Journal of Film and Video

Journal of Film and Video
Title	Journal of Film and Video
Discipline	Film studies; Cinema studies; Television studies
Language	English
Abbreviation	J. Film Video
Publisher	University of Illinois Press
Country	United States
History	1948–present
Frequency	Quarterly
Issn	0022-0892

Journal of Film and Video is a peer-reviewed academic journal covering scholarship on film, television, and media production with emphasis on history, theory, aesthetics, and pedagogy. The journal has published research articles, critical essays, and reviews engaging major figures and institutions in cinema and television across national contexts. Contributors have examined works associated with directors, studios, festivals, and archives while dialoguing with scholars from leading universities and cultural institutions.

History

The journal traces roots to postwar scholarly initiatives tied to film societies and university programs influenced by figures associated with Bryn Mawr College, University of Iowa, Harvard University, Yale University, and University of Southern California. Early issues reflected debates that included commentary on auteurs like Alfred Hitchcock, Orson Welles, Charlie Chaplin, Sergei Eisenstein, and Satyajit Ray and considered institutional players such as British Film Institute, Museum of Modern Art, Cannes Film Festival, and Venice Film Festival. Over decades the journal responded to shifts in film studies marked by engagements with scholars linked to New York University, UCLA School of Theater, Film and Television, Columbia University, University of California, Berkeley, and research centers like British Library and Bibliothèque nationale de France. The editorial history shows transitions coinciding with the rise of television studies tied to networks such as BBC Television Service, NBC, CBS Television Network, and ABC and the digital turn associated with institutions like MIT and Stanford University.

Scope and Content

Articles span historical research on studios like Metro-Goldwyn-Mayer, Paramount Pictures, Warner Bros., 20th Century Studios, and United Artists; national cinemas such as French New Wave, Italian Neorealism, German Expressionism, Japanese Cinema, and Indian Cinema; and auteur studies on filmmakers including Ingmar Bergman, Federico Fellini, Akira Kurosawa, Wong Kar-wai, Pedro Almodóvar, Martin Scorsese, Stanley Kubrick, and Jean-Luc Godard. Interdisciplinary work links analysis of films and television programs to festivals like Sundance Film Festival, archives like Academy Film Archive, and awards such as Academy Award, Cannes Palme d'Or, and BAFTA Awards.

The journal also publishes methodological essays on pedagogy used in programs at New York Film Academy, London Film School, and Canadian Film Centre alongside technical discussions referencing organizations like Society of Motion Picture and Television Engineers and equipment histories involving brands tied to Technicolor, Eastman Kodak, and ARRI. Coverage includes reception studies related to distribution channels such as Netflix, Hulu, Amazon Prime Video, and institutions including Library of Congress and British Film Institute National Archive.

Editorial Structure and Publication Details

The journal operates under an editorial board drawn from faculty at universities including University of Texas at Austin, University of Chicago, University of Michigan, Northwestern University, and University of Pennsylvania. Editors have been scholars affiliated with departments at University of Wisconsin–Madison, Indiana University Bloomington, Ohio State University, and Rutgers University. It issues quarterly volumes containing peer-reviewed articles, review essays, and critical notes. Production, copyediting, and distribution involve collaboration with university presses and scholarly societies such as Society for Cinema and Media Studies and professional associations including Association of Moving Image Archivists.

Subscription and institutional access are arranged through academic libraries at Princeton University, University of Cambridge, University of Oxford, Yale University Library, and consortia represented by JSTOR and Project MUSE infrastructures. Special issues have been guest-edited to mark anniversaries and thematic agendas on topics like sound and music studies tied to figures such as Bernard Herrmann and Ennio Morricone.

Abstracting and Indexing

The journal is abstracted and indexed in major bibliographic databases serving humanities and arts scholarship, including services operated by EBSCO Information Services, ProQuest, Clarivate, and Scopus. It is discoverable through library catalogs at institutions like National Library of Medicine for audiovisual citations and through citation indexes used by researchers at European Research Council-funded centers, disciplinary hubs at Humboldt University of Berlin, and consortia coordinating digital humanities projects at King's College London.

Indexing enhances visibility in bibliographies and citation tracking used in evaluation exercises at national research councils such as Arts and Humanities Research Council and assessment frameworks like agencies in United States National Endowment for the Humanities contexts.

Impact and Reception

Scholarly reception situates the journal alongside flagship periodicals in film and media studies published by institutions like Oxford University Press, Cambridge University Press, Sage Publications, and Routledge. Authors citing the journal include researchers affiliated with Princeton University, Cornell University, Duke University, Brown University, and McGill University. The journal's articles have informed exhibitions at Tate Modern, Guggenheim Museum, and programming at Telluride Film Festival and influenced curricula at conservatories and departments such as Curtis Institute of Music when intersecting with film music studies.

Critics and reviewers in outlets connected to Sight & Sound, Film Comment, Cahiers du Cinéma, and The Criterion Collection discourse have engaged with work published in the journal, and its scholarship has been invoked in monographs from university presses including Princeton University Press and Duke University Press.

Category:Film studies journals