Generated by GPT-5-mini| Journal of Modern Literature | |
|---|---|
| Title | Journal of Modern Literature |
| Discipline | Comparative literature |
| Language | English |
| Abbreviation | J. Mod. Lit. |
| Publisher | Indiana University Press |
| Country | United States |
| Frequency | Quarterly |
| History | 1977–present |
| Issn | 0022-281X |
| Eissn | 1946-5055 |
Journal of Modern Literature is a peer-reviewed academic journal focusing on twentieth- and twenty-first-century literature, criticism, and theory. It publishes research articles, review essays, and special issues that engage with modernist and contemporary literary movements, authors, and texts. The journal appears regularly and is associated with scholarly networks, university presses, and literary associations that shape Anglo-American and global literary studies.
The journal was founded in 1977 amid debates following the rise of New Criticism, Structuralism, Post-Structuralism, and Formalism, and it emerged alongside periodicals such as PMLA, Critical Inquiry, Modern Language Review, Modernism/modernity, and New Literary History. Early editors engaged with figures like T. S. Eliot, James Joyce, Virginia Woolf, Ezra Pound, and Marcel Proust while responding to theoretical influences from Roland Barthes, Jacques Derrida, Michel Foucault, Louis Althusser, and Pierre Bourdieu. Over subsequent decades the journal published work interacting with authors and movements connected to Friedrich Nietzsche, Georg Lukács, Antonio Gramsci, Walter Benjamin, and Theodor Adorno. Institutional affiliations shifted through collaborations with universities such as Indiana University Bloomington, University of Chicago, Columbia University, Harvard University, and Yale University as well as presses like Indiana University Press and organizations including the Modern Language Association and the Modernist Studies Association.
The journal's scope covers modern and contemporary literature in multiple languages and national traditions, engaging texts by Franz Kafka, Albert Camus, Gabriel García Márquez, Toni Morrison, Samuel Beckett, W. B. Yeats, Bertolt Brecht, Jean-Paul Sartre, and Clarice Lispector. Its comparative remit brings into conversation works by D. H. Lawrence, Ford Madox Ford, Marcel Proust, André Gide, Rainer Maria Rilke, Pablo Neruda, Federico García Lorca, Italo Calvino, Günter Grass, Orhan Pamuk, and Haruki Murakami. The journal frequently examines theoretical and methodological approaches inspired by Jacques Lacan, Julia Kristeva, Gayatri Chakravorty Spivak, Homi K. Bhabha, Fredric Jameson, and Seymour Chatman, and addresses intersections with cultural and political figures such as Frantz Fanon, Edward Said, Stuart Hall, Cornel West, and bell hooks. Special issues have centered on movements and events including Modernism, Postmodernism, Surrealism, the Russian Revolution, Spanish Civil War, World War I, and World War II, and on works like Ulysses, The Waste Land, One Hundred Years of Solitude, Beloved, and Mrs Dalloway.
Editorial leadership has included scholars affiliated with departments at Indiana University Bloomington, University of Pennsylvania, University of Michigan, Duke University, University of California, Berkeley, Princeton University, New York University, University of Toronto, and University of Oxford. The board typically comprises experts on authors such as Virginia Woolf, James Joyce, Marcel Proust, Samuel Beckett, Toni Morrison, and Gabriel García Márquez, as well as theorists from Michel Foucault, Jacques Derrida, Julia Kristeva, Hélène Cixous, and Harold Bloom. Manuscripts undergo double-blind peer review by specialists whose expertise spans national literatures—examples include scholars of French literature, German literature, Spanish literature, Russian literature, Chinese literature, and Latin American literature—and whose recommendations reflect standards shared with journals like Critical Inquiry and PMLA.
Published on a quarterly schedule, the journal issues four volumes per year and distributes through academic channels including university libraries at Library of Congress, British Library, Bibliothèque nationale de France, Bayerische Staatsbibliothek, and consortia such as JSTOR, Project MUSE, and EBSCOhost. Print and electronic subscriptions are offered to institutions at major research universities including Harvard University, Stanford University, Columbia University, University of Chicago, and University of California system. Special thematic issues are timed to coincide with conferences hosted by organizations such as the Modernist Studies Association, the Modern Language Association, Comparative Literature Association, and the American Comparative Literature Association.
The journal is indexed in bibliographic services and databases such as MLA International Bibliography, Scopus, Web of Science, Academic Search Premier, Humanities International Complete, and Arts & Humanities Citation Index. Citation metrics appear in repositories used by institutions like Clarivate, Elsevier, and ProQuest, and holdings are tracked in catalogues including WorldCat and national bibliographies like the Library of Congress Catalog.
Scholarly reception highlights the journal's role in debates about modernism, postcoloniality, narrative theory, and canon formation, with citations in monographs from presses such as Cambridge University Press, Oxford University Press, Routledge, Princeton University Press, and Yale University Press. Reviews and discussions have appeared in venues tied to the Modern Language Quarterly, New Literary History, Comparative Literature Studies, Boundary 2, and MLQ. The journal's influence is evident in curricular adoption at departments including Comparative Literature at Yale University, English at University of Oxford, Romance Studies at Columbia University, and in dissertations archived at institutions like ProQuest Dissertations & Theses.
Category:Literary magazines published in the United States Category:Academic journals established in 1977 Category:Quarterly journals