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Bergen Academy of Art and Design

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Bergen Academy of Art and Design
NameBergen Academy of Art and Design
Established1972
Closed2017
TypePublic college
CityBergen
CountryNorway

Bergen Academy of Art and Design

Bergen Academy of Art and Design was a Norwegian institution for higher learning in visual arts located in Bergen. It operated as an independent art college and later became part of larger institutional mergers, contributing to regional cultural sectors such as Norwegian Museum of Contemporary Art, KODE Art Museums and Composer Homes, and Bergen Philharmonic Orchestra. The institution maintained ties to national arts policy bodies including Arts Council Norway, Ministry of Culture (Norway), and regional cultural initiatives like Vestland County Municipality.

History

Founded in 1972, the academy developed amid shifts in Scandinavian cultural policy influenced by entities such as Nordic Council of Ministers, Kingdom of Norway, and debates around postwar cultural institutions like Stortinget. Its early leaders drew on precedents from institutions including Royal Danish Academy of Fine Arts, Oslo National Academy of the Arts, and Academy of Fine Arts, Helsinki. Throughout the 1980s and 1990s the academy expanded programs in response to international currents represented by exhibitions at Venice Biennale, exchanges with Guggenheim Museum, and collaborations with curators from Tate Modern and Musée d'Orsay. Institutional changes in the 2000s followed reform models seen at University of Bergen and culminated in a merger process linked to Western Norway University of Applied Sciences and national higher education reforms promoted by Norwegian Directorate for Higher Education and Skills.

Campus and Facilities

The academy's facilities were situated in central Bergen neighborhoods proximate to landmarks such as Bryggen, Fløyen, and Bergenhus Fortress. Studios and workshops included printmaking shops, wood and metal workshops, and digital labs modeled after facilities at Massachusetts Institute of Technology, Royal College of Art, and Rhode Island School of Design. Exhibition spaces hosted shows with curators associated with Documenta, Serpentine Galleries, and guest critics from Carnegie Museum of Art. Archive holdings intersected with collections at Henie Onstad Kunstsenter, Nasjonalmuseet, and the regional Bergen Kunsthall.

Academic Programs

Program offerings encompassed undergraduate and graduate courses influenced by pedagogies from Bauhaus, École nationale supérieure des Beaux-Arts, and State Academy of Fine Arts Stuttgart. Disciplines included studio practices aligned with methodologies at Goldsmiths, University of London, theory seminars referencing scholarship from Courtauld Institute of Art, and applied courses with partner organizations like Designmuseum Danmark and Norsk Form. Visiting faculty networks included practitioners and theorists linked to Anish Kapoor, Yayoi Kusama, Olafur Eliasson, Marcel Duchamp-inspired programs, and curatorial seminars drawing on models from MoMA and Centre Pompidou.

Research and Collaborations

Research activities addressed contemporary art production and curatorial practice, producing projects in collaboration with institutions such as Kunstvideo Werkstatt, International Biennial Association, European League of Institutes of the Arts, and research centers affiliated with University of Oxford, University of Cambridge, and Stockholm University. Grants and partnerships came through competitive schemes with Horizon 2020, NordForsk, and national funding from Research Council of Norway. Collaborative exhibitions and research residencies involved connections to Copenhagen Contemporary, MAXXI National Museum, and artist-run spaces linked to Turbina and Platform. Interdisciplinary initiatives engaged with design studios at Aalto University, music projects with Bergen International Festival, and technology partnerships referencing ETH Zurich.

Student Life and Organizations

Student organizations mirrored structures found at Studentersamfunnet i Bergen, the National Union of Students in Norway, and local cultural producers like BIFF Bergen International Film Festival. The student union coordinated events often featuring guests from Skulpturfabrikken, Kunstnernes Hus, and international collectives such as Fluxus. Student exhibitions were staged in collaboration with venues including USF Verftet, Vestlandske kunstindustrimuseum, and festival programming at Ultima Oslo Contemporary Music Festival. Exchange students arrived via agreements with Erasmus Programme, Nordplus, and bilateral ties to institutions like Parsons School of Design and Central Saint Martins.

Notable Alumni and Faculty

Alumni and faculty included practitioners who exhibited at major venues such as Documenta, Venice Biennale, and Whitney Biennial, and who collaborated with figures like Johan Kagge, Bjørn Nørgaard, Olav Christopher Jenssen, Marianne Heske, Lars Elling, Tore Hansen, Håkon Bleken, Karen Reinsvold, Karin Andersen, Kjetil Røed, Ida Ekblad, Bjørn Melhus, A K Dolven, Arne Nordheim, Gustav Vigeland, Sverre Fehn, Knut Åsdam, Per Inge Bjørlo, Benedikte Bødtker, Inger Sitter, Anniken Grønning, Jorunn Veiteberg, Eivind Naranowicz, Gitte Dæhlin, Torbjørn Rødland, Bjarne Melgaard, Hrafnhildur Arnardóttir, Camilla Smith, Margrethe Munthe, Julie Brown, Helene Strømøy, Svein Bollingmo, Toril Johannessen, Egil Hegerberg, Marit Tingleff.

Category:Universities and colleges in Bergen