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Luhring Augustine

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Luhring Augustine
NameLuhring Augustine
CaptionInterior gallery space
LocationNew York City
Established1985
FoundersLawrence Luhring; Roland Augustine
TypeContemporary art gallery

Luhring Augustine

Luhring Augustine is a contemporary art gallery based in New York City that has played a significant role in the international contemporary art market, exhibition culture, and museum circulation since the 1980s. The gallery is known for exhibiting a broad roster of established and emerging artists across painting, sculpture, installation, and video, and for maintaining relationships with major museums, auctions, biennials, and collectives. It operates within the networks of Chelsea, the East Village, and international art fairs, engaging with collectors from institutions such as the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, and major European museums.

History and Background

Founded in 1985 in Manhattan, the gallery emerged during a period marked by the expansion of the contemporary art scene alongside institutions like the Museum of Modern Art, the Whitney Museum of American Art, and the New Museum. It developed during decades shaped by major exhibitions such as the Venice Biennale, documenta, Art Basel, and the Whitney Biennial, and it has participated in the growth of Chelsea as a gallery district alongside contemporaries including David Zwirner, Gagosian, Pace Gallery, and Marian Goodman Gallery. The gallery’s trajectory intersects with shifts in the art market, auction houses such as Sotheby’s and Christie’s, nonprofit initiatives like Artists Space and the Dia Art Foundation, and residency programs including Skowhegan and the MacDowell Colony.

Founders and Leadership

The gallery was established by Lawrence Luhring and Roland Augustine, whose partnership positioned the space among influential dealer-directors active in New York’s gallery ecosystem alongside figures such as Leo Castelli, Mary Boone, and Barbara Gladstone. Leadership decisions have included artist representation, programming at prominent art fairs including Frieze New York and Art Basel, and collaboration with curators from institutions like the Guggenheim Museum, the Morgan Library & Museum, and the Cooper Hewitt. Over time the gallery’s management has navigated legal, financial, and curatorial complexities that intersect with collectors connected to the Morgan Stanley art advisory services, foundations such as the Ford Foundation, and philanthropic donors associated with museum boards.

Exhibitions and Programing

Luhring Augustine’s exhibition program has ranged from solo presentations to thematic group shows, often generating loans to museum exhibitions at entities like the Tate Modern, the Centre Pompidou, the National Gallery of Art, the Hammer Museum, and the San Francisco Museum of Modern Art. The gallery has mounted exhibitions that engage with trajectories visible in surveys at the Solomon R. Guggenheim Museum, the Institute of Contemporary Art, and the Pomona College Museum of Art, while also producing catalogues and partnering with publishers similar to Phaidon and Thames & Hudson. Programming frequently coincides with participation in international art fairs such as FIAC, TEFAF, Zona Maco, and Art Cologne, connecting with curators from the Royal Academy of Arts and scholars affiliated with Columbia University, Yale University, and New York University.

Artists Represented and Notable Works

The gallery represents and has historically exhibited artists whose careers intersect with museum retrospectives, major public commissions, and works acquired by institutions like the Brooklyn Museum, the National Portrait Gallery, and the Los Angeles County Museum of Art. Its roster has included painters, sculptors, photographers, and multimedia artists whose works circulate through biennials such as the São Paulo Biennial and the Istanbul Biennial and who appear in collections at the Hirshhorn Museum and Sculpture Garden, the Phillips Collection, and the Museum of Contemporary Art, Los Angeles. Several artists shown by the gallery have received awards including the MacArthur Fellowship, the Turner Prize, the Hugo Boss Prize, and Guggenheim Fellowships, and their works have been reviewed in press outlets such as The New York Times, Artforum, Art in America, and The Guardian.

The gallery’s physical locations in Manhattan have occupied spaces designed or renovated to accommodate large-scale installations, site-specific commissions, and cross-disciplinary programming that aligns with architecture practices represented by firms active on high-profile museum projects such as Diller Scofidio + Renfro, Herzog & de Meuron, and Renzo Piano Building Workshop. Gallery interiors have been noted alongside adaptive reuse projects in Chelsea warehouses and loft buildings similar to those redeveloped in the Meatpacking District and have hosted exhibitions requiring climate control, conservation protocols used by institutions like the Smithsonian Institution, and installation logistics comparable to those managed by major university museums.

Critical Reception and Influence

Critics and curators have positioned the gallery as influential in shaping collecting trends, curatorial careers, and market valuations, with reviews and features appearing in publications such as The New Yorker, The Wall Street Journal, ARTnews, and Frieze. The gallery’s influence is visible in loans to retrospective exhibitions at museums including the Art Institute of Chicago and in the career trajectories of artists who have entered academic appointments at schools like the Rhode Island School of Design, the School of the Art Institute of Chicago, and the Royal College of Art. Through participation in international fairs, collaborations with museum curators, and relationships with collectors connected to private foundations, Luhring Augustine continues to participate in the transnational networks that shape contemporary art production and institutional programming.

Category:Art galleries in New York City