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| European Early Music Network | |
|---|---|
| Name | European Early Music Network |
| Formation | 1990s |
| Type | Non-governmental organization |
| Location | Europe |
| Fields | Early music, historical performance |
European Early Music Network is a pan-European consortium of ensembles, conservatories, festivals, scholars, instrument makers, and broadcasters devoted to the performance, preservation, and study of early music repertoires from medieval, renaissance, and baroque periods. The Network brings together practitioners linked to institutions such as the Royal Conservatory of The Hague, Conservatoire de Paris, Juilliard School for historical programs, and ensembles like The Tallis Scholars and Les Arts Florissants. Its activities connect major festivals and research centers including the Aix-en-Provence Festival, Glyndebourne Festival, Edinburgh International Festival, Salzburg Festival, and the Early Music Festival Innsbruck.
The Network functions as a coordinating body among national organizations such as BBC Radio 3, Radio France, Deutsche Grammophon-affiliated early music projects, and educational bodies like the Guildhall School of Music and Drama, Royal Academy of Music, and Hochschule für Musik und Theater München. Member ensembles range from historically informed groups—The English Concert, Academy of Ancient Music, Il Giardino Armonico, Hespèrion XX/XXI, Les Arts Florissants—to soloists associated with figures like William Christie, John Eliot Gardiner, Paul McCreesh, Jordi Savall, Christopher Hogwood, René Jacobs and Masaaki Suzuki. The Network engages publishers and recording houses including Harmonia Mundi, Archiv Produktion, Nimbus Records, Naxos, Virgin Classics and research centers like Royal College of Music archives, Institut de recherche et coordination acoustique/musique (IRCAM) collaborations, and medieval studies units at University of Cambridge and University of Oxford.
Founded amid the revival movements led by Nikolaus Harnoncourt and Gustav Leonhardt, the Network consolidated initiatives from national bodies such as Society for Seventeenth-Century Music, Early Music America, and the Consortium of European Music Conservatories during the 1980s and 1990s. Early milestones intersected with landmark events including the Baroque Explosion concerts, collaborations with the European Cultural Foundation, and projects funded by the European Commission cultural programs during the Maastricht Treaty era. The Network has coordinated historically informed premieres at venues like St. Mark's Basilica, Venice, Notre-Dame de Paris, Wigmore Hall, and Konzerthaus Berlin, and partnered with archives such as the Bibliothèque nationale de France and British Library to digitize sources like the Frottola and Cancionero manuscripts.
Membership comprises university departments—University of Oxford Faculty of Music, Université Paris-Sorbonne, Universität Mozarteum Salzburg—national academies such as the Royal Swedish Academy of Music and civic institutions like the Musée de la Musique. Governance typically involves a board with representatives from ensembles like Concerto Köln, conservatoires including Conservatorio di Milano, and festivals such as Britten-Pears Arts and Aix-en-Provence Festival. Professional networks and guilds including the European Union of Music Competitions for Youth and the International Musicological Society liaise with the Network, while associated workshops involve luthiers from families linked to Amati, Stradivari-inspired makers, and museums such as the Victoria and Albert Museum.
The Network runs educational programs with partners like Juilliard Historical Performance Program, summer academies inspired by Musica Antiqua Köln and masterclasses led by artists associated with Les Talens Lyriques, Ensemble Caprice, The Academy of Ancient Music, and Apollo's Fire. It administers artist exchanges involving institutions such as Conservatorio di Amsterdam, workshop residencies at Schola Cantorum Basiliensis, and collaborative research with the Max Planck Institute for Empirical Aesthetics and the Royal Conservatory of Antwerp. Initiatives include instrument conservation projects with the Museo degli Strumenti Musicali, transcription projects involving the Bodleian Libraries and editorial collaborations with publishers like Oxford University Press and Brepols.
Programming links festivals including Göttingen Händel-Festspiele, Monteverdi Festival in Cremona, Bologna Festival, Warsaw Autumn early music strands, Malmö Early Music Festival, Stockholm Early Music Festival, and the Ravenna Festival. The Network has curated series at major halls such as Royal Albert Hall chamber series, Teatro La Fenice baroque seasons, and partnerships with broadcasters including WDR Köln, Polskie Radio, Rai Radio 3 and ORF for live transmissions. It has supported thematic seasons devoted to composers like Claudio Monteverdi, Heinrich Schütz, Johann Sebastian Bach, Georg Friedrich Händel, Domenico Scarlatti, Henry Purcell, Arcangelo Corelli, Giovanni Gabrieli, Josquin des Prez and Guillaume Dufay.
The Network promotes editions and journals such as Early Music (journal), Early Music Today, monographs from Cambridge University Press, critical editions by Bärenreiter, and facsimiles issued by Dover Publications. Research collaborations include projects with University of Vienna, University of Bologna, École Normale Supérieure, Université libre de Bruxelles, Leipzig University and digital archives like Gallica and Europeana. Scholarly conferences have featured speakers from Royal Holloway, King's College London, Princeton University, Yale University, Columbia University, University of Chicago and Stanford University, and the Network sponsors doctoral fellowships linked to institutions including Trinity College Dublin and Humboldt University of Berlin.
Funding streams have included grants from the European Commission cultural funds, partnerships with foundations such as the Kulturstiftung des Bundes, Calouste Gulbenkian Foundation, Andrew W. Mellon Foundation, Paul Hamlyn Foundation, and sponsorship from recording labels like Sony Classical and Decca Classics. Corporate partners have included instrument makers represented at trade fairs like Midem and cultural partners such as UNESCO and the Council of Europe cultural programmes. Collaborative funding for digitization and touring has been coordinated with national bodies including Arts Council England, Fonds Podiumkunsten, Flemish Government, Norwegian Arts Council and the Swiss Arts Council Pro Helvetia.
Category:Early music organizations in Europe