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| Bhupen Hazarika | |
|---|---|
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| Name | Bhupen Hazarika |
| Birth date | 8 September 1926 |
| Birth place | Sadiya, Assam |
| Death date | 5 November 2011 |
| Death place | Guwahati, Assam |
| Occupation | Singer, composer, lyricist, filmmaker, poet, politician, playback singer |
| Years active | 1940s–2011 |
Bhupen Hazarika Bhupen Hazarika was an Indian singer, composer, lyricist, poet, filmmaker, and statesman renowned for his contributions to Assamese music, Indian cinema, and cultural movements across Northeast India. Hailing from Assam and educated in institutions in Calcutta, Guwahati, and the United States, he blended folk traditions with social themes, earning national and international recognition including the Bharat Ratna, Padma Vibhushan, Dadasaheb Phalke Award, and a role in the Rajya Sabha. His work influenced artists, filmmakers, and activists across India, Bangladesh, and Nepal.
Born in Sadiya in present-day Tinsukia district of Assam during the British Raj, he grew up conversant with Assamese culture, Bengali literature, and Hindustani music traditions. He attended schools in Jorhat and Guwahati before moving to Calcutta to study at Cotton College, Guwahati and later pursuing higher education at Gouripur and Miller High School. He won a scholarship to study at Columbia University in New York City, where he completed a Master's degree studying comparative literature and engaged with scholars at Harvard University and audiences in Greenwich Village. During his student years he interacted with personalities from All India Radio, Indian People's Theatre Association, and literary figures such as Rabindranath Tagore enthusiasts and critics from Oxford University circles.
His musical output drew on Assamese folk music, Bengali bhakti traditions, Gana sangeet movements, and influences from Western classical music, jazz, and blues, producing songs that addressed themes of identity, humanism, and social justice. He composed hundreds of songs in languages including Assamese, Bengali, Hindi, and English, collaborating with singers and composers from S.D. Burman, R. D. Burman, Lata Mangeshkar, Asha Bhosle, and regional artists associated with All India Radio stations in Guwahati and Kolkata. His repertoire included mass songs used in cultural events connected to Indian independence movement commemorations, Bengali Renaissance retrospectives, and festivals like Bihu and Pohela Boishakh. He recorded with studios in Bombay, Calcutta, and Shillong and performed at venues such as Rang Ghar, Pragjyotishpur, and international stages in London, Paris, Moscow, Tokyo, and New York City.
He worked as a filmmaker, music director, and playback singer in regional and national cinema, contributing to Assamese cinema, Bengali cinema, and Hindi cinema. His film work linked him with directors and producers from Jyoti Prakash Agarwala schools, collaborations with figures associated with Bengal School of Art filmmakers, and engagement with studios like Prabhat Film Company and New Theatres. He acted in and scored films screened at festivals including the International Film Festival of India, Cannes Film Festival entries and retrospectives showcasing Indian New Wave cinema. His cinematic compositions accompanied scripts dealing with themes resonant with activists from Chipko Movement contemporaries and writers from Sahitya Akademi circles.
Beyond music and film, he engaged with public service and politics, serving as a nominated member of the Rajya Sabha where he interacted with leaders from the Indian National Congress, critics from Bharatiya Janata Party, and policymakers addressing issues in Northeast Frontier Railway regions. He participated in cultural diplomacy with delegations to Bangladesh and Nepal, liaised with Ministry of Culture (India) officials, and contributed to commissions connected to National Integration Council initiatives. His advocacy intersected with activists from All India Students' Federation, planners from Nehru Memorial Museum, and social movements centered in Shillong and Kaziranga conservation dialogues.
Over his lifetime he received numerous honours from institutions such as the Sangeet Natak Akademi, Sahitya Akademi, and universities including Gauhati University and Dibrugarh University. National recognitions included civilian awards like the Padma Shri, Padma Bhushan, and Padma Vibhushan, as well as lifetime achievement awards including the Dadasaheb Phalke Award and posthumous tributes from the Government of Assam and cultural bodies like the Assam Sahitya Sabha. He was conferred honorary doctorates by universities including Tezpur University and engaged with international academies and councils such as UNESCO cultural forums and gatherings at Princeton University.
He was married and his family included relatives active in Assamese literature and regional arts communities, hosting cultural salons that welcomed poets from Kazi Nazrul Islam circles, musicians influenced by Hemanga Biswas, and film scholars from Film and Television Institute of India. His death in Guwahati prompted tributes from heads of state, artists associated with Bollywood and Tollywood, and institutions such as the National School of Drama and Sangeet Natak Akademi. His songs remain part of curricula in Gauhati University, are archived by All India Radio and national archives, and continue to inspire performers at festivals like Brahmaputra Beach Carnival and events honoring Assamese culture. His legacy is preserved in museums, commemorative stamps by the Government of India, and annual memorial concerts attended by delegations from Bangladesh and Nepal.
Category:Indian male singers Category:People from Assam