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| Irish Arts Review | |
|---|---|
| Title | Irish Arts Review |
| Discipline | Visual arts |
| Language | English |
| Abbreviation | IAR |
| Publisher | Irish Arts Review Ltd. |
| Country | Ireland |
| Frequency | Quarterly |
| Firstdate | 1984 |
Irish Arts Review
Irish Arts Review is a quarterly periodical devoted to the visual arts of Ireland. It offers scholarly essays, critical reviews, exhibition reports and features on painters, sculptors, photographers and curators active in the Irish Republic and Northern Ireland. The magazine situates Irish visual culture within international conversations, addressing artists, museums, galleries and biennales.
Founded in the 1980s, the magazine emerged amid debates surrounding institutions such as the National Gallery of Ireland, the Irish Museum of Modern Art, and the Ulster Museum. Early issues engaged with anniversaries and retrospectives of figures including Jack B. Yeats, Paul Henry, Walter Osborne, William Orpen and Seán Keating. Coverage tracked developments connected to the Arts Council of Northern Ireland, the Arts Council (Ireland), and policy shifts after the Good Friday Agreement. The publication documented major exhibitions at venues like the Royal Hibernian Academy, Tate Britain, Museum of Modern Art (MoMA), Centre Pompidou and touring shows that brought Irish art into dialogue with European institutions. Periods of editorial change reflected wider debates involving figures such as Sinn Féin, Fine Gael, Fianna Fáil and cultural funding decisions tied to events including the Euro 1992 era and the Celtic Tiger economic boom.
The magazine blends historical scholarship with contemporary criticism, often featuring essays on artists like Louis le Brocquy, Brian O'Doherty, Gerard Byrne, Dorothy Cross, Eva Rothschild, Richard Gorman and Róisín de Buitléar. It publishes exhibition reviews of shows at the Hugh Lane Gallery, IMMA, National Gallery, London, Irish Museum of Modern Art (IMMA) and provincial galleries such as Limerick City Gallery of Art and Booth Centre. Essays examine movements and moments tied to names like AE (George Russell), Sean Scully, Patrick Scott, Tony O'Malley, and photographers including Paul Seawright and Eugene McCabe—intersecting with curatorial projects by Sasha Suda, Sarah Glennie, Fergal Gaynor and international curators at institutions such as the Museum of Contemporary Art, Chicago and Guggenheim Museum Bilbao. Regular sections cover book reviews of monographs on Walter Sickert, exhibition catalogues for shows at the Frick Collection and auction analyses relating to houses such as Sotheby's and Christie's.
Produced by Irish Arts Review Ltd., the journal is issued quarterly and distributed through subscription, academic libraries including the Trinity College Dublin Library, the National Library of Ireland, and retail outlets tied to galleries like the Douglas Hyde Gallery. Back issues have been stocked by university presses and specialty distributors in cities including Dublin, Belfast, London, New York City, Paris, Berlin and Amsterdam. Advertising and partnerships have connected the title with biennales and fairs such as the Venice Biennale, Documenta, Frieze Art Fair and regional initiatives like the Derry~Londonderry City of Culture programme.
Contributors have included curators, historians and critics such as Siobhán Kilfeather, Eleanor Heartney, Fintan Cullen, John Hutchinson, Aidan Dunne, Jerry Saltz, Sinead McCoole, Martin Gayford, Edward Lucie-Smith, Colm Tóibín and Tom Deignan. Notable editors and board members have had connections to institutions like Trinity College Dublin, the National College of Art and Design, Queen's University Belfast and international museums including the Metropolitan Museum of Art and Victoria and Albert Museum.
Scholars and critics cite the magazine in bibliographies concerning artists such as Sean Keating, Paul Henry, Evie Hone and Norah McGuinness. Curators reference its essays in exhibition catalogues for retrospectives at the Hugh Lane, IMMA and international venues. The journal has influenced discourse around collecting practices involving galleries like the Chester Beatty Library, debates on conservation at the National Archives of Ireland, and scholarship published by presses such as Routledge and Oxford University Press. Reviews and polemics within its pages have intersected with public conversations involving figures like Seamus Heaney and policy discussions in the Oireachtas.
The magazine has sponsored and co-curated exhibitions and prizes in collaboration with institutions including the Royal Hibernian Academy, Irish Museum of Modern Art, Hungerford Gallery and regional contemporary arts centres. Its sponsored awards have celebrated emerging practitioners who later exhibited at the Tate Modern, Whitworth Art Gallery and participated in international residency programmes at Cittadellarte and the Irish Arts Center (New York). Coverage of prize-winners from the Turner Prize, BP Portrait Award and regional bursaries has appeared alongside profiles of recipients such as Dorothy Cross and Sean Scully.
Print archives are held in institutions like the National Library of Ireland, British Library, Trinity College Dublin and university special collections at Queen's University Belfast and University College Dublin. Digitisation projects have been coordinated with library consortia and cultural heritage initiatives to preserve back issues for researchers consulting catalogues in the Europeana network and databases maintained by bodies such as the Irish Research Council and the Digital Repository of Ireland.
Category:Irish magazines Category:Arts publications