Generated by GPT-5-mini| Flannery O'Connor Prize | |
|---|---|
| Name | Flannery O'Connor Prize |
| Awarded for | Annual prize for short fiction collections |
| Presenter | University of Georgia Press |
| Country | United States |
| First awarded | 1983 |
| Website | University of Georgia Press |
Flannery O'Connor Prize The Flannery O'Connor Prize is an annual literary award for short story collections administered by the University of Georgia Press. Established in the early 1980s, the prize honors the legacy of the American writer Flannery O'Connor and has been associated with a roster of judges, institutions, and writers prominent in contemporary literature. It functions as a bridge between regional Southern literary traditions and national publishing networks.
The prize was founded in 1983 with support from the University of Georgia Press, part of the University of Georgia system, and named for the author Flannery O'Connor, whose work connects to figures such as William Faulkner, Ernest Hemingway, Eudora Welty, Carson McCullers, and Tennessee Williams. Early administrators linked the award to literary communities in Athens, Georgia, Atlanta, and the broader American South, drawing interest from writers associated with presses like Farrar, Straus and Giroux, Knopf, Houghton Mifflin Harcourt, and Scribner. Over time the prize intersected with journals and organizations including The Paris Review, The New Yorker, Ploughshares, Glimmer Train, and Poets & Writers, contributing to careers that later engaged with institutions such as The New School, Iowa Writers' Workshop, Columbia University, University of Virginia, and Emory University.
Eligible manuscripts are generally unpublished collections of short fiction submitted to the University of Georgia Press competition, with entrants often affiliated with workshops, residencies, and programs such as the Iowa Writers' Workshop, Bread Loaf Writers' Conference, MacDowell Colony, Yaddo, and The Sewanee Writers' Conference. Submission guidelines historically required a manuscript of a specified length and format, and entrants frequently come from MFA programs at institutions like New York University, University of Iowa, Boston University, Texas State University, and University of Michigan. Many applicants list prior publication credits in outlets like Tin House, Granta, The Atlantic, Mississippi Review, and North American Review.
Manuscripts are evaluated through a combination of internal editorial review by the University of Georgia Press and adjudication by a guest judge, typically a novelist, short story writer, or critic with national standing—judges have included writers connected to Alice Munro, Joyce Carol Oates, Raymond Carver, Ann Beattie, Richard Ford, Jhumpa Lahiri, Zadie Smith, Chimamanda Ngozi Adichie, and Romy Ash. The selection process parallels practices used by awards such as the Pulitzer Prize, National Book Award, Man Booker Prize, and Pen/Hemingway Award, with anonymous submission stages, preliminary readers, and a final judge who selects the winning manuscript for publication. Administrative partners and advisory figures have often been linked to presses and organizations like Council of Literary Magazines and Presses, Association of Writers & Writing Programs, Knopf Doubleday, and university English departments across United States campuses.
Recipients of the prize have included writers who later achieved recognition from bodies such as the National Endowment for the Arts, Guggenheim Fellowship, MacArthur Fellows Program, and awards including the PEN/Faulkner Award, O. Henry Award, Pushcart Prize, and Whiting Awards. Notable winners and finalists have appeared alongside peers like Larry Brown, Barbara Kingsolver, Denis Johnson, Joy Williams, Ann Patchett, and George Saunders. Winners’ works have been taught at universities and featured in curricula at institutions such as Harvard University, Yale University, Princeton University, Stanford University, and Rutgers University, and have been reviewed in outlets including The New York Times Book Review, Los Angeles Review of Books, and The Guardian.
The prize has contributed to the canonization and continued study of short fiction in American letters, influencing syllabi, anthologies, and critical studies alongside scholarship on figures like Flannery O'Connor, Walker Percy, Ralph Ellison, Zora Neale Hurston, and James Baldwin. Its publication platform through the University of Georgia Press has linked winners to distribution channels and visibility comparable to university press successes from Oxford University Press, Cambridge University Press, and University of Chicago Press. The award’s emphasis on short fiction has reinforced institutional support for the genre within MFA programs, literary journals, and festivals such as the Brooklyn Book Festival, Literary Columbus, Key West Literary Seminar, and regional book fairs, shaping careers that later intersect with translation, film adaptation, and cross-disciplinary collaborations at venues including New York Public Library, Library of Congress, and national book awards committees.
Category:American literary awards Category:Short story awards