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Museo de la Coca

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Museo de la Coca
NameMuseo de la Coca
Native nameMuseo de la Coca
Established1996
LocationLa Paz, Bolivia
TypeEthnographic, cultural

Museo de la Coca The Museo de la Coca is an ethnographic museum in La Paz, Bolivia, dedicated to the history, cultural significance, and uses of the coca plant. The museum situates coca within Andean traditions and contemporary debates, engaging visitors with artifacts, botanical displays, and documentary materials. It connects local practices in El Alto and the Yungas with regional and international controversies involving Peru, Colombia, Argentina, Chile, Spain, the United States, and multilateral institutions.

History

The museum was founded amidst political negotiations involving the administrations of Gonzalo Sánchez de Lozada, Evo Morales, and municipal authorities of La Paz Department and Municipality of La Paz. Its early supporters included scholars from the Universidad Mayor de San Andrés, curators linked to the Museo Nacional de Arte de La Paz, and activists associated with the Movimiento al Socialismo and coca-growers unions like the Cocaleros. The museum’s establishment coincided with regional events such as the Water War (Cochabamba) and policy shifts influenced by agreements with the United States Agency for International Development, the United Nations Office on Drugs and Crime, and the Organization of American States. Architectural interventions referenced projects by planners from the Bolivian Ministry of Cultures and Tourism and conservation advice from teams connected to the Smithsonian Institution and the British Museum.

Collection and exhibits

Permanent and rotating exhibits incorporate botanical specimens, ritual implements, textiles, audiovisual material, and archival documents tied to figures such as Simón Bolívar, Túpac Katari, and folklorists from the Casa de la Cultura de La Paz. Displays compare coca with other plants represented in collections at the Royal Botanic Gardens, Kew, the New York Botanical Garden, and the National Herbarium of Bolivia. Exhibits contextualize coca alongside indigenous practices of the Aymara, Quechua, and Guaraní peoples and reference ethnographers from the Centro de Estudios Superiores universitarios and researchers affiliated with the University of Cambridge, the University of Oxford, and the University of California, Berkeley. Multimedia installations include interviews with leaders of the Federación Sindical Única de Trabajadores Campesinos de Cochabamba and footage from events such as the Marcha por el Tipnis and festivals like Aymara New Year celebrations. Comparative anthropological frames cite works from the International Congress of Americanists and collections at the Museo de la Nación (Peru), the Museo Nacional de Antropología (Buenos Aires), and the National Museum of Anthropology (Mexico City).

Cultural and social context

Interpretive texts place coca within ceremonies involving Pachamama, rites overseen by achachilas and yatiris tied to the Andean cosmovision and practices documented by scholars from the Instituto de Investigaciones Antropológicas and the Centro de Estudios de la Realidad Económica y Social (CERES). The museum engages community groups from the Yungas Road region, cooperatives like those under the National Confederation of Peasant Workers of Bolivia, and NGOs such as Cooperativa de Productores de Coca collaborators who liaise with international bodies including the Food and Agriculture Organization and the World Health Organization. The social narrative also references labor movements connected to the Bolivian Workers' Center and indigenous political mobilizations exemplified by the March for Territory and Dignity.

The museum occupies a contested space amid international drug-control regimes guided by treaties such as the Single Convention on Narcotic Drugs and debates involving agencies like the U.S. Drug Enforcement Administration and the European Monitoring Centre for Drugs and Drug Addiction. Legal tensions have involved litigation and policy negotiations with the Bolivian Ministry of Government, national courts including the Plurinational Constitutional Tribunal, and advocacy by human-rights organizations such as Amnesty International and Human Rights Watch. Controversies have intersected with coca-eradication programs in regions like the Chapare Province and diplomatic disputes with governments of United States administrations and delegations to the Organization of American States.

Visitor information

The museum is located in central La Paz near landmarks such as the Plaza Murillo, the Witches' Market (La Paz), and transport hubs connecting to El Alto International Airport. Opening hours and admission policies have been coordinated with municipal tourism offices and institutions like the Bolivian Institute of Tourism and the Ministry of Cultures and Tourism. Visitor services reference partnerships with local guides trained through programs at the Universidad Católica Boliviana and tour operators active with routes to the Yungas Road and Copacabana (Bolivia). Accessibility initiatives have drawn on standards promoted by the UNESCO World Heritage Centre and collaborations with the European Union cultural projects.

Research and educational programs

The museum runs research projects in collaboration with academic centers including the Universidad Mayor de San Andrés, the Universidad Autónoma Gabriel René Moreno, the National Autonomous University of Mexico, and international partners such as the Smithsonian Institution and the Instituto Cervantes. Educational outreach involves workshops for schools affiliated with the Ministerio de Educación and exchange programs with institutions like the Museo Nacional de Arqueología (La Paz) and the Museum of Natural History (Londres). Ongoing programs publish findings in journals linked to the Latin American Studies Association and present at conferences like the International Union of Anthropological and Ethnological Sciences and the World Congress of Anthropology.

Category:Museums in Bolivia Category:La Paz, Bolivia