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Les Murray

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Les Murray
NameLes Murray
Birth date17 October 1938
Birth placeNabiac, New South Wales, Australia
Death date29 April 2019
Death placeSydney, New South Wales, Australia
OccupationPoet, editor, critic, broadcaster
NationalityAustralian
Notable worksThe Weatherboard Cathedral; Subhuman Redneck Poems; Translations from the Natural World

Les Murray was an Australian poet, editor and critic renowned for his contributions to contemporary Australian literature and for shaping late 20th-century poetry in the English language. His oeuvre spanned lyric sequence, narrative verse, translation and editorial projects, intersecting with rural life, Catholic Church background, and international literary traditions. He became a defining figure within discussions around national identity, regionalism and poetic craft in institutions such as the Australian Broadcasting Corporation and publishing houses tied to the University of Queensland and Faber and Faber networks.

Early life and education

Born in the Hunter Region town near Nabiac, New South Wales, Murray grew up on a small farm influenced by the social and cultural milieu of New South Wales rural communities and migrant labor from Macedonia through his family. His upbringing was shaped by the intersection of Roman Catholicism practices, agricultural rhythms and local vernaculars common in the post-war Commonwealth of Australia era. He attended regional schools before moving to metropolitan centres and undertook further study connected to institutions such as Charles Sturt University and the informal networks of Australian literary journals tied to the University of Sydney and University of Melbourne faculties.

Career and literary work

Murray's career began with publication in Australian periodicals and engagement with editorial roles at venues that included Quadrant (magazine), Meanjin and other literary magazines that formed a nexus for poets like John Tranter, Gwen Harwood and Judith Wright. He published collections with presses associated with HarperCollins, Penguin Books Australia and independent Australian publishers, and his international presence connected him to translators and editors at Faber and Faber and universities in the United Kingdom and the United States. Murray also worked as a broadcaster for the Australian Broadcasting Corporation and participated in festivals such as the Melbourne Writers Festival and the Sydney Writers' Festival, appearing alongside contemporaries like Leslie Scalapino and critics from The Age and The Australian. He produced influential sequences and books including titles that drew attention in reviews in publications such as The New Yorker, The New York Review of Books and The Times Literary Supplement.

Style, themes and influences

Murray's poetics combined formal variety—lyric, narrative, stanzaic experiments—with a register that evoked rural registers and the lexicon of Australian pastoral life. His thematic concerns linked to places such as New South Wales and references to regional industries and landscapes that resonated with histories including settler narratives and Indigenous presence discussed in dialogues with figures from Aboriginal and Torres Strait Islander peoples advocacy and scholarship. His influences ranged from European and modernist predecessors evident in engagement with poets from Greece and translators of Homer, to modern figures like T.S. Eliot, W.H. Auden and Philip Larkin, and contemporaries including Derek Walcott and Seamus Heaney. Murray also translated and adapted works and was attentive to poetic traditions in languages connected to Macedonia and the wider Balkans, while his critiques often engaged with institutional debates involving organisations such as the Australia Council for the Arts and literary prizes like the Miles Franklin Award.

Awards and honours

Throughout his career Murray received major recognitions from Australian and international institutions, including state and national prizes presented by bodies like the Australia Council for the Arts, membership in orders such as the Order of Australia, and awards administered through universities including chairs, fellowships and honorary degrees from the University of Sydney and the University of Melbourne. He won national poetry prizes and was a frequent nominee and laureate in competitions associated with the Victorian Premier's Literary Awards, the Queensland Premier's Literary Awards and honours administered by institutions such as the Poetry Society (UK). His translated and edited work also featured in international awards and festival invitations in the United Kingdom, United States and Europe.

Personal life and later years

Murray's personal life intersected with public conversations about nationalism, cultural policy and religion, engaging journalists and commentators from newspapers such as The Sydney Morning Herald, The Australian Financial Review and magazines like The Monthly. In later years he resided primarily in Sydney, New South Wales and participated in teaching and mentorship connected to programs at the University of Adelaide and workshops affiliated with literary centres including Varuna, The Writers' House and the Blue Mountains Cultural Centre. His death in Sydney prompted obituaries and retrospectives in outlets such as The Guardian, BBC News and Australian national broadcasters, and led to posthumous collections, critical studies and archival deposits in repositories like the National Library of Australia and university libraries.

Category:Australian poets Category:1938 births Category:2019 deaths