC Radio 3 and participation in state occasions akin to services at Westminster Abbey.

Awards and Recognition

The choir's recordings and performances have received critical acclaim and nominations from bodies comparable to the Gramophone Awards and recognition in media outlets like The Guardian and The Times. It is frequently cited alongside leading British choral institutions such as King's College Choir, The Sixteen, and the Tallis Scholars in surveys of liturgical ensembles, and its alumni have gone on to hold positions at chambers and cathedrals including St Martin-in-the-Fields and Covent Garden institutions such as the Royal Opera House. The choir's contribution to choral scholarship and practice is reflected in collaborations with academic projects at the Bodleian Library and musicology departments across the University of Oxford.

Category:Choirs of the University of Oxford