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Brooklyn Academy of Music

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Brooklyn Academy of Music
NameBrooklyn Academy of Music
Established1861
LocationBrooklyn, New York City
TypePerforming arts center
DirectorSee Leadership and Governance

Brooklyn Academy of Music is a major performing arts institution in Brooklyn, New York City that hosts theater, dance, music, film, and educational programming. Founded in 1861, it has evolved through partnerships with national and international companies, festivals, philanthropists, and civic institutions to become a hub for avant-garde and classical work. The organization interacts regularly with venues, artists, and funders across the United States and abroad.

History

BAM was founded in 1861 amid civic institutions such as Brooklyn Navy Yard, Prospect Park, Brooklyn Bridge, Brooklyn Public Library, and Brooklyn Botanical Garden, influenced by figures like Samuel Tilden, Henry Ward Beecher, and patrons connected to P.T. Barnum. Early 20th-century expansions paralleled developments at Metropolitan Opera, Carnegie Hall, Radio City Music Hall, Lincoln Center, and Apollo Theater. During the 1930s and 1940s BAM engaged with touring companies from Royal Shakespeare Company, Ballets Russes, Martha Graham Dance Company, New York Philharmonic, and artists associated with Aaron Copland and Leonard Bernstein. Postwar cultural shifts linked BAM to movements led by Merce Cunningham, John Cage, Philip Glass, Twyla Tharp, and curators from Museum of Modern Art and Whitney Museum of American Art. The 1970s fiscal crises that affected New York City, Mayor Ed Koch, and organizations like New York City Opera and Dance Theater of Harlem also touched BAM. In the 1980s and 1990s BAM partnered with international festivals including Edinburgh Festival Fringe, Avignon Festival, Venice Biennale, Glastonbury Festival, and companies such as Pina Bausch Tanztheater Wuppertal, Complicite, Robert Wilson, Wim Wenders, Peter Brook, and Elliot Goldenthal. Renovations and institutional reorganizations involved collaborations with architects and donors linked to I.M. Pei, Frank Gehry, Renzo Piano, Paul Rudolph, Santiago Calatrava, Andrew Carnegie, Rockefeller Foundation, Ford Foundation, and Guggenheim Foundation.

Facilities and Architecture

BAM’s complex includes historic and renovated auditoria that reflect architectural dialogues with Brooklyn Academy, Brooklyn Heights Historic District, DUMBO, Fort Greene, and nearby landmarks like Williamsburgh Savings Bank Tower and Brooklyn Museum. Key theaters have been upgraded during projects influenced by firms that worked on Lincoln Center, Guggenheim Museum Bilbao, Princeton University Chapel, and Boston Opera House. The facilities host stages comparable to Metropolitan Opera House, Apollo Theater, Carnegie Hall, Radio City Music Hall, and Beacon Theatre. Technical systems draw on best practices used by Royal Albert Hall, Sydney Opera House, La Scala, Teatro Real, and Palau de la Música Catalana. Architectural conservation efforts referenced methods applied at Ellis Island Immigration Museum, Statue of Liberty National Monument, Brooklyn Bridge Park, and High Line redevelopment. The campus integrates rehearsal studios, galleries, and screening rooms analogous to spaces at Juilliard School, Tisch School of the Arts, Yale School of Drama, Bard College, and NYU Tisch.

Programming and Performances

BAM curates seasons featuring collaborations with a wide array of artists and institutions including New York City Ballet, Metropolitan Opera, American Ballet Theatre, Philadelphia Orchestra, Los Angeles Philharmonic, London Symphony Orchestra, Berlin Philharmonic, Paris Opera Ballet, Bolshoi Ballet, Royal Concertgebouw Orchestra, Eno, David Bowie, Björk, Kendrick Lamar, Philip Glass Ensemble, Thom Yorke, Yo-Yo Ma, Itzhak Perlman, Mikhail Baryshnikov, Marina Abramović, Marcel Duchamp Estate, Isamu Noguchi Foundation, and ensembles like Kronos Quartet and Eighth Blackbird. Film programs have featured retrospectives of Alfred Hitchcock, Federico Fellini, Akira Kurosawa, Ingmar Bergman, Jean-Luc Godard, Agnes Varda, Spike Lee, Martin Scorsese, Satyajit Ray, and festivals akin to Sundance Film Festival and Tribeca Film Festival. Theater commissions involved playwrights associated with Arthur Miller, Tennessee Williams, Tony Kushner, Suzan-Lori Parks, August Wilson, Sarah Ruhl, and international directors from Peter Brook, Robert Lepage, Simon McBurney, and Ivo van Hove. Dance residencies connected BAM to pioneers including Alvin Ailey American Dance Theater, Pina Bausch, Trisha Brown, Bill T. Jones, Ohad Naharin, Akram Khan, and companies from Stuttgart Ballet and Royal Danish Ballet. Special events and festivals have intersected with personalities and organizations like Louis Armstrong House Museum, NPR Tiny Desk Concerts, BBC Proms, Kennedy Center, BAMcinématek, Next Wave Festival, and funders such as Andrew W. Mellon Foundation and National Endowment for the Arts.

Education and Community Outreach

BAM’s education initiatives partner with local and national institutions including Brooklyn Public Library, New York City Department of Education, MOMA PS1, Brooklyn Children’s Museum, Prospect Park Alliance, Partners in Health, and universities such as CUNY, Columbia University, New York University, Pratt Institute, Borough of Manhattan Community College, Fordham University, and Brown University. Programs include school matinees, artist residencies, apprenticeship models modeled after Teach For America-adjacent arts programs, youth ensembles similar to those at Juilliard Pre-College and National Youth Orchestra, and community forums with cultural partners like Local Initiatives Support Corporation and Brooklyn Historical Society. Film, theater, and music education collaborates with archives such as Library of Congress, British Film Institute, Anthology Film Archives, and artist-mentors from organizations including Roundabout Theatre Company, Lincoln Center Education, New Victory Theater, and BRIC.

Leadership and Governance

Governance at BAM has involved boards and executive leadership connected to civic and cultural networks including trustees with ties to Mayor of New York City, New York State Assembly, Brooklyn Borough President, Brooklyn Chamber of Commerce, Carnegie Corporation of New York, Rockefeller Brothers Fund, Bloomberg Philanthropies, and legal counsel drawn from firms that advise National Endowment for the Arts recipients. Artistic directors, executive directors, and producers over time have engaged with peers at Lincoln Center for the Performing Arts, Kennedy Center, Carnegie Hall, Metropolitan Museum of Art, and international counterparts at Tate Modern, Centre Pompidou, Museum of Contemporary Art, Chicago, and Royal Opera House. Leadership transitions have reflected collaborations with unions and associations such as Actors’ Equity Association, American Guild of Musical Artists, Stage Directors and Choreographers Society, American Federation of Musicians, and funding strategies promoted by Council on Foundations, The Pew Charitable Trusts, and Ford Foundation.

Category:Performing arts centers in New York City Category:Culture of Brooklyn